Otis

Since the turn of the century, it has become very popular in horror movies to randomly inflict excruciating pains on people that are generally innocent and didn't deserve all the agony. Movie franchises like "Saw", "Hostel" and all of their knock-offs made us very familiar with the term Torture Porn and the nowadays younger fans of the genre don't get upset anymore at the sight of sadist devices that cut off toes or poke out eyeballs. Of course, when a 'new' gimmick in films turns out to be successful, it immediately gets exploited beyond normal proportions. It has even come thus far that themes like torture, child abduction and blood vengeance are processed together into a horror … comedy! Yes, "Otis" is primarily intended as a comedy, but personally I still prefer to see it more as a horror flick with some light-headed elements. It's a surprisingly good HORROR film, with a couple of imaginative gore sequences and interesting characters, whereas the comedy aspects are rather lame and derivative, like obnoxious authority figures and character mix-ups. Otis Broth is an obese and pathetic pizza delivery boy; pushing forty and still under the strict supervision of his older brother who regularly comes over to insult and beat him. But Otis loves to escape into his very own perverted and psychopathic fantasy world, where he is the hunky quarterback of the high-school football team and eagerly anticipates to attend the school prom with his sexy sweetheart Kim. But his "Kim" doesn't exist, so Otis abducts pretty blond girls that he spots during his pizza rounds and subjects them to humiliating ordeals until they play along. When the foxy Riley Lawson manages to escape his dungeon, her family prefers to extract their own justice rather than to let the uncooperative FBI handle the case. "Otis" has a good pace, highly enjoyable horror moments, great performances from a terrific not-so-obvious cast and … a downright phenomenal soundtrack! Anyone interested in classic rock and/or pop songs from Talking Heads, Quiet Riot and Blue Oyster Cult? As said, the comical situations aren't very noteworthy – even though Jere Burns depicts a delightfully slimy FBI agent – but the plot is solid and well- elaborated. The torture set pieces are often gross, but realized with splendid make-up effects. Recommended!

Saw this Friday at the local film festival and LOVED it. First half plays ALMOST like your standard horror fare; second half is like Home Alone with power tools: raunchy, painful, funny as hell. Without the strong performances of Illeana Douglas, Daniel Stern, Kevin Pollack and Bostin Christopher, the film wouldn't work half as well. Douglas is consistently amazing, a character actress who makes her every role believable. As she transitions from suburban mom to vigilante, she never makes one turn or expression out of place: her morph is both understandable and natural.

The film leaves a few ends untied: we never quite learn what exactly happened between Otis and his brother, but we're given enough back story to guess the rest. We also never see the original "Kim." Which would've helped people better understand the obsession.

Somehow, though, as everything is coming apart - it all comes together. Audiences in both festival showings loved this movie! I hope it gets distribution before Warner releases it to DVD this summer.

The twisted forty year old idiot Otis Broth (Bostin Christopher) delivers pizzas and is a pedophile serial killer. When he abducts a teenager, he calls her Kim and fantasizes that she is his sweetheart and date of the high school prom. After killing his last victim, Otis kidnaps the smart suburban teenager Riley Lawson (Ashley Johnson) and brings her to the basement of his house, hiding the girl from his brother Elmo Broth (Kevin Pollak). Their desperate parents Kate (Illeana Douglas) and Will Lawson (Daniel Stern) have friction with the arrogant and silly FBI Agent Hotchkiss (Jere Burns) that is in charge of the investigation. When Riley escapes from Otis's house and calls her family, Kate convinces Will and their son Reed (Jared Kusnitz) to seek revenge and punish Otis. However, the vigilantes confuse Elmo with Otis in their rampage getting into trouble.

"Otis" is almost a masterpiece of sick dark humor, with magnificent performances of the unknown Bostin Christopher and Illeana Douglas, very well supported by the great cast. The plot makes jokes with dramatic situations and is a sort of parody of the countless movies of torture that have been recently released. Unfortunately the weak open conclusion is not satisfactory and is disappointing. For my surprise, in the Extras of the DVD, there is an excellent alternate ending called "The Birthday Party" and in accordance with the explanation of the director, this would be the original conclusion of this movie. I really did not understand why this brilliant ending was not used. My vote is six.

Note: With the original "The Birthday Party Alternate Ending", my vote would be eight.

Title (Brazil): "Otis, o Ninfomaníaco" ("Otis, the Nymphomaniac")

Otis is the kind of direct-to-video oddity that could only have come out of the mid-2000s. It starts as a grim, almost unwatchable torture-horror film but then makes a sharp, audacious pivot into a dark, suburban-revenge comedy. For that alone, it deserves some credit.

The film's biggest strength is its willingness to be completely unhinged. Bostin Christopher is disturbingly perfect as the titular killer-not some slick mastermind, but a pathetic, overgrown man-child trying to force his victims into a twisted 1980s prom fantasy. When the tables turn and the victim's parents (played wonderfully by Daniel Stern and Illeana Douglas) decide to take matters into their own hands, the movie finds its bizarre, darkly comedic groove.

However, the film is far from perfect. The tonal shifts are often jarring, and the script feels schizophrenic, never quite sure if it wants to be a send-up of horror tropes or a straight-faced thriller. The low-budget, "made-for-TV" look and sometimes sloppy editing also hold it back from being a true cult classic.

Ultimately, Otis is a solid 6/10. It's a flawed but fascinating experiment that is far more memorable than most of its DTV horror contemporaries. If you have a stomach for bleak humor and appreciate genre-bending ambition, it's worth seeking out.

"Otis" is a huge surprise. Ileana Douglas, Daniel Stern, and Kevin Pollak, should be ashamed. The script is stale, and the slob-loser kidnapping his date for role playing his senior prom is absolutely ridiculous. Although most exploitation films of this type feature ample quantities of female nudity, there is zero t.&a. In "Otis". This brings us to the supposed "black comedy": aspect of the film. In order for "dark comedy" to work it cannot be mean spirited, and there are zero uplifting moments in Otis. It is loaded with infantile despicable dialog and characters. Avoid. Merk.