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Pele: Birth of a Legend

Original title: Pelé: Birth of a Legend
  • 2016
  • PG
  • 1h 47m
IMDb RATING
7.1/10
22K
YOUR RATING
Pele: Birth of a Legend (2016)
Pele's meteoric rise from the slums of Sao Paulo to leading to Brazil to its first World Cup victory at the age of 17 is chronicled in this biographical drama.
Play trailer2:22
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DocudramaSoccerBiographyDramaSport

Pele's meteoric rise from the slums of Sao Paulo to leading Brazil to its first World Cup victory at the age of 17 is chronicled in this biographical drama.Pele's meteoric rise from the slums of Sao Paulo to leading Brazil to its first World Cup victory at the age of 17 is chronicled in this biographical drama.Pele's meteoric rise from the slums of Sao Paulo to leading Brazil to its first World Cup victory at the age of 17 is chronicled in this biographical drama.

  • Directors
    • Jeff Zimbalist
    • Michael Zimbalist
  • Writers
    • Jeff Zimbalist
    • Michael Zimbalist
  • Stars
    • Vincent D'Onofrio
    • Rodrigo Santoro
    • Diego Boneta
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    22K
    YOUR RATING
    • Directors
      • Jeff Zimbalist
      • Michael Zimbalist
    • Writers
      • Jeff Zimbalist
      • Michael Zimbalist
    • Stars
      • Vincent D'Onofrio
      • Rodrigo Santoro
      • Diego Boneta
    • 70User reviews
    • 39Critic reviews
    • 39Metascore
  • See production info at IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:22
    Official Trailer

    Photos38

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    Top cast34

    Edit
    Vincent D'Onofrio
    Vincent D'Onofrio
    • Feola
    Rodrigo Santoro
    Rodrigo Santoro
    • Brazilian Announcer
    Diego Boneta
    Diego Boneta
    • Jose
    Seu Jorge
    Seu Jorge
    • Dondinho
    Kevin de Paula
    • Pele
    Leonardo Lima Carvalho
    Leonardo Lima Carvalho
    • Younger Pele
    Mariana Nunes
    Mariana Nunes
    • Celeste Arantes (Pele's Mother)
    Milton Gonçalves
    Milton Gonçalves
    • Waldemar de Brito
    Seth Michaels
    Seth Michaels
    • Mario Zagallo
    André Mattos
    André Mattos
    • Santos club's coach
    Phil Miler
    Phil Miler
    • Narrator
    • (voice)
    Rafael Henriques
    • Yuri (14 year old)
    Felipe Simas
    Felipe Simas
    • Garrincha
    Adriano Aragon
    Adriano Aragon
    • French Announcer
    • (voice)
    Mariana Balsa
    Mariana Balsa
    • Lucia
    Eric Bell Jr.
    • Zoca
    • (voice)
    Fernando Caruso
    • Zito
    Tonya Cornelisse
    Tonya Cornelisse
    • Swedish Girl
    • Directors
      • Jeff Zimbalist
      • Michael Zimbalist
    • Writers
      • Jeff Zimbalist
      • Michael Zimbalist
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews70

    7.122.4K
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    Featured reviews

    7ferguson-6

    It's a kick

    Greetings again from the darkness. From rags to riches … a common expression that often leads to a paint-by-numbers movie. Co-directors Jeff Zimbalist and Michael Zimbalist are fortunate in that their "coming of age" subject is the globally famous Pele' – often considered the greatest soccer/futbol player of all-time.

    Rather than revisit the career of the transcendent player who later dedicated his life to humanitarian causes, the film kicks off with a 17 year old Pele trotting out onto the pitch at the 1958 World Cup. It then flashes back 8 years to when 9 year old "Dico" was growing up in the slums of Sao Paulo. We get to see his relationship with his family … his dad taught him to play, and his friends were loyal to him and encouraged him to pursue his dream.

    There are some similarities to "The Sandlot" as we watch the joy these boys have in playing the sport whenever and wherever they can … plus the origin of the somewhat derogatory and now immortal nickname. It seemed that Pele' was able to carry this love of the game throughout his career. We see boys huddled around a radio listening to the 1950 World Cup as Brazil's team was humiliated … an event that played a role in Pele' returning pride to a bruised country.

    Kevin de Paula plays Pele' as he works his way up through the age groups and national teams. Often the youngest and shortest player, the film depicts him as a shy kid often out of his element … the polar opposite to the beaming superstar we so often saw later in his career. There is an explanation of the roots of the "Ginga" style and its ties to the Brazilian culture and martial arts.

    For some reason, Vincent D'Onofrio is cast as Brazil's Coach Feola and we are forced to endure a tortuous accent that is basically inexcusable these days. There are also some exaggerations in the crowd scenes and shots of the press, though young de Paula underplays the lead. Colm Meaney plays George Raynor, the coach of Sweden in that infamous 1958 World Cup, and we do get a cute little cameo from Pele' himself.

    The film does a nice job with the young man's childhood and progression towards superstar (the IOC named him the athlete of the century). He is presented as close to his family, and inherently quiet and calm. The match clips of Pele' that play over the closing credits are proof that a movie just can't capture the transcendence of his talent. Pele' is truly the reason it's "the beautiful game".
    agreatstory

    The Pluses Outweigh The Minuses

    Like the excellent Kevin Costner film: "McFarland USA" this movie sensitively shows how sport can significantly alter a people's identity (in this case the entire nation of Brazil was uplifted from a sense of inferiority within the world community, to a pride in their own uniqueness). The acting is good. The sports action scenes are remarkable (how did they get an actor with such great soccer skills?) and the music is by the great A.R. Raman. A lot of care was put into the making of this film, but a lot was lost, I feel, by having the actors speak mostly in English. And it wasn't dubbed English, it was the Brazilian actors trotting out their heavily accented English. That had the effect of taking away much of the authenticity the film had worked so hard to achieve. (That the real-life Pelé has a cameo appearance - and thus takes the viewer out of the scene's intended verisimilitude - is, perhaps, excusable - I can cut it that slack). One more grumble: the movie trailers announced: "With Rodrigo Santoro". I will see anything with him in it - he is a terrific actor. But he appears for LITERALLY FIVE SECONDS! Really! That is unacceptable marketing...'bait and switch', actually. But see the movie anyway. (BTW, I met Pelé in 1984. We talked for about ten minutes, and at one point, after we had been briefly interrupted, he put his arm around me and said: "So, my Brazilian-American friend, where were we?" He had a golden air about him, and yet was completely down-to-earth even though we talked about cosmic reality. To listen to my five minute audio recording about meeting Pelé, search for "Pelé And His Brazilian- American Friend".
    8saurabhjustu

    This is more than just a mere football movie

    PELE is probably the biggest name in the soccer history that has shaped & shifted the current playing style of modern day game. The extravagant career speaks for itself. The movie shows us the making & coming to be of PELE.

    I see a lot pf people saying this movie is predictable, not so good & what not. to all of them & most importantly to all of u i say, this movie is more than just a football movie. Not every movie is supposed to be a thriller or an Avenger movie. simple things in life have a way of getting to us.

    This movie is about small & humble beginnings, its about friendship , its about believing in one self, taking the risk. Movie shows us that is does not matter if u have all the resources or opportunities in the world. if u keep at it, if u find something that you are passionate about & stick to it, day by day, night after night, the results speak for itself.

    Movie has amazing moments, really great camera work. one of the best for all the soccer movies out there. Even if one know nothing about the legend that PELE is, once you are into the movie, you cant resist to feel the journey he is going to make in life. I was finding myself constantly tears of joy rolling down my cheek coz i was hooked into the movie. had soo many of those watering your eyes moments that once the movie was over, i was filled with joy and happiness to have witness such a good work of art.

    Acting & direction is simple & stunning. camera-work is amazing , specially in those moments you want to fell the greatness of the legend, the movie gives you that.

    I'll keep going back to watching this movie , just to feel that joy of watching something beautiful in the making again & again.
    dave-mcclain

    "Pelé: Birth of a Legend" is a flawed, but inspiring film.

    Brazilian teams play a style of soccer all their own. (Yeah, I called it soccer. Gimmie a break. I'm an American.) They call that style "ginga". It's a very fluid kind of play that emphasizes creative ball control. Some call this style of play "flamboyant". Others dismiss it as "trick plays". Brazilians simply think of it as… their heritage. The Urban Dictionary's definition of ginga states, in part, "Ginga is creativity... the opposite of mechanical soccer. It is having fun with the ball. It is grace. It is being fluid and coordinated. IT IS SOUL. IT IS DANCE." A June 15, 2014 "New York Times" article explains the development of ginga this way: "…an imaginative style of play that made competition and gratifying playfulness inseparable, with blacks and people of mixed race rising from exclusion and becoming its main protagonists." Ginga is a unique mixing of the skills of samba dancers with Brazilian martial arts fighters, all applied to the game of soccer, turning it into, as the Brazilians call it, "the beautiful game", while also celebrating Brazil's different races and cultures. The focus on ginga in the biopic "Pelé: Birth of a Legend" (PG, 1:47) educates its audience, celebrates that style of soccer and captivates Movie Fans with the true rags-to-riches story of the greatest soccer player ever, a man known all around the world simply as… Pelé.

    As the film opens, the nearly 10-year-old Pelé (born Edson Arantes do Nascimento, and called "Dico" by his family and friends) is watching a television broadcast as his native Brazil loses the 1950 World Cup to Uruguay. Brazil's loss was a huge upset, a phrase which also describes the emotions of Brazil's soccer fans (which was basically everybody). The entire country was shocked, humiliated and demoralized. Dico (Leonardo Lima Carvalho) promises his father, a former soccer player known as Dondinho (played by Brazilian musician/actor Seu Jorge), that he, Dico, will one day bring Brazil a World Cup Championship.

    Dico's family is so poor that Dico doesn't even own a soccer ball – or even a pair of shoes, but the kid manages to develop his natural talent anyway. Under his father's tutelage, he learns ball-handling by juggling and kicking grapefruits and he plays on a local team with his friends. Their team is literally called "The Shoeless Ones" and is mercilessly mocked by the town's rich kids, who single out Dico for a special measure of abuse and start calling him "Pelé". It's a made-up name which is meant to be an insult, and Dico hates the name, but as he works through his anger by helping his team play better than expected on the soccer field, the name sticks, and "Pelé" becomes synonymous with Dico and his amazing talent.

    Continuing to hone his skills on his own time and play brilliantly on the field in spite of having to endure prejudice and personal tragedy, Pelé (played as a teenager by Kevin de Paula) is recruited and mentored by former player Waldemar De Brito (Milton Gonçalves). Pelé's talent gets him a spot on a professional soccer club, Santos FC, and then on Brazil's national team, all before he reached the age of 17. On the national team, Pelé's coach is Vicente Feola (Vincent D'Onofrio), the latest in a series of coaches who tries to beat Pelé's individuality out of him and force him to play a more traditional and "sophisticated" European style. Many Brazilians blamed the ginga style of play for the 1950 World Cup loss, but ginga is Pelé's strength. Pelé finds himself struggling with his coach's instruction, and an old adversary turned teammate, plus a significant knee injury, all while the national team prepares for the 1958 World Cup tournament and a possible championship matchup against the heavily-favored team representing the host country of Sweden, coached by the arrogant and condescending George Raynor (Colm Meaney).

    "Pelé: Birth of a Legend" represents formulaic and unrefined filmmaking, but still manages to inspire on multiple levels. Co-written and co-directed by brothers Jeff and Michael Zimbalist (both working on their first feature film), the movie follows the tried-and-true pattern of most sports movies, but suffers from some minor issues of technique. The script sometimes stops short of completing its thoughts and the film is a bit over-edited, making the viewer feel like something is missing in a few of the scenes. Some characters are underdeveloped and some of the acting is shaky, but the main characters (especially D'Onofrio, Jorge and de Paula) all give strong performances. The film spends too much time on Pelé's childhood and not enough time on his rise through the ranks of Brazilian soccer, but does convey why Pelé was so good and wisely culminates with the '58 World Cup, at which point it's clear that all the pieces are finally in place for Pelé's eventual worldwide fame and unparalleled success. In spite of the film's lack of originality and other relatively minor problems, the Zimbalist brothers and their cast and crew give us plenty to shout about during the film's third act and leaves us with important lessons about determination, resilience and playing to our strengths, as well as the importance and strength of diversity. As much as I enjoyed "Pelé: Birth of a Legend" (especially its emotional ending), after fairly weighing all of its strengths and weaknesses, the most I can give it is a mild recommendation: "B"
    yassinharafa

    Inspirational.

    The best movie ever, because I feel very inspired by this amazing and one of a kind movie.

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    Related interests

    Jesse Eisenberg in The Social Network (2010)
    Docudrama
    Keira Knightley and Parminder Nagra in Bend It Like Beckham (2002)
    Soccer
    Ben Kingsley, Rohini Hattangadi, and Geraldine James in Gandhi (1982)
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    Sport

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The Old Guy in suit who's tea was dropped by the Brazilian team at the hotel before the Final of 1958 World cup was actually the real Pele as himself.
    • Goofs
      In the film, Pelè's mother is a servant in Josè Altafini "Mazzola's" home. In real life, both Pelè and Altafini were from modest families. They also lived in different towns.
    • Crazy credits
      The end credits include the disclaimer that "The persons and events in this motion picture are fictitious. Any similarity to actual persons or events is unintentional." Which is of course ridiculous considering this is a biopic of Pelé loaded with real events (like the 1958 world cup).
    • Connections
      Features 1958 FIFA World Cup (1958)
    • Soundtracks
      The Little Rascal
      Performed by Anna Beatriz

      Composed by A.R. Rahman

      © 2016 Sony Classical

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    FAQ17

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    Details

    Edit
    • Release date
      • May 13, 2016 (United States)
    • Country of origin
      • United States
    • Official site
      • Official site (Japan)
    • Languages
      • English
      • Portuguese
      • Swedish
    • Also known as
      • Pelé: Birth of a Legend
    • Filming locations
      • Rio de Janeiro, Brazil
    • Production companies
      • Imagine Entertainment
      • Seine Pictures
      • Zohar Cinema
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $57,046
    • Opening weekend US & Canada
      • $7,226
      • May 15, 2016
    • Gross worldwide
      • $7,846,608
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 47m(107 min)
    • Color
      • Color
    • Aspect ratio
      • 2.35 : 1

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