The Courier

The Courier is a strange little flick that dabbles in the kind of pulpy narrative which the 80's were famous for. One lone antihero sets out to deliver a package of enigmatic value to a recipient that is always one step ahead of him, proving to be quite elusive. Bad guys and gals hinder him at every turn and violence ensues, leading up to an inevitable confrontation and in this case a neat little twist that admittedly defies any sort of reason, yet is fun for the actors to play out and provides sensationalism, a trait that's commonplace in such films. Jeffrey Dean Morgan is a haggard presence in any role, a guy you immediately feel rooted to in a scene. He gets the lead role here, playing an underground criminal courier, passing along dangerous goods from one cloak and dagger person to another. His latest task comes from his handler (Mark Margolis): Deliver an odd case to a reclusive criminal mastermind known only as Evil Sivle. Little information is given beyond that, but it soon becomes apparent that his mission is a cursed one, as he finds himself a hot target for all kinds of weirdos. German live wire Til Schweiger plays a dirty federal agent who hassles him with that campy charisma and narrow eyed theatricality that only he can bring to the table. Miguel Ferrer and Lilli Taylor are priceless as Mr. & Mrs. Capo, a pair of married contract killers who discuss their dinner plans whilst hunting their quarry, and have devised some truly vile torture methods involving culinary instruments. Yeah, it's that kind of movie, where B movie mavericks are let off the chain and allowed to throw zany stuff into their otherwise pedestrian material that often borders on experimental. Morgan is assisted by a young chick (Josie Ho) who saves his ass more than a couple of times. Mickey Rourke shows up late in the game as Maxwell, a mysterious Elvis impersonator and Vegas gangster who plays a crucial role in Courier's quest. Trust Rourke to take a derivative, underwritten supporting character and turn the few minutes of screen time he has into utter gold that elevates his scene onto a plane which the film as a whole is sheepishly undeserved of. Morgan is better than the flick too, but he's great in anything. He ducks the heroic panache of the action protagonist and dives into growling melancholy, his grizzly bear voice and imposing frame put to excellent use. This one got critically shredded upon release. Yeah it ain't great, but it sure as hell ain't terrible. Worth it for a cast that makes it work, and for that classic genre feel that can't be beat.

OK this film isn't bad.

The first reason why it's disappointing it's because - just like Black Death (2010) - it tries to "keep it real" way too much .. films need escapism, to a point, and here it almost seems that they decided to go full speed for the not-Hollywood look.

Now i'm not one to defend Hollywood, but what kills this film is that the direction is poor; it fails to capitalise on the realism, instead giving me a film that looks like an amateur production. Some of the shots are truly amateurish, and often the camera-work fails to make a scene interesting.

Having said that, The Courier isn't half bad, there are plenty things i liked in it, from the fight moves to the casting (the lead is a bit wooden, the girl fits the part OK~ish, the detective is perfect), and the whole production is pretty decent.

I also don't subscribe to the whole "it's full of cliché'" thing; if anything, it tries to avoid clichés in a film genre where everything has already been done.

All in all, i can say that it's an interesting film to watch, even though i get the feeling the director has a background in TV - seriously, you (whomever you are) truly murdered what could have been an interesting flick.

So, after all considerations, i give The Courier a decent 6/10 - better than MI3, and no Tom Cruise.

"Walking out the door doesn't mean it's over." The courier (Morgan) is the best at what he does. If you have a package that needs to be delivered he will ask no questions and get it there on time. When he is approached with a deal, deliver a briefcase and get a million dollars, but if he fails his family will be killed. Realizing he has no choice he accepts. When he finds out the recipient is a feared killer and people he meets are out to get him the job becomes much more then a simple delivery. I know what you thinking...this sounds like the "Transporter" and you couldn't be more wrong. The courier in this movie doesn't drive everywhere, he runs too. He doesn't find a girl in the trunk of a car, he just finds her. He doesn't try and deliver a briefcase to someone but ends up being a target himself....wait...never mind. This is not a 100% copy but it's close. I like Morgan but Statham is really the only one who should do this role. If you liked the "Transporter" then you will probably like this one. The ending did make it a little better and the second half was entertaining but this is pretty much "Transporter 4". Overall, not bad but they should have called it what it is. I give it a B-.

Jeffrey Dean Morgan is a specialist in delivering packages without questions in Hany Abu- Assad's, The Courier. The best in this niche industry, Morgan is forced to take on a job to protect those close to him by delivering a package to someone who is supposedly dead. A dark mystery unravels as he gets closer to discovering the truth about his target and himself.

With notable performances on the small screen in Supernatural and Grey's Anatomy as well as a significant contribution in Zack Snyder's, Watchmen, one shouldn't be surprised with Morgan headlining a suspense thriller. Thing is, you wish he had opted out of this feature. Even with recognisable faces, The Courier has that low-budget feel about it and the story never really hooks you. It's a respectable attempt but the plot really doesn't blow your mind away and may instead give you a headache. After a while it begins to get tedious and you decide to follow it to the end only to write a review!

Assad's attempt isn't amateurish but it certainly isn't award winning. Morgan gives a solid performance with what he's got but it's nowhere near enough. The story is, well, blah and this is one to miss.

A Courier (Jeffrey Dean Morgan) is tasked with delivering a package to a crime boss (Mickey Rourke) thought to be dead. Hilarity ensues.

"Yeah, I Watched This Movie". That's the attitude I had when "The Courier" reached its conclusion. We have seen this type of movie before, often, and we have had more fun at the expense of a larger budget. But like so many other movies nowadays, we feel a bit let-down when the screen goes black.

Jeffrey Dean Morgan, an exceptional actor who never seems to be the right fit for his character, does the best he can with what he has. His character wakes up in a crummy apartment infested with mice. He uses superglue to fix a nasty cut. Yet despite all this self-loathing, he has good friends and family that he cares about. What's with that?

The female lead is bizarre. Her hairstyle makes it appear as if her follicles are desperate to escape from her scalp, and considering how bad it is, I can't blame it for trying. She also has an unnecessary dubbing-over occasionally when she speaks. Perhaps they shot the film and forgot to record her at places.

Mickey Rourke and Til Schweiger, the other draws on the cover, are under and wrongly used. Rourke's head is only visible for the first half of his scenes, the latter's introduction is corny. Schweiger's bodyguard hasn't ever seemed to have used a fire arm before, let alone in a movie.

An odd assortment of has-beens and ne'er-do-wells fill out the rest of the cast. Lily Taylor and Miguel Ferrer play a Team Rocket type pair of villains who never say much besides grunts and gunshots. Mark Margolis, the definitive "that guy!" of actors plays Morgan's dad, or something. I'll give you one guess as to his fate.

"Yeah, I Watched That Movie." That is what I will say to people when they ask if I have seen "The Courier". And it might take me a minute to remember exactly what they are talking about.