The Boy in the Striped Pajamas

I'm a man's man, and it takes something really exceptional to break my emotionless machine persona. This film ripped me apart and reminded me (and my partner) of humanity inside even the most hardened man.

Perfectly weighted film in every way, from pace to acting and all framed with a wonderful score. The subtlety of the looks passing between the actors and a finale that ensured silence until the final credit rolled, makes this one of the best films i've seen in a long time.

This is the first review I have never written and i cannot think of a better way to have opened my account.

Although it starts of slow,you soon get wrapped up in the story and feel as if you are there. It's amazing to see the different points of view and the acting is so believable you feel as if it is all happening there and then. I have cried at films in the cinema before but this is the only film that has made me want to sob. When it finished and the credits started rolling, no one moved from their seats or said anything. We were all shocked, and when people did start to get up an leave the cinema, still no one said anything. It is the best film i have ever seen and recommend everyone sees it.

Sophie x x x

You don't often sit in a BAFTA screening and hear weeping behind you but even the most hardened cineaste would be moved by this look at the holocaust through an Aryan child's eyes.

It is beautifully scripted, acted and shot too - with none of the anachronisms of taste and language that bedevil historically-set films such as The Duchess.

A small, British movie with an unusual take on a ghastly and well-worn subject.

PS - for parents: It's a 12A in Britain and I wouldn't take a child under about eleven. Nor would I let them go alone.

I was sitting at the very back row of Cineworld, Dublin screen nine and struggling with my tears. I thought it would be extremely embarrassing if people see tears in my eyes. But I was so wrong! The lady sitting beside me was crying like anything. Finally we ended up with the move and it started showing casts on its black screen. But, not a single person moved from his seat or probably lost their (including myself) power to move. The only sound I heard was the sound of people's emotion. Guy sitting one row before me hugged his girlfriend who were crying like a little kid. The guy himself was also in tear. I saw a girl from Cineworld cleaning staff with horrifying red eyes. Everyone was spellbound there!

I am talking about the movie THE BOY IN THE STRIPED PYJAMAS, unexpectedly a too good movie. I didn't have a single clue about the movie itself and just tried to explore something new. Fortunately or unfortunately, Bruno (main cast of the movie), a young 8-years old kid who love to explore new world explored too much for us that made us all cry while leaving the cinema. I just don't want to spoil your entertainment by giving hints about the story. Rather, I would suggest you to watch the movie and discover some critical facts that sometime we forget in this heartless world.

THE BOY IN THE STRIPED PYJAMAS, a movie from an Irish writer and an English director; everyone must watch. If you tell me to rate, I would say, 1 to 10 scale is not enough to rate this movie. We better keep it above rating!

There are more dramatic and more philosophical pieces of cinema dealing with this very emotive subject, but few deal with the horror, futility and falsehood of the "final solution" with such clear simplicity. We see the lead characters as both humans and monsters we see internal conflict and how they each come to terms with their conflicts, above all we see how futile their conclusions were.

There will be the predictable comparisons with Schindler's List but you might also want to compare this movie to "The Counterfeiters" which also deals with the conflicts necessary to survive. Watching this movie I kept being drawn back to Primo Levi's book "If This is Man" the story of his time as a prisoner suffering from this evil.

The great success of the film is its simplicity, it does not seek to over analyse but simply allows the development of the characters to tell the story.

One of the contributers spoke of how he was in screen 9 (if I remember correctly) in Cineworld Dublin - I was in Screen 11 and I can had the same experience, the film ended and no one moved, all were in a state of shock, no, sorrow. This is not a film for young children, but older children and adults familiar with the evil addressed in this movie should go and see it. This movie deserves great success. I rate it 9 out of 10 and would have given it a perfect score except for some small technical questions, but none that take away from this fantastic piece of cinema - All associated with this movie should be rightly proud of there work and if any of you read these comments - Thank You!