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The Sopranos
S6.E20
All episodesAll
  • Cast & crew
  • User reviews
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IMDbPro

The Blue Comet

  • Episode aired Jun 3, 2007
  • TV-MA
  • 51m
IMDb RATING
9.6/10
13K
YOUR RATING
James Gandolfini in The Sopranos (1999)
CrimeDrama

As tensions with the New York family reach a breaking point, Tony scrambles to protect his crew and family while long-standing alliances, including his therapy with Dr. Melfi, come under inc... Read allAs tensions with the New York family reach a breaking point, Tony scrambles to protect his crew and family while long-standing alliances, including his therapy with Dr. Melfi, come under increasing strain.As tensions with the New York family reach a breaking point, Tony scrambles to protect his crew and family while long-standing alliances, including his therapy with Dr. Melfi, come under increasing strain.

  • Director
    • Alan Taylor
  • Writers
    • David Chase
    • Matthew Weiner
  • Stars
    • James Gandolfini
    • Lorraine Bracco
    • Edie Falco
  • See production info at IMDbPro
  • IMDb RATING
    9.6/10
    13K
    YOUR RATING
    • Director
      • Alan Taylor
    • Writers
      • David Chase
      • Matthew Weiner
    • Stars
      • James Gandolfini
      • Lorraine Bracco
      • Edie Falco
    • 18User reviews
    • 2Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos46

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    Top Cast64

    Edit
    James Gandolfini
    James Gandolfini
    • Tony Soprano
    Lorraine Bracco
    Lorraine Bracco
    • Dr. Jennifer Melfi
    Edie Falco
    Edie Falco
    • Carmela Soprano
    Michael Imperioli
    Michael Imperioli
    • Christopher Moltisanti
    • (credit only)
    Dominic Chianese
    Dominic Chianese
    • Junior Soprano
    • (credit only)
    Steven Van Zandt
    Steven Van Zandt
    • Silvio Dante
    Tony Sirico
    Tony Sirico
    • Paulie 'Walnuts' Gualtieri
    Robert Iler
    Robert Iler
    • A.J. Soprano
    Jamie-Lynn Sigler
    Jamie-Lynn Sigler
    • Meadow Soprano
    Aida Turturro
    Aida Turturro
    • Janice Soprano Baccalieri
    Steve Schirripa
    Steve Schirripa
    • Bobby 'Bacala' Baccalieri
    • (as Steven R. Schirripa)
    Frank Vincent
    Frank Vincent
    • Phil Leotardo
    John Ventimiglia
    John Ventimiglia
    • Artie Bucco
    Dan Grimaldi
    Dan Grimaldi
    • Patsy Parisi
    Sharon Angela
    Sharon Angela
    • Rosalie Aprile
    Kathrine Narducci
    Kathrine Narducci
    • Charmaine Bucco
    • (as Katherine Narducci)
    Peter Bogdanovich
    Peter Bogdanovich
    • Dr. Elliot Kupferberg
    Edoardo Ballerini
    Edoardo Ballerini
    • Corky Caporale
    • Director
      • Alan Taylor
    • Writers
      • David Chase
      • Matthew Weiner
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews18

    9.612.5K
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    10

    Featured reviews

    10ivansampras

    best episode ever

    Just one word, perfect. Best episode of The Sopranos. I can't wait for Sunday. It keeps your eyes on the TV screen for every single second. I wont tell what happens, but I want to say that I'm waiting more next episode than next Indiana Jones movie.I'm sorry that here in Italy nobody knows about The Sopranos. Everyone likes O.C. and they watch it like it's the greatest thing on TV. I've just one thing to say to this people, wake up! You're losing the best thing on TV for what? A teenager series where the story is so bad that after one minute of watching it I said "ok, I think it's better if I go to study something". David Chase invented a perfect mix between The Godfather and Goodfellas and he gave us an unforgettable masterpiece. Thank you David. PS sorry for my English, I think my teacher is wright when he says that I'm bad in grammar

    Everithing comes to an end
    10snoozejonc

    As a doctor, I think...

    Violence between NJ and NY increases and Dr Melfi makes a big decision.

    This is an eventful episode that perfectly sets up the series finale.

    It is impossible to reveal details without spoilers, but it's safe to say that it is one of the most violent and fast moving episodes in the show. A lot of what happens is likely to satisfy fans of the gangster movie genre, but it all stays true to the themes and character arcs of 'The Sopranos'.

    All performances are fantastic as ever, with all actors having great moments to shine.

    Visually there are some very memorable scenes, particularly the more action orientated moments that are typically 'Sopranos' in their quirkiness of imagery and editing. The 'Raging Bull' tribute is amazing.
    10ChistopherMoltisantiGoat9

    Unbelievable television

    Season 6 of Soprans is one of my favorite seasons of all time maybe going into top 3 season of all time (Tho it did have some drag issues in the middle) but i think this right here hits the climax and the strong point in all of Sopranos

    Long Term Parking will forever be my favorite episode from the Sopranos but it wasnt the peak of the series in a sense way that we felt this was where it collapsed or where the tensions hit the highest peak in Sopranos, but thats what The Blue Comet does

    Just stunning.
    9fernandoschiavi

    The episode is marked by an atmosphere of escalating tension, with scenes of extreme violence and decisions that permanently alter the characters' fates

    "The Blue Comet," the twentieth episode of The Sopranos Season 6, directed by Alan Taylor and written by David Chase and Matthew Weiner, is a powerful and emotionally charged installment that explores themes of violence, loss, and the psychological toll of living within the mafia world.

    "The Blue Comet" is one of the most intense and pivotal episodes of The Sopranos' sixth season. The episode opens with the murder of Burt Gervasi, signaling that the war between the New Jersey and New York families has reached its peak. The scene of Burt's garroting is brutal and realistic, unlike the garroting of Febby Petrulio in the first season, showing how violence has become more explicit throughout the series. Tony Soprano, upon learning that Phil Leotardo has ordered an attack to kill the leaders of his organization, tries to protect himself and his crew, sending everyone into hiding.

    The plot features the arrival of two Italian hitmen sent to kill Phil, but due to a communication error, they end up killing Phil's father and girlfriend instead of Phil himself. Meanwhile, Bobby Baccalieri is murdered in a train shop, a scene rich in symbolism as the Blue Comet train represents the end of innocence and the arrival of chaos. Silvio Dante is shot and falls into a coma, highlighting the cost of the war and the fragility of the characters.

    Desperate, Tony orders his family into hiding, and Carmela and Meadow retreat to a safe location. The family crisis intensifies: AJ is recovering from a suicide attempt, and Melfi finally decides to end her therapy sessions with Tony, recognizing that he is an irredeemable criminal and that she can no longer help him. The episode is marked by an atmosphere of escalating tension, with scenes of extreme violence and decisions that permanently alter the characters' fates.

    In parallel, the episode explores the fragility of family relationships and the impossibility of escaping the cycle of violence. The scene where Tony drains the pool is symbolic, representing the end of an era and the loss of something that once symbolized tranquility and home. The episode ends with Tony and his crew in hiding, preparing for the final showdown of the series.

    Additionally, the episode highlights the importance of symbolism and atmosphere. The train shop, for example, represents lost childhood and innocence that cannot be regained. Bobby's death is a metaphor for the end of hope and the dream of a normal life. The extreme violence, such as Burt's garroting and the shootout at the Bada Bing, shows how the war between the families has reached a point of no return.

    Melfi's decision to end Tony's therapy is a crucial moment, representing the recognition that he is an irredeemable criminal. The scene where Tony drains the pool is symbolic, representing the end of an era and the loss of something that once symbolized tranquility and home. The episode ends with Tony and his crew in hiding, preparing for the final showdown of the series.
    10danieldraper_

    I am not ready for this to end...

    The credits music was the cherry on top.

    I cannot believe this show is ending.

    I love this show, I think it surpasses every show on TV.

    The build up, the loss of our beloves characters, the pacing, it's perfect.

    Related interests

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Crime
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The study Dr. Melfi is shown reading, "The Criminal Personality" by Drs. Samuel Yochelson and Stanton Samenow, is an actual study. Yochelson, the principal author, died in 1976. His work became well known in the 1970s and 1980s.
    • Goofs
      Before Agent Harris reveals to Tony about the Phil Leotardo's plan to murder him or those close to him, we can see Tony's Escalade in the background. When then camera switches for first time to Agent Harris and then back to Tony, we can see that the white Escalade is gone, specifically, it's 'replaced' with the red Jeep Wrangler.
    • Quotes

      Phil Leotardo: Historically, Carmine always said the Sopranos are nothing more than a glorified crew. Plain and simple. We decapitate and we do business with whatever's left.

      [to Albie]

      Phil Leotardo: What?

      Albie Cianflone: Nothin'. I agree in spirit but I gotta counsel.

      Phil Leotardo: This thing shoulda been done during John's era.

      Butch DeConcini: They got redundant upper management, bleeds off half the kick. We take 'em out, absorb the whole fuckin' thing.

      Albie Cianflone: Take out an entire fuckin' family?

      Phil Leotardo: Let me tell ya a couple of three things: Forget Coco, forget Fat Dom who goes over to Jersey and never comes back, forget my brother Billy.

      Albie Cianflone: Phil, Phil, that's not what I'm sayin' at all.

      Phil Leotardo: Anthony Soprano has no respect for this thing. He's never been in the can, not really. Here's a guy who stepped over his own uncle to grab the big seat, his father's brother.

      Albie Cianflone: Please, huh?

      Phil Leotardo: I'm embarrassed. I let him come to the hospital last Christmas, and I took his fat, fuckin' hand in friendship.

      Albie Cianflone: Philly, ya had a heart attack.

      Phil Leotardo: Listen to me. They make anybody and everybody over there. And the way that they do it, it's all fucked up. Guys don't get their finger pricked. There's no sword and gun on the table...

      Albie Cianflone: Phil...

      Phil Leotardo: No, Alb, either it has meaning or no meaning. And the Vito thing, the man harbors a faggot.

      Albie Cianflone: It's true.

      Phil Leotardo: Five fuckin' Families and we got this other pygmy thing over in Jersey... There's no scraps in my scrapbook... Make it happen.

    • Connections
      Featured in The 59th Annual Primetime Emmy Awards (2007)
    • Soundtracks
      We Belong Together
      (uncredited)

      Performed by Robert & Johnny

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    Details

    Edit
    • Release date
      • June 3, 2007 (United States)
    • Country of origin
      • United States
    • Official site
      • Official Facebook
    • Languages
      • English
      • Italian
      • Ukrainian
    • Filming locations
      • Linden, New Jersey, USA("Drive Safely" storage cylinder)
    • Production companies
      • Chase Films
      • Home Box Office (HBO)
      • Brad Grey Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 51m
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.78 : 1

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