Religion

Dharm (religion) is a masterpiece, a ground zero point of view on religion. The Brahmins are the upholders of the Hindu religion , their discipline and dedication to the obedience of all Hindu Vedic customs is the very thread that has kept Hinduism alive and unmarred for thousands of years.

Dharm is a story of such a Brahmin, who is staunch about his beliefs yet manages to evade ego and power that comes with such a revered position in Hindu society.

His life and beliefs are put to the test when his family unknowingly welcomes an orphan into their circle & raises him, believing he too is a Brahmin. But an unspoken truth is revealed that shatters their dreams and forces them to weigh their faith against love. The trials and turmoil tears the Brahmin's soul apart till realization & the true meaning of 'Dharm' dawns upon him.

What ensues next is for you to unfold by watching this magnificent movie. The cinematography of this movie is flawless. Each frame is well thought out, each character true to life. Thought provoking and soul moving, Dharm is a must watch movie for all!

I just finished watching this movie today and was impressed by the message it conveyed (ie, humanity is religion), the performances, the direction, the lighting and the cinematography, yet, IMO it could have been a little better as it somewhat disappoints (only a little). What I found disappointing was the ending. It just seemed too abrupt and sudden (which sort of made it unrealistic).

Talwar's direction is impressive and she put a lot of heart into making a movie based on a somewhat complex issue. There have been movies made on similar subjects but she shows her point of view and takes us into the mind of Pandit Chaturvedi, an extremely devoted Brahmin priest. We see his dedication, experience his conflict and feel his emotions. The character's been excellently played by Pankaj Kapur. His subtleness and silence conviction is powerful and his dialogue delivery, especially in the end, is amazing. Supriya Pathak plays Chaturvedi's wife with clear ease while Hrishitaa Bhatt leaves a mark in a smaller role. The rest of the cast is adequate while the 'villains' were very caricaturish. The background score deserves mention as it adds a voice to the going ons.

Bhavna Talwar deserves full marks for doing such a fine job. Even though I think the ending could have been a little better developed, I think Ms Talwar wanted to make it more concise. It would have been interesting too to also dig into the 'villains' psyche. They were so fundamentally opposed to other religions. Anyway, while one may argue that 'Dharm' is a spiritual movie, I think it has very universal message. This is a film that everyone must see, especially in today's time.

Dharm is a film that needs to be made mandatory viewing in all schools across India if we really want to build a secular nation, whilst not giving up on our traditional heritage. More importantly, it needs to be screened – FREE public viewings – for each and every communally sensitive town, locality, and colony. Finally, it should be made compulsory viewing for some of our political leaders – and I don't take names – who have made a killing out of orchestrated communal frenzy and caste violence.

Dharm is not an ordinary film. Its power lies in the fact that it gives us a progressive interpretation of religion, straight from the head pontiff who has pursued a life of unwavering religiosity. A respected Brahmin priest, Pandit Chaturvedi (Pankaj Kapoor) has dominated the spiritual landscape of Benares with his strict adherence to the traditional tenets of practiced Hinduism. Like all conventional priests, he believes in the caste and communal differences and his world almost falls apart when he realizes he has adopted a Muslim child. The foundling who became Kartikeya for him was actually Mustafa, a child lost in the communal carnage that had ripped the city apart. When the child's mother returns, Pankaj as the devout priest; as the man who falls in love with the child; not only lets Kartikeya go, but as the torchbearer of his faith also cleanses his home, mind, body and soul by undergoing days of penance.

Is this the true essence of Dharm? No, declares the devout priest, when the city begins to rage once again in the communal cauldron and his followers brandish their sharpened swords in half-burnt colonies. Then, an enlightened Priest is the one who stands amidst the bloodbath and challenges his followers who attack with swords and fire torches. Eyes drop, swords fall to the ground, as he calls out to Kartikeya in the locality they have come to burn, and kill, and walks hand-in-hand with a Muslim child.

Set against the scenic backdrop of the Benares ghats, the film ends up equating Dharm with its true tenets: the world is one big family; any discrimination on the basis of caste, color, community and religion is anti Dharm. Pankaj Kapoor towers like a colossus amidst the dying social fabric and what could have been an instructive sermon on spirituality,turns up as an uplifting soul curry.

Brilliant photography, a very good soundtrack and top class performance from Pankaj Kapoor. I would recommend this film for every youngster. In fact, schools should put up a circular urging their students, besides facilitating them, to see this movie. Education begins at the grass roots. Let's teach the future of our nation, that religion is all about humanity. That to love one another as God loves us is the biggest act of faith.

Must watch movie for everyone. Just one word awesome

Pankaj Kapur has always been at his best on the silver screen of Indian Cinema. Making an appearance this time as an orthodox Hindu priest, he leaves an indelible image of "Pandit Chaturvedi" in our minds.

The story, set in the oldest city of India - Varanasi, shows us a chapter in the life of this protagonist who staunchly believes in his "Dharm" - the universal principle of living - and the ways in which he applies this divine law to himself and his fellowmen. It's about how he discovers that humanity is above all and it is knowledge that completes a human being. Though the theme has been shown in Indian cinema many times before, I never had experienced it so touchingly.

The screenplay flows at a steady pace, brings in characters and takes them out of the script to present cinema in its purest form. The backdrop of Varanasi is the best I've seen on the silver screen.

Watch this movie to seek a soul stirring experience of witnessing beautiful images, mesmerizing colors, soothing music, blended seamlessly and celebrated by excellent screenplay and cinematography.

Bhavana, which's your next project?