The Machine Girl

Ami Hyuga (Minase Yashiro) lives a normal life... until her brother is killed by the Yakuza and some red-suited ninjas. Then she seeks revenge! Not strong enough, she is captured and tortured, losing her arm in the process. Again, she seeks revenge... this time with the help of a mechanic, his wife and her new Gatling gun arm. The ultimate in vengeance cinema.

The poster for this film makes the claim that this is the sort of film Quentin Tarantino wishes he could make. That comparison is about as dead-on as one could be, as the similarities between "Machine Girl" and "Kill Bill" are overwhelming. Woman getting revenge against a crime syndicate... fountains of spraying blood (more here than in "Bill") and even a Hattori Hanzo sword. Fans of "Bill" should be all over this like Homer Simpson on a doughnut.

Swords, chainsaws... throwing stars... the works. Blood, blood and more geysers of blood. Sadly, some of the film is computer-generated (pretty much the majority of the violence), but it didn't take away from the film as much as I thought it might. One enemy losing his face, another getting his head chopped (half) off... could have been done traditionally, but I don't think this was outrageously bad.

This film is a rush... cheer it on, soak in the violence, drink plenty of Scotch. I don't know what to say... it's just so much action, dark humor... it's like a cross between "Kill Bill" and "Battle Royale", though I wouldn't put it quite on "Royale"'s level... finding this film was a great stroke of luck, and you ought to hunt for it, too.

In The Machine Girl, Ami Hyuga (Minase Yashiro) looses her last remaining family member, her little brother, to the yakuza. She sets out to avenge him by any means necessary, despite having sworn off violence after the death of her parents.

What follows is hour and a half of nothing but over the top fight scenes, high pressure blood spraying everywhere and gore special effects galore. We have machine guns, chainsaws, drills, katanas, throwing stars, and everything else under the sun, slicing and dicing and ripping and shredding. The special effects and props are certainly well-made, although it would no surprise if had ended up thinking that this was made in the early 90s.

And, if gore and splatter are your thing, then this is exactly your type of movie. It holds nothing back, has no qualms whatsoever and doesn't even acknowledge that the lines you're not supposed to cross exist.

Personally I did think that the film went a bit too far in that I didn't particularly like the protagonists or their code of conduct. What I mean is that even though you expect your hero to slice and dice and murder most brutally, it shouldn't feel like they do it out of malice or for the enjoyment of pain in others. This one crosses that line and I simply don't like my films, splatter or otherwise, to be made that way.

Still, it is a very impressive example of its particular subgenre. By all means, if you're wanting to check out what a proper Asian gorefest looks like, look no further.

When schoolgirl Ami Hyuga's little brother is murdered, she vows vengeance upon the Yakuzas whose offspring carried out the deed. Along the way she is captured, tortured, and left for death. What follows is a testament to the indefatigably of the human spirit; and illustrates that determination can overcome the most seemingly insurmountable of challenges. In the lead role, Asami gives a finely nuanced performance, conveying both the vulnerability and passion of her character. Oh, did I mention that she has a machine gun for an arm? silly me, well she does. Absolutely essential over the top gore-fest arms, legs, heads are severed, hands are deep fried, fingers are eaten, eyeballs gouged and all involved are doused in literally hundreds of gallons of fake blood. My personal favourite is the matriarch of the evil family whose deadly Drill Bra (patents pending) proves a formidable challenge for our eponymous heroine. This ones never going to be nominated for a Palme dOr, but what it lacks in well, just about everything, it makes up in spades of enthusiasm.

If you only see ONE outrageously absurd and ridiculously over-the-top Asian splatter yarn this year - or even this lifetime, for that matter – you better make damn sure it's Noboru Iguchi's "The Machine Girl"! This stupendously demented piece of Japanese "Revengeploitaton" features king-size portions of all the regular and crowd-pleasing ingredients, like crazed stereotypical characters (Yakuzas, Ninjas, schoolgirls in uniform, …) and simplistic story lines, but it particularly specializes in extreme Magna-esquire gore and kitschy comedy. Beautiful and multi-talented schoolgirl Ami lives alone with her nerdy brother Yu since their parents committed suicide for falsely being accused of homicide. Ami protects her brother where she can, but she doesn't know he and his friend Takashi are the main targets of youthful bullies with prominent Yakuza-parents. The boys get killed, but nobody wants to help Ami because of her notorious family history and her sole attempts to get revenge literally cost the poor girl an arm. She finally gets help from Takashi's mourning parents, who also provide Ami with a machine-gun prosthesis. "Machine Girl" offers a wide selection of decapitations, dismemberment, close-up gunfire, stabbings, split-open skulls, chainsaw murders, fried limbs, slit throats, electrocutions, impalement and Samurai swashbuckling. Seen all of that before in other schlocky splatter fodder already? Well, yeah … but what about flying guillotines and drill bras? Most of the running time, the screen is literally colored red with gallons of fake blood and removed intestines, but the tone of the film continuously remains blackly comical and light-headed. The phenomenally berserk make-up effects, courtesy of Yoshihiro Nishimura, are often nauseating, but never truly offensive. "Machine Girl" definitely also stars a couple of ravishing and incredibly sexy Japanese actresses, like Ami, her partner in crime Miki and even the supremely bitchy Yakuza's wife. The battle sequences at the beginning and in the garage, as well as the entire final showdown of course, simply have to be seen to be believed. This outrageously grotesque movie is well-made, well-acted and directed and indescribably entertaining.

After her brother is murdered by a ninja-yakuza clan, a teenage girl seeks vengeance with her gatling gun. First and foremost, this movie has enough blood spray to fill Lake Erie. The death scenes are numerous, highly inventive, and extremely entertaining. The pacing is just about perfect, with the action scenes positioned within the running time in such a way that avoids any dullness. One surprising positive is the camera-work, which shows blood sprays for incredibly long periods of time. This is definitely a movie that soaks itself in excess. The story itself plays out rather seriously, but the black humor is laid on thick during the fights, so some laugh-out-loud moments are almost guaranteed along the way. This is a very satisfying action gore-fest because of its impressively long finale.

I've already heard some artsy snobs complaining about this movie in terms of character development. I'm just wondering why these tards even decided to watch this movie to begin with. They should have known exactly what they were going to get. You don't see the name Tsai Ming-liang on the DVD case, do you?

This really was my summer blockbuster popcorn flick of 2008. Everyone else can have their little CGI prairie dogs, animated monkeys, and space aliens. You can have your superheros, sequels, and remakes (can Hollywood think of anything new?). The fact remains that THIS movie should be playing on 3,000 screens! That will never happen in the USA though with it's dumb-as-dirt moviegoers who flock like sheep to see the most derivative tripe dished out by those Californian bloodsuckers. Do you people have ANY standards whatsoever?

On a positive note, that's another success this year in terms of my most highly anticipated films. "Chocolate" (a Thai action flick), "The Machine Girl", and "Tokyo Gore Police were all insanely entertaining. And maybe "High School Girl Rika: Zombie Hunter" can round out a great 2008 for Japanese Horror.

You don't get great stuff like this out of the States. Man, is there any reason to watch American movies anymore?