The Warlords

First of all, I think it's the first movie I've enjoyed in about half a year, so decided to comment. I read the good reviews on this one, and agree with most of them. Everything in this movie is superbly done.

There's little story in this movie and it's more of a background for the characters' portrayal and the battles, both of which amazingly done. The characters' portrayal is very successful due to the great acting. The battles and the fight choreography deserves a solid 9. Both artistic, like the martial arts beauty, and brutal, like real war is.

This movie doesn't have unnecessary emotion, or unnecessary gestures from main characters. That's where this movie succeeds. That's where 'Azumi' or 'Braveheart' succeeded. And that's where 'Troy' and 'Gladiator' failed to deliver. They all have great cinematography, brilliant fight choreography and superb acting staff - but that's only the technical side. 'Warlords' succeeded to deliver in all the aspects. Simple and little story with no over-dramatizing and no inconsistencies.

If one's wondering why I gave only 7, it's because, beside of Er-hu, I didn't find one likable character.

For an international film that came out in 2007, this has to be one of the best cinematographic films I've seen in a while. It felt like it was Hollywood produced and filmed in 4K. Directing was spot-on, and all casting was excellent, including the massive amount of extras. My only issues is the writing; this Chinese historical drama was full of sweeping montages, dramatic battle scenes and rhetorical blood oaths, but its dramatic gravitas was lost amongst a convoluted plot and a very weak love triangle. Nevertheless, it was gratifying and entertaining. A solid 8/10 from me, the majority of my rating for the cinematography.

This is not Crouching Tiger. It's as good as Hero,House of Flying daggers. You wont be amazed by the CGI special effects. You will be stunned by the intense constant evolution of the story line and relationships between 3 men who have much to learn from each other.

I don't wanna spoil further. I want to say that i am really disappointed in the west for turning a blind eye to eastern movies in general. This movie is an epic. It deserves 20 000 votes. I cannot believe some of the movies that reach Nr 1 at the Box Office when only a relative few informed bothering with movies like this.

This is some timeless movie making.

From the Warring States Period going all the way back to the 5th century BC, wars have wracked China seemingly without pause. During the second half of the 19th century, and the late Qing/Ching/Manchu dynasty, some 50 million soldiers, bandits, and civilians died in the endless conflict.

Watching "Warlords," screened for the first time in North America Saturday night in the Castro Theater, part of the San Francisco International Film Festival, at times one might have thought that most of those casualties are shown - often in close-ups - in the film.

Beginning with a view reminiscent of the Normandy invasion sequence of "Saving Private Ryan," the film by Peter Chan and Wai Man Yip depicts combat vividly and intensely. Chung Man Yee's production design peaks at times in virtually unprecedented battle-field spectacles.

There is no resolution, no peace, and only a quasi-relevant love story (featuring Jinglei Xu), but "Warlords" goes well beyond just fightin' and killin' and dyin'. Right from the beginning, as Jet Li's General Pang picks himself up from under the bodies of his dead soldiers, you notice two things: Jet Li's complete lack of vanity and the ability of this martial-arts star to act convincingly and well.

The Manchu style of the head shaved in front and the hair gathered in a ponytail in the back looks hideous when it's all messed up, especially with blood. Jet Li not only appears half dead in his first appearance, but he is taking a bad-hair day to its absolute worst. And then, you also notice that Famous Jet Li - who is NOT flying through the air in this film - has been replaced by an honest and talented actor who brings to life a complex, conflicted, tragic character.

With shifting alliances, goals, and always at the edge of extinction, Pang and his two "blood brothers," Takeshi Kaneshiro's soulful Jiang Wuyang and Andy Lau's towering Zhao Erhu (perhaps Lau's best-ever performance), struggle from small-time wars all the way to the taking of Nanking on behalf of the fast-fading central (so to speak) government in Beijing. The same history-based story has been told, in more modest terms, in Zhang Che's 1973 "The Blood Brothers." A historical war film, a brutal but not gratuitously violent drama, "Warlords" impresses, even stuns, but in the end fails to provide catharsis or even an attempt to make sense of the senseless - something Zhang Yimou came close to in "Hero" (also with Jet Li, playing a similar historic character).

Last night I had the opportunity to view one of the best films i've seen in a very long time. One that stays with you far after the closing credits. One that requires time after viewing to untie all the knots in your stomach.

Peter Chan's "The Warlords" is a period epic in every sense of the word. Chan covers a lot of ground here depicting war and the consequences thereof consisting of his anti-war sentiments. It tells the story of three "brothers" played brilliantly by Jet Li (Fearless), Andy Lau (Infernal Affairs) and Takeshi Kaneshiro (House Of Flying Daggers) who make a pact of brotherhood to one another that consists of killing anyone who harms one of the brothers and killing any brother who harms another brother as they lead an army through war after war taking over city after city.

It's incredible to watch the thought process of making vital decisions during a battle or within their own army to defy humanity for the "greater good". It shows the internal and external struggle of these decisions by opposing points of view. The emotions felt by these men translate in any language and leave you emotionally drained after watching the film through to its tragic end.

The cinematography is outstanding, the budget is huge, the directing brilliant and the war scenes brutal as can be. We're talking decapitations, gushing blood, limbs sliced off and a man being blown up by a cannonball. Chan is delivering a truth in the brutality of war rather than dressing it up to keep (most of it) realistic.

War is hell.... and this film will take you there and back. Highest recommendation.