Waris Dirie, born 1965 in Somalia, flees at thirteen when sold to be a mans fourth wife. She works as a maid at the Somalian embassy in London, then in a McDonald's where she's discovered an... Read allWaris Dirie, born 1965 in Somalia, flees at thirteen when sold to be a mans fourth wife. She works as a maid at the Somalian embassy in London, then in a McDonald's where she's discovered and becomes an international top model.Waris Dirie, born 1965 in Somalia, flees at thirteen when sold to be a mans fourth wife. She works as a maid at the Somalian embassy in London, then in a McDonald's where she's discovered and becomes an international top model.
- Awards
- 4 wins & 3 nominations total
Matthew Alexander Kaufman
- Fastfood Manager
- (as Matt Kaufman)
Featured reviews
The true story of Waris Dirie, a Somalia girl from a desert region and promised to a miserable local life, who fled to England and eventually became a top model. But the real story, the one that begins the day that changed her life, is another one. Hard and repulsive story, heir of a Somali tradition of 3000 years. A strong and true message, which calls for our humanity. Superb interpretation. Simple direction, valuing the natural interpretation, and decorated with a lot of beautiful film views. Another important point of the message is this distinction between the Somalia tradition and the Coran recommendations. See and support absolutely.
My mother kept insisting that I watch this movie but I avoided it because of the subject matter. Even in the hospital, the week before she died, she asked, "Did you see DESERT FLOWER yet? You will like it." She died last week on the Eve of Easter and last night I decided to watch it before it deleted from my DVR. I was completely enthralled and every scene drew me in moving me to a deep compassion for these mutilated women. The London fashion model scenes were a pleasant comic respite from the atrocities and it was interesting to see how Waris integrated these two worlds. Although the film has some loose ends and flaws, nothing will make you appreciate your life as a free woman until you see this film. At the very least, you might be inspired to never complain about such trivial matters as the economy, not having a boyfriend or husband or how badly you thought you were treated as a child. At the best, you will be inspired to use the fire in your life to help those who suffer needlessly in the world.
This film is an emotionally powerful film with memorable scenes that are extremely moving. It has the same elements that most Oscar winning movies have in that you feel real joy and pain. It's a shame this film didn't make more money than it did. It appears that it was basically set aside and not distributed like it should have been.
The character development of Waris is spot on. The back story in Africa is also effective in getting a glimpse of the complexity of issues and various injustices a young refugee girl like Waris deals with. The scenes in Africa are also beautiful cinematically.
There are a couple technical moments that could have been better that just reflect the budget it had to work with. IE the obvious green screen in front of the United Nations General Assembly and the ads of Waris on the sides of the buildings in Central London.
Somalia has faced unspeakable challenges in the last 25 years. The result of this is the suffering of regular people who have been caught in the crossfire. There are countless stories from Somalia that need to be told on the screen to bring awareness to this part of the world.
Matt Erickson Poet Nation
The character development of Waris is spot on. The back story in Africa is also effective in getting a glimpse of the complexity of issues and various injustices a young refugee girl like Waris deals with. The scenes in Africa are also beautiful cinematically.
There are a couple technical moments that could have been better that just reflect the budget it had to work with. IE the obvious green screen in front of the United Nations General Assembly and the ads of Waris on the sides of the buildings in Central London.
Somalia has faced unspeakable challenges in the last 25 years. The result of this is the suffering of regular people who have been caught in the crossfire. There are countless stories from Somalia that need to be told on the screen to bring awareness to this part of the world.
Matt Erickson Poet Nation
The movie is okay but some things were not quite as in the book and that kind of made me dislike it. Also the book is very dynamic while the movie was kind of slow for my taste. But since not everybody likes to read I'm happy that there is also movie because people should know about these disgusting things that happen around the world !!!
DESERT FLOWER is a very powerful film that introduces many viewers to the atrocities of Female Genital Mutilation, defined by the dictionary as 'FGM, also known as female genital cutting and female circumcision, is defined as all procedures that involve partial or total removal of the external female genitalia, or other injury to the female genital organs for non- medical reasons. FGM is typically carried out on girls from a few days old to puberty. It may take place in a hospital, but is usually performed, without anesthesia, by a traditional circumciser using a knife, razor, or scissors.' Though that is not the main driver of this story it certainly makes the life of Waris Dirie who wrote this autobiography recognized as someone who overcame insurmountable odds to become one the world's top models and a speaker for women's rights.
Liya Kebede stars as Waris Darie and is the perfect choice of an actress to fill this role: she is an International supermodel, actress and philanthropist, born and raised in Addis Ababa, Ethiopia. In 2003, she was the first woman of color to become the face of Estée Lauder cosmetics.
Waris Dirie (Liya Kebede) was born in Somalia and was subjected to FGM and fled across the desert to freedom form the heinous attitude toward women (Waris as a child is beautifully portrayed by Soraya Omar-Scego). She struggles though dreary jobs, eventually hooks up with Marilyn (Sally Hawkins0 who introduces her to the world of fashion via Terry Donaldson (Timothy Spall), learns how to dress and walk in heels and eventually becomes the great model we know us as today. She has love interests (Anthony Mackie) but her aim is to gain enough credibility and money to go before the WHO and speak against the mutilation that exists in many countries to this day.
Directed by Sherry Horman who adapted Dirie's autobiography for the screen with Smita Bhide, the visuals are spectacular and the manner in which the story is related is full of passion and compassion. The entire cast (including Juliet Stevenson, Meera Syal, and Craig Parkinson) is pitch perfect. But it is Liya Kebede who fills the screen not only with her beauty but also with a powerful performance of the main character. A very fine film with a heavy message.
Grady Harp
Liya Kebede stars as Waris Darie and is the perfect choice of an actress to fill this role: she is an International supermodel, actress and philanthropist, born and raised in Addis Ababa, Ethiopia. In 2003, she was the first woman of color to become the face of Estée Lauder cosmetics.
Waris Dirie (Liya Kebede) was born in Somalia and was subjected to FGM and fled across the desert to freedom form the heinous attitude toward women (Waris as a child is beautifully portrayed by Soraya Omar-Scego). She struggles though dreary jobs, eventually hooks up with Marilyn (Sally Hawkins0 who introduces her to the world of fashion via Terry Donaldson (Timothy Spall), learns how to dress and walk in heels and eventually becomes the great model we know us as today. She has love interests (Anthony Mackie) but her aim is to gain enough credibility and money to go before the WHO and speak against the mutilation that exists in many countries to this day.
Directed by Sherry Horman who adapted Dirie's autobiography for the screen with Smita Bhide, the visuals are spectacular and the manner in which the story is related is full of passion and compassion. The entire cast (including Juliet Stevenson, Meera Syal, and Craig Parkinson) is pitch perfect. But it is Liya Kebede who fills the screen not only with her beauty but also with a powerful performance of the main character. A very fine film with a heavy message.
Grady Harp
Did you know
- TriviaThe girl who was chosen to play the young Dirie as she undergoes FGM is Safa Idriss Nour and was picked on condition that her parents sign a contract agreeing never to perform the same ritualistic operation on her. Dirie's new book begins in 2011, four years after the contract with Nour's parents had been signed, when she received a letter from the girl that suggested her parents were having second thoughts. "I was shocked and I was very angry," Dirie, 48, said. "I decided I had to fly to Djibouti immediately to save my little girl from this brutal crime."
Once in Djibouti, she realised that the family were being ostracised and Nour's fear of being forced to undergo FGM, rather than diminishing, had grown. Then seven, Nour told her: "Grandmother carried out lots of circumcisions in our house. The girls screamed so loudly, just like I did in the film."
Nour's parents confirmed that pressure from neighbours and others for Nour to undergo FGM was weighing heavily on them. They told Dirie that her daughter and the family were being treated as outsiders and neighbours were jealous of the financial and medical support they were receiving from Dirie's FGM campaigning charity, Desert Flower Foundation, in return for upholding the contract. "Safa's family is surrounded by others struggling every day to survive. Even though the families have very little money, they save what money they have to cut their daughters, because otherwise they will not get a bride price from the future husband," Dirie said. "Because of our support, Safa's family is completely independent and the first family in the area to stop the vicious circle. This is a breach of their tradition, and people have big problems with this." Dirie spent time with the family and took some of them to Europe to show them campaigning work and talk about the corrective surgery carried out by the Desert Flower Foundation. The experience was a turning point, particularly for the father, who once argued strongly with Dirie over cutting Nour. He now works as an activist for the charity. "Safa's father has even invited neighbours to participate in our programme and the reactions were positive," Dirie said, demonstrating the difference that can be made when campaigns are led from within the communities they are trying to change. Although the case of Nour's father was a success, trying to encourage broader behaviour change through education is not easy. "Educating communities is very difficult as people are very stubborn and not willing to change their habits even if it is against humanity," says Dirie.
- GoofsLucinda (from the modeling agency) says to Waris she would be without broadband in Africa. Broadband didn't exist in the early to mid 80s when this story took place.
- ConnectionsReferenced in RTL Boulevard: Episode #11.70 (2010)
- SoundtracksWithout You (Glenn Morrison Remix)
Music by Craig Armstrong and Scott Fraser
Vocals by Lucy Pullin
French spoken words by Laurence Ashley
Remix and additional production by Glenn Morrison and Byron Wong
© by Chester Music Ltd. by the courtesy of Bosworth Music GmbH, Berlin
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Flor del desierto
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $44,348
- Opening weekend US & Canada
- $7,657
- Mar 20, 2011
- Gross worldwide
- $14,682,943
- Runtime
- 2h(120 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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