Flash of Genius

I cherish this movie; a lot of this is for personal reasons. The film is well done; Greg Kinnear really impressed me with this and little miss sunshine.

I am a sales guy who sells to big companies. I recently gave ford a free education in a service we offer, and it took so much evangalizing, repetition, re-explanation and hitting them over the head. I was astonished that a business this big didn't have smarter people.

Then, when we gave them our price and offer, they said "no thanks were going to build this in house rather than use you".........I felt a visceral connections to Bob Kearns.

Suddenly, Ford is an expert on this. I would talk to anyone who would listen, and I put my blood into helping them improve their business. I have a new opinion of the buying and technology that Ford uses to run its operations. One of the reasons they might be the "least screwed up" of the auto makers" is their soul-less way of getting companies on their knees, and then kicking them down when you cry "uncle" for them.

Sorry for blabbing. It just hurts to know we really wanted to help them , and help us make a buck in the process. And we were treated like dogs.

OK, so, on paper you must confess that any film that dramatises anything involving windscreen-wipers runs the risk of being pretty darn dull. But then at the same time maybe it is one of those films that sounds dull but is actually thrilling by way of drawing the viewer into the subject. When you thing about it, ignoring the part of the car that it involves, this story of the little man put down by a heartless corporation is pretty well timed with the strength of feeling towards our economic ruling class nowadays. So maybe Flash of Genius could ride that wave and deliver an impacting and uplifting story of overcoming at the same time – full of tension and emotion. Well, yes, I guess it "could" but the question is "does it?"

Unfortunately the answer to that is "no" and at best the film could be described as "solid". Contrary to my preconception the film is not dull because of the subject or because it gives lots of detail on engineering but rather because it seems to drag everything out and offer the viewer very little reason to care. It doesn't appear to focus on forward motion because if there is an opportunity to go over old ground or get into a rut then you best believe that it takes it. It is not a grind though, don't get me wrong, it is not a bad film, but just one that seems happy to do very little other than the basics. The courtroom scenes are where it should have come to life but even these fail to thrill or engage – OK they are there and they are "fine" for what they are but how am I the viewer supposed to be excited by what I am watching if the film itself seems all very underwhelmed by it.

I won't say that the cast are the problem but they are certainly part of it. Kinnear tries to deliver the character with real emotion in a way that will draw sympathy from the audience but his drab performance and repetitive delivery is part of the film being slowed down and not allowed to fizz. Graham doesn't help because she is part of this aspect of his character. In fairness she is quite lively and real but she cannot lift the film when the rest of it seems so intent on being average and sluggish. Alda turns up to offer the viewer hope as he enters the film with his custom delivery and energy, having several good scenes before disappearing again. Pileggi is a good solid "baddie" in the corporate sense and perhaps it would have helped to have allowed him more room to play with his character. Sadly none of the cast really gets to do this other than Kinnear, who has to take his scenes down into "despair" in a way that deadens the film and robs it of pace. Perhaps this is an accurate telling of the story but in this case it comes at a price and that price is the film's effectiveness and entertainment value.

This leaves Flash of Genius as a film that is far too worthy for its own good. It plays like a solid TVM and it certainly offered me nothing to justify why it was in the cinema with me when at best it was a DVD release. It has little in the way of drama or tension to it and it is hard to emotionally buy into the film in the way I needed to be able to in order to stick with it. If "solid" is what you are after then this is an OK film but the only remarkable thing about it is just how unremarkable, sluggish and frankly dull the whole thing is.

This is another true David & Goliath story which pits a home inventor, Bob Kearns, who develops a working intermittent windshield wiper control, against the Ford Motor Company who stole his idea after he demonstrated it to them. The strain is at times too much for Kearns who eventually suffers a mental breakdown, but comes back to take on Ford in a monumental lawsuit despite the strains on his marriage & family.

While a lot of people probably won't be interested in true life stories like this, I enjoy them and did enjoy this movie. The acting is good, and since the story is set in the 1960's & 1970's, you really get a feel for that era. It's worth a watch.

You just got to hand it to Greg Kinnear. He has certainly put all of himself in every role he has undertaken. From the host of E Entertainment's 'Talk Soup', onto such film roles as 'Little Miss Sunshine','Auto Focus' & this fine film. Kinnear plays a downtrodden Joe Sixpack from the suburbs, with his wife & six children. Here he is an engineering professor who has re-invented the windshield wiper (or did he just upgrade it?), only to have his idea stolen by Ford Motors. After 12 years of struggle that includes a nervous breakdown & the melt down of his marriage, he finally has his day in court. Does he emerge the victorious? I won't kiss & tell. This is a quiet,understated little film that deserved far better than it got. Alan Alda also shines as his attorney that tries to go to bat for him. This is one of those films that (hopefully)will have a second chance when it gets released on DVD. Slapped a PG-13 by the MPAA for some salty language,a moment of sensuality & some rather erratic behavior,due to a nervous breakdown.

Saw the very first showing of this tonight at the Traverse City Film Festival. It was a good movie and Greg Kinnear was very good. The film felt too restricted and hyper focused on the primary movie subject, Bob Kearns. It could have been made better by infusing a bit of side-story from the conflicting characters points of view. Bob Kearns low point in the movie also seemed to happen abruptly with no run-in to the plot twist, so much so that I felt like I missed something. Lauren Graham offered a fine performance, as did Dermot Mulroney's limited screen time. Overall I liked the movie but felt more could have been done to fill some gaps.