The World Unseen

If someone has already watched a Shamim Sarif's movie, he could see many differences. They are the result of director's evolution in movie techniques. The color of scene is so vibrant, the dialogue is deeper and the end is something that you can't imagine. What is still the same is her passion for the historical background: South Africa at the beginning of Apartheid era. From the story you can do many reflections: first of all about the racism not only between black and white, but also between mulatto and black. There is another important theme: the homosexuality, a relevant issue in the contemporary society, which it is still considered a taboo. This film is very nice, it is better to watch alone. tin this movie the actress are also more mature in they way they act than in the previous one.

Lisa Ray and Sheetal Sheth's first film collaboration before 2008's "I can't think straight", "The World Unseen" is a film of many themes: Of oppressive marriages, institutions and of the oppression of the heart.

Lisa Ray is a trapped wife in this one, Miriam. She has the acquaintance of meeting Amina (Sheetal Sheth), a free spirit of sorts. They will become friends and cherish each other's presence in their lives.

The interpretations of the two actresses is overall great and they really get the Indian accent on point.

The film was film in South Africa and the sets as well as the 1950's setting is very pretty indeed.

This is a solid and interesting film, albeit its overall slow paced pacing and plot elements. It's an easy flick and short film to watch and pass the day with.

Cinematographically perfect,location likewise,casting could not have been better,the pace of the tale was brilliant. I loved this film,it was film-art. I loved it and was pleased that the ending wasn't 'Hollywood or Bollywood'. I couldn't have agreed more with the previous reviewer. More tastefully executed films like this please ! It is a must see and worthy of 10 gold stars by any standard. I have never seen a film that has touched on the lives and times of immigrant East Indians in South Africa,before and I found it to be an eye-opener and quite profound. I suspect that there must be a multitude of similar tales in need of being told from all British Colonies of the time.I'm not about to make excuses nor sympathies as I think it ridiculous to apolgise for the behaviours of past peoples. I endeavour personally to never repeat such practises myself! Nor should you.

I just saw this film at the London Film Festival. It sold out in two days and they are putting an extra screening!

This film tell the touching journey of one woman trying to find the courage to be herself in an oppressive (but not overly so) marriage with a bit of help from another, wildly independent and free-spirited woman. The background is 1950s South Africa and its despicable apartheid policy. Throughout the film are stark reminders of what that meant for blacks, whites and the Indian community.

No clichés here, just wonderful brush-strokes forming a charming and riveting film.

i saw this film at the London Film Festival ... drawn to it by the subject matter ...

but what a disappointment - the acting was at times cringe worthy ... the script was at times so obvious and telegraphed, you knew at the start of a scene where it was going ...

and there seemed to be an over-reliance on the period props - just having a nice car, is not enough to carry a scene ! the writer/director was there to take the plaudits - she said that with the film being such a small, low-budget production, she had been able to chose the music, and the main casting.

unless you have a strong interest in the subject matter, this is definitely one to avoid.