Heckler

It's a little weird – and very ironic - to review Heckler, a documentary that speaks out specifically on film criticism. Despite the title and promotional materials suggesting that it focuses on those who heckle stand up comedians, the film has a change of heart half way through, switching its efforts over to berating film critics. Therein lies one of the bigger problems with Heckler: the two topics don't have much to do with one another, despite Jamie Kennedy's, the star of the film, attempts at correlating them. Besides this major flaw, Heckler is an entertaining film. Personally, I disagree with nearly every point of view featured within Heckler, but the film held my interest, containing what must be hundreds of different interviews with celebrities.

The first half of Heckler focuses primarily on audience members at stand-up comedy shows who take it upon themselves to interrupt the performance, insult the comedian, or occasionally even try and steal the spotlight by finishing the jokes. While this may not seem like a big issue to most, the film demonstrates how hecklers have become an increasingly large problem for stand –up comedians. Interviews with a myriad of celebrity comedians, including David Cross, Bill Maher and Tom Green among others, show the frustrations, self-doubt and career repercussions comedians face because of unruly patrons. Heckler also documents some of the more extreme cases as well, including an assault on a stand-up by an offended viewer, a musician who smashes his guitar over an unruly mans head, and the infamous Michael Richards incident. This portion of Heckler does a good job of shedding light on an issue most people have never given a second-thought to.

This is soon abandoned in favor of bashing film critics, especially, but not limited to, the internet kind. There are a few legitimate points made about criticism, particularly how in the "internet" age, more attention is focused on deriding and humiliating the actors/directors who created the film, then critiquing the film itself. While this does show a gradual decrease in the quality of film criticism over the years, it's still very difficult to sympathize with the various film directors interviewed within the film, who all seem to take film criticisms, and the small jabs that come with many of them, way too far. Anyone working within the entertainment business has to have thick skin, it comes with the job. One of these featured directors is Paul Chilsen, who supposedly dropped out of film-making because his first feature got poor reviews. This isn't the fault of the critics; he simply wasn't cut out for the business.

However, no performer featured in Heckler comes across as infantile and whiny as the star of the film himself, Jamie Kennedy. It's a wonder the man ever made it through high school, as it is frequently demonstrated throughout the film that he is unable to take the slightest criticisms of his work. When confronting two teenage hecklers, Kennedy doesn't seem to care about the fact that his show was disrupted; his only concern seems to be that they didn't find it funny, as he begins to say "What do you know about comedy? Who are you to decide what's funny". They're your audience, Jamie. They paid money to see your show, and while they don't have a right to ruin it for others, they have every right to decide whether it's funny or not. If you don't feel like people should judge your work, perhaps you shouldn't be performing it for them.

Kennedy also begins meeting with critics who have given his last feature film, Son of the Mask, a bad review. It becomes more apparent that Kennedy just can't accept the fact that people dislike it or other films of his. He blames others for his own failures as an actor/writer. It's not just the insulting reviews that Kennedy has a problem with: he has a problem with any review that speaks negatively of the film. In Kennedy's dream world, everyone would be forced to enjoy every single piece of art out there, for fear of upsetting the artists. Kennedy takes offense to Richard Roeper's review stating he wanted to walk out of Son of the Mask. The ensuing confrontation is hilarious, as Kennedy attempts to change Roeper's mind by saying in all seriousness that the movie was trying to push new boundaries...by having a baby with super powers who could throw people. In another scene, Kennedy confronts a critic, Peter Grumbine, who seems to find Jamie's overreaction rather funny. At the end of the exchange, Jamie actually calls Grumbine evil, putting someone who dislikes his film among the ranks of Hitler, Charles Manson and Osama Bin Laden. Even if you still have the slightest doubt after watching the movie that Kennedy is overreacting, the deleted scenes should clear everything up: Kennedy freaks out on a friend who merely said one of his comedy bits didn't work.

Perhaps the most alarming thing is many of the director's insistence that no one has the right to judge their work, that anyone who speaks negatively of their work misunderstands it. It shows a complete lack of consideration for the audience, and makes one wonder why these self-proclaimed masters of film even bother showing their work to audiences if they don't care about the reaction. The one exception is Uwe Boll, possibly the most hated man in the film-making business. While he does have an organized boxing bout with critics in the movie, letting off a bit of steam, he never once speaks out against film criticism. Perhaps this is why someone like Boll is increasingly getting better (his two latest movies have had some support) while people like Jamie Kennedy, Joel Schumacher and Eli Roth are continuously getting worse and worse. In the end, it's not film criticism that's destroying the film business, but Kennedy's (and others) inability to learn from the criticism.

I suspect, as I'm one of the very few people to review this documentary, thus far, there is some likelihood that Jaime Kennedy might actually read it, as was evidenced in the film itself, often being his tendency.

I sincerely hope he does, as nobody can avoid criticism, and those that ignore it completely are destined to eventually loose touch, in some way, with their benefactors. We all face criticism. I work alongside surgeons, who give criticism to those who perform inadequately, the likes of which make the kind of harassment that a comedy heckler gives look like a prepubescent, shooting spitballs, from a straw. Entertainers don't have a corner on the market of pressure stress

I'm 38, live in my own home, and yes, I have opinions on what is or isn't entertaining, which coincidentally, I don't hold alone. I frequently agree on the value or valuelessness of entertainment with others. I'd suggest, that though we're not entertainers, we're still valid in our opinions, especially when they're informed, multitudinous and as it happens, the source of your income. I'd also mention, that I've spent some nights of my own singing dinner theater, and having people talk over it, and yes, it is rude, and ignorant.

Heckling is pointless, but though many critics are completely useless, vindictive attention whores, that doesn't negate the fact that hecklers and critics are wholly different things, simply sharing commonalities, and it doesn't mean that every critic is equally guilty of such. I know that when I've reviewed things, I try avoiding being a total prick, but as I'm occasionally a prick in daily life, some of that may show though. It's called Human nature.

I rarely spend the time to write a poor review, as can be confirmed on my comment history page, which only contains fourteen other reviews, to date, over the past two years, half of which are glowing recommendations. I rarely take pot shots at someone, because there is not much use in it, but I'll admit that when a piece of entertainment fails dismally to entertain, there's a small amount of fun that can be acquired in compensation, by publicly railing on it. Most of us have done it, in some way or another and that doesn't make us all terrible people.

On the point of the film, which I'll keep as separate from personal commentary as possible, in this wholly intertwined situation, I'm in agreement with the majority of the other critical reviews, I've seen here. The film begins interestingly, entertainingly, thought provokingly & humorously. The interviewed participants are some of the most qualified sources to be questioned on the subject of hecklers, and offered a captivating look into the lives touched by this kind of cruelty, that's endured, and the ignorance involved in perpetrating it.

Truthfully, the relevance of the Michael Richards scandal provides a welcome environment, for a film specifically devoted to the topic of those that have heckled comedians throughout Stand-up's history, & how it's been dealt with. However, the discussions in "Heckler" eventually became discussions about critics, never to return, or to find a commonality which could substantiate the digression, and was held as if it was synonymous with the subject of hecklers, which it's most assuredly not.

The film was doing something interesting, when it was handling the issue of the comic or performer, struggling against poor social conduct. That's captivating. Switching over to showing people complain about having to accept that others find their work less than sensational isn't. Brother, if I want to see that, I'll ask one of my crappier co-workers about their last performance evaluation.

It actually sort of disappointed me that this film was derailed, because when I came across the DVD, I had an impressed reaction to the notion that the subject of hecklers be discussed, in detail, via documentary, and in that way, the film's title is false advertising, or at least misleading to the film's true intent.

That's really all there is to say, of consequence, about the film, and the only thing that remains to say about the concept of dealing with criticism, is to offer some advice which I hope is beneficial.

You, as a performer, must have as widely diverse feedback as possible, or you will surely wither on the vine, or worse, be disregarded like yesterday's newspapers. Criticism is one of the ways that happens. Does that mean that every buttmunch claiming themselves a critic should have a direct plumbing line plunged directly into your soul, for the purpose of relieving themselves on you?

Of course not. So watchyagonna do about it, Punk? I'd suggest becoming savvy enough to be able to tell who's who, and just exactly what's valid and what ain't, disregarding the latter. It's not as hard as it might seem. I do it every time I'm on this website. It takes me about three or four sentences to know whether someone's completely full of crap, marginally literate, stupid, or whether they have an intelligent, informed, & worthwhile opinion. Jay & Silent Bob couldn't, so they kicked their asses

Get hip and start making the distinction, plus, be open to taking some lumps occasionally. You're a celebrity, for having become someone who entertains large masses of people. There are benefits that come with that, that the rest of us will never have. You can have a blessed life because of it. There's also consequences to it, and you need to come to grips with them, or get out. That's the nature of the beast. It can derail you if you let it. Ask Kurt Cobain, or Heath Ledger about their stress

People are mean, for no good reason, to each other just as often as they are to you. It just isn't headline news like everything else YOU do. Have some humility, and don't expect that you should be treated like a Faberge Egg.

this film has several problems but not one related to what the film was supposed to be about. Heckler starts great and for about 30 minutes I really enjoyed the film. then, a change of subject happens. This film should be called something else because it is not about hecklers.

I'll try to keep it simple and positive - what I've liked; first 30 minutes. situations in several stand up comedy acts where we see how professional comedians deal with hecklers. not only that, it is also nice to hear their opinions on the subject.

the rest of the film? well, I don't even know what to say. it completely changes the subject. it is not about hecklers, it is about a plague called offensive film 'critics' (which I acknowledge that it is a serious plague). however I thought I was going to watch a film about hecklers (you know, with the title and all) and instead I get this guy feeling emotional about how these guys on the internet and newspapers treat his work.

I mean, it is nice to see him confronting some of these 'critics' and you kind of wish that this stuff could be done more times, but after a while it is just boring. (is this a criticism? can I write this? because you know, that's what I felt. it was boring. no personal attacks to the director or any cheap slander. I m talking about the rest of the film. Boring. )

sorry, it was a bit painful after the half time.

I have never written a film review here before, but Heckler actually compelled me to do so. One thing I gleaned from the movie was an appeal to critics: Don't be mean for the sake of being mean. Instead, make the criticism constructive. I aim to do that here.

I will start by saying I really enjoyed hearing the perspective of all the performers and artists on the subject of heckling and criticism. Since the interview subjects are funny and talented people, the resulting string of talking heads is actually quite entertaining. As for the subject matter, I have always been sympathetic towards comedians who have to endure hecklers while on stage, but this movie really hit the point home. Also interesting was the footage of actual heckling incidents, and the sometimes shocking reactions from the performer.

Jamie Kennedy, the de facto host of the movie, was good for the most part, but some sequences were more effective than others. He was at his best when his humor was self-deprecating. When Jamie confronted a critic, read their review out loud, and then sat there with a sort of deflated, forlorn look on his face as the critic continued to insult him, that was good stuff. But when he went on the attack, such as insulting one guy's babysitting job, or asking a critic about his sex life, he was turning into the very mean-spirited critic that he had been admonishing. If he instead became the better person, and turned the other cheek, he would have been a more sympathetic (and funnier) character. Still, his performance overall was good.

As for the treatment of film criticism, I felt like there needed to be more balance. There should have been some acknowledgment that film critics provide a valuable source of consumer information. When I go to see a movie, I have to make a 1/2 hour to 1 hour drive, sometimes pay for parking, pay $10 or more admission, and devote 2 hours of my life to watching it. Before doing so, I would like to know if it is worth the money, time, and effort. Film reviews are an essential tool in making this determination. I am a consumer, and a movie is a product I am purchasing. How is it any different from reading reviews for any other product before purchasing it? Why are car reviewers not berated for what they do? How about Consumer Reports, which reviews just about any product you can think of? As for internet reviewers, how about the customer reviews on amazon.com, or rei.com, or any major internet retail site? They may not be professional reviewers, but their opinions can be meaningful in large numbers. When 100 owners give something a good (or bad) review, that is useful information if I am thinking of purchasing that product. I think it is also a false argument to suggest that film critics lack credibility because most of them have never made a film themselves. Back to the car reviewer analogy, I bet most of them have never manufactured cars, but they have driven enough of them to separate a finely tuned machine from a lemon.

So, while I enjoyed Heckler overall, I couldn't help but leave a little disappointed knowing it could have been much better if it was made with a little less hostility and a little more thoughtfulness. With this approach, I think these filmmakers could turn a good movie into a great one.

The title: Heckler might lead one to believe that the whole film is about standup comedians and their drunken, attention-starved arch-rivals. The gaze shifts quickly to film critics, both established and the legions of self-appointed online experts (like me... hey, wait a minute!!!). Apparently producer Jamie Kennedy has a bone to pick after the thrashing he got for his role in Son Of The Mask. (I sense he might not have been as motivated for this project if he'd just won the Oscar.) But it's not just him - he pulls up a virtual who's who of comedy and just about everyone seems traumatized and disillusioned to some extent.

Getting dozens of great comic talents like Harland Williams and Bill Maher to speak candidly for any length of time on any topic is a sure-fire way to guarantee some entertainment value. Ironically, this approach got more laughs out of me than most feature film screenplays.

Oh, there I go. I keep forgetting I'm part of this problem.

I was surprised to see the extent and the intensity of the online vitriol. A lot of what gets said does seem excessively mean and uncalled-for. Apparently morbid, extreme insults are a cheap way to gain notoriety and generate lots of web hits. (Just like shouting "YOU SUCK" is a quick and dirty way to gain attention from everyone in the auditorium.)

This picture clearly distinguishes doers from I-could-do-betters and the latter group doesn't fare very well under scrutiny. They showed a clip from Beyond The Valley Of The Dolls, screenplay by Roger Ebert, that makes makes Malibu's Most Wanted look worthy of the Palme D'or by comparison. And when 4 internet critics accept director Uwe Boll's challenge to a boxing match, well... let's just say they won't be lambasting his fight the way they did his films. (He pretty much knocks them all out, back to back, without even breaking a sweat.)

So as a documentary, I found Heckler to be very enlightening and provokative. (What am I doing here, picking apart other people's movies? Why don't I get off my ass and try making one?)