A recovering alcoholic becomes involved with his boss's wife, a former cocaine addict.A recovering alcoholic becomes involved with his boss's wife, a former cocaine addict.A recovering alcoholic becomes involved with his boss's wife, a former cocaine addict.
- Awards
- 1 nomination total
Photos
Mat Curtis
- AA Member
- (uncredited)
Neg Dupree
- Frank
- (uncredited)
Helen Mallon
- Alley Girl
- (uncredited)
Lisa McDonald
- Lady in Toilet
- (uncredited)
Olivia Poulet
- Girl
- (uncredited)
Tony Sams
- AA Chairman
- (uncredited)
Tina Simmons
- AA Group Member
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Packed in a tight 75 + minutes, 'My Zinc Bed' follows a pretty simple structure. The film is mostly a chambre piece that is told through a series of conversations between three people: a recovering alcoholic poet, a businessman and his trophy wife. The director tackles the themes of alcoholism and desire through complicated relationships between the three characters. The tension is mostly built through dialogue. Paddy Considine, Jonathan Pryce and Uma Thurman deliver excellent performances as they get under the skin of the characters. Had lesser actors been cast, this would have been a borefest. Even though I find 75 minutes to be too short a time for a film's duration, I liked that the writer stays focused on the main story and its principle characters. Due to the complex themes, 'My Zinc Bed' may not be everybody's cup of tea and it has been an interesting and involving watch.
This film is about a psychological tug of war between a rich guy and two recovering alcoholics.
The first half of the film is just plain dialogs between people who do not even have any body gestures. To make matters worse, the scenes were shot with a statically positioned camera. The dialogs are probably meant to be sharp, crisp and challenging, but they turn out to be dull, repetitive and pretentious. Furthermore, the whole plot is so monotonous, pointless and narrow. It only repetitively talks about Paul's desire to stay abstinent despite Victor's challenges. And why did Victor challenge Paul in the first place? The filmmakers should have at least spend a little effort on character development.
"My Zinc Bed" is a huge waste of time.
The first half of the film is just plain dialogs between people who do not even have any body gestures. To make matters worse, the scenes were shot with a statically positioned camera. The dialogs are probably meant to be sharp, crisp and challenging, but they turn out to be dull, repetitive and pretentious. Furthermore, the whole plot is so monotonous, pointless and narrow. It only repetitively talks about Paul's desire to stay abstinent despite Victor's challenges. And why did Victor challenge Paul in the first place? The filmmakers should have at least spend a little effort on character development.
"My Zinc Bed" is a huge waste of time.
I watched My Zinc Bed last night on BBC2. I had high hopes for this one-off drama but quite frankly it was a truly awful piece of Television. It was clearly made for American TV. Everything about it felt fake: the over the top acting, the shots and the music. It was a adapted from a play, but why? It was boring.
The story focuses on an alcoholic poet (Paddy Considine) who starts working for a millionaire businessman (Jonathan Pryce) after they meet for an interview. The poet then meets his wife (Uma Thurman) and the pair fall in love.
Every conversation was about the same thing. Being addicted to drink. The characters just kept winding each other up, which led to me being wound up and wanting to stop watching it. It tried to be so clever and intelligent but it was just dull. I think it failed because it went for the "less is more" strategy: one conversation between Uma Thurman (what attracted her to this TV movie in the first place?) and Paddy Considine led to them kissing and then being in love. And the only way that the audience knew that was through the weak narration.
Surely the BBC can do better in future.
The story focuses on an alcoholic poet (Paddy Considine) who starts working for a millionaire businessman (Jonathan Pryce) after they meet for an interview. The poet then meets his wife (Uma Thurman) and the pair fall in love.
Every conversation was about the same thing. Being addicted to drink. The characters just kept winding each other up, which led to me being wound up and wanting to stop watching it. It tried to be so clever and intelligent but it was just dull. I think it failed because it went for the "less is more" strategy: one conversation between Uma Thurman (what attracted her to this TV movie in the first place?) and Paddy Considine led to them kissing and then being in love. And the only way that the audience knew that was through the weak narration.
Surely the BBC can do better in future.
A quiet but tense piece, definitely not for those who hope for blatant excitement, being more a study of characters, each in his/her own privately nightmarish situation. Essentially a three-hander between Pryce, Considine and Thurman, all of whom turn in excellent performances of a solid script with many well observed turns of phrase and personality. Main weakness is how it dwells, for around 70 minutes, on alcoholic addiction to the exclusion of most else; but, if you know that going in, maybe you can handle it. Conversion from stage to screen works okay.
FWIW, the end credits show it as co-production of BBC and HBO.
FWIW, the end credits show it as co-production of BBC and HBO.
I disagree that this film was a waste of time. This piece was glorious with so many depths and the most wonderful acting, how could anyone not come away from this piece without feeling challenged. I love Jonathan Pryce and he was at his usual best but I felt all three characters rose to the challenge and pulled you into there world. At the end I went to bed debating The whys and therefore of why they had all needed to meet and realised the cleverness of a torn mans need to know his loves real feelings. You realise that in all the sadness the alcohol is the true baddie and just want to watch on to see a happy ending for the forlorn poet. Uma Thurman is beautiful in her desperation and need to be loved and the ultimate love story in all this is truly sad but compelling. one for the greatest drama lists.
Did you know
- Quotes
Paul Peplow: Poets are stubborn fuckers. I mean, you have to be. There's no danger of dying of encouragement.
Details
- Runtime
- 1h 15m(75 min)
- Color
- Aspect ratio
- 1.78 : 1
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