As tensions with the New York family reach a breaking point, Tony scrambles to protect his crew and family while long-standing alliances, including his therapy with Dr. Melfi, come under inc... Read allAs tensions with the New York family reach a breaking point, Tony scrambles to protect his crew and family while long-standing alliances, including his therapy with Dr. Melfi, come under increasing strain.As tensions with the New York family reach a breaking point, Tony scrambles to protect his crew and family while long-standing alliances, including his therapy with Dr. Melfi, come under increasing strain.
- Christopher Moltisanti
- (credit only)
- Junior Soprano
- (credit only)
- Bobby 'Bacala' Baccalieri
- (as Steven R. Schirripa)
- Charmaine Bucco
- (as Katherine Narducci)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
best episode ever
Everithing comes to an end
As a doctor, I think...
This is an eventful episode that perfectly sets up the series finale.
It is impossible to reveal details without spoilers, but it's safe to say that it is one of the most violent and fast moving episodes in the show. A lot of what happens is likely to satisfy fans of the gangster movie genre, but it all stays true to the themes and character arcs of 'The Sopranos'.
All performances are fantastic as ever, with all actors having great moments to shine.
Visually there are some very memorable scenes, particularly the more action orientated moments that are typically 'Sopranos' in their quirkiness of imagery and editing. The 'Raging Bull' tribute is amazing.
Unbelievable television
Long Term Parking will forever be my favorite episode from the Sopranos but it wasnt the peak of the series in a sense way that we felt this was where it collapsed or where the tensions hit the highest peak in Sopranos, but thats what The Blue Comet does
Just stunning.
The episode is marked by an atmosphere of escalating tension, with scenes of extreme violence and decisions that permanently alter the characters' fates
"The Blue Comet" is one of the most intense and pivotal episodes of The Sopranos' sixth season. The episode opens with the murder of Burt Gervasi, signaling that the war between the New Jersey and New York families has reached its peak. The scene of Burt's garroting is brutal and realistic, unlike the garroting of Febby Petrulio in the first season, showing how violence has become more explicit throughout the series. Tony Soprano, upon learning that Phil Leotardo has ordered an attack to kill the leaders of his organization, tries to protect himself and his crew, sending everyone into hiding.
The plot features the arrival of two Italian hitmen sent to kill Phil, but due to a communication error, they end up killing Phil's father and girlfriend instead of Phil himself. Meanwhile, Bobby Baccalieri is murdered in a train shop, a scene rich in symbolism as the Blue Comet train represents the end of innocence and the arrival of chaos. Silvio Dante is shot and falls into a coma, highlighting the cost of the war and the fragility of the characters.
Desperate, Tony orders his family into hiding, and Carmela and Meadow retreat to a safe location. The family crisis intensifies: AJ is recovering from a suicide attempt, and Melfi finally decides to end her therapy sessions with Tony, recognizing that he is an irredeemable criminal and that she can no longer help him. The episode is marked by an atmosphere of escalating tension, with scenes of extreme violence and decisions that permanently alter the characters' fates.
In parallel, the episode explores the fragility of family relationships and the impossibility of escaping the cycle of violence. The scene where Tony drains the pool is symbolic, representing the end of an era and the loss of something that once symbolized tranquility and home. The episode ends with Tony and his crew in hiding, preparing for the final showdown of the series.
Additionally, the episode highlights the importance of symbolism and atmosphere. The train shop, for example, represents lost childhood and innocence that cannot be regained. Bobby's death is a metaphor for the end of hope and the dream of a normal life. The extreme violence, such as Burt's garroting and the shootout at the Bada Bing, shows how the war between the families has reached a point of no return.
Melfi's decision to end Tony's therapy is a crucial moment, representing the recognition that he is an irredeemable criminal. The scene where Tony drains the pool is symbolic, representing the end of an era and the loss of something that once symbolized tranquility and home. The episode ends with Tony and his crew in hiding, preparing for the final showdown of the series.
I am not ready for this to end...
I cannot believe this show is ending.
I love this show, I think it surpasses every show on TV.
The build up, the loss of our beloves characters, the pacing, it's perfect.
Did you know
- TriviaThe study Dr. Melfi is shown reading, "The Criminal Personality" by Drs. Samuel Yochelson and Stanton Samenow, is an actual study. Yochelson, the principal author, died in 1976. His work became well known in the 1970s and 1980s.
- GoofsBefore Agent Harris reveals to Tony about the Phil Leotardo's plan to murder him or those close to him, we can see Tony's Escalade in the background. When then camera switches for first time to Agent Harris and then back to Tony, we can see that the white Escalade is gone, specifically, it's 'replaced' with the red Jeep Wrangler.
- Quotes
Phil Leotardo: Historically, Carmine always said the Sopranos are nothing more than a glorified crew. Plain and simple. We decapitate and we do business with whatever's left.
[to Albie]
Phil Leotardo: What?
Albie Cianflone: Nothin'. I agree in spirit but I gotta counsel.
Phil Leotardo: This thing shoulda been done during John's era.
Butch DeConcini: They got redundant upper management, bleeds off half the kick. We take 'em out, absorb the whole fuckin' thing.
Albie Cianflone: Take out an entire fuckin' family?
Phil Leotardo: Let me tell ya a couple of three things: Forget Coco, forget Fat Dom who goes over to Jersey and never comes back, forget my brother Billy.
Albie Cianflone: Phil, Phil, that's not what I'm sayin' at all.
Phil Leotardo: Anthony Soprano has no respect for this thing. He's never been in the can, not really. Here's a guy who stepped over his own uncle to grab the big seat, his father's brother.
Albie Cianflone: Please, huh?
Phil Leotardo: I'm embarrassed. I let him come to the hospital last Christmas, and I took his fat, fuckin' hand in friendship.
Albie Cianflone: Philly, ya had a heart attack.
Phil Leotardo: Listen to me. They make anybody and everybody over there. And the way that they do it, it's all fucked up. Guys don't get their finger pricked. There's no sword and gun on the table...
Albie Cianflone: Phil...
Phil Leotardo: No, Alb, either it has meaning or no meaning. And the Vito thing, the man harbors a faggot.
Albie Cianflone: It's true.
Phil Leotardo: Five fuckin' Families and we got this other pygmy thing over in Jersey... There's no scraps in my scrapbook... Make it happen.
- ConnectionsFeatured in The 59th Annual Primetime Emmy Awards (2007)
Details
- Release date
- Country of origin
- Official site
- Languages
- Filming locations
- Linden, New Jersey, USA("Drive Safely" storage cylinder)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 51m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1






