A woman kills her husband, but only after years of suffering from his abuse.A woman kills her husband, but only after years of suffering from his abuse.A woman kills her husband, but only after years of suffering from his abuse.
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One Minute to Nine had its North American Premiere at the SXSW Film Festival in Austin, TX. The film tells the heartbreaking story of Wendy Maldonado and how decades of domestic abuse finally led her to kill her abusive husband. The film was well-received by an audience deeply sympathetic to her predicament.
The film is beautifully edited. The use of the family's home videos to supplement the 5-day footage with some historical background is powerful. The story that they tell is emotionally devastating, but it feels like half a story that raises more questions that it answers. Much more could have been done if they had chosen to interview the lawyers, the law enforcement officials, the judge, and experts of domestic violence to build a larger context around Wendy's specific case.
In some ways, the inherent drama of the story of Wendy and her children is more compelling and disturbing than the film Tommy Davis has made. Davis set out to make a film about how a family copes with the prospect that a loved one is being sent to prison in a few days. They apparently, almost accidentally, stumbled on Wendy Maldonado and her case which raises all sorts of legal and moral questions about domestic violence. They succeeded in telling that limited story that they set out to tell, but film doesn't seem to go far nearly far enough in exploring the societal implications of this tragedy which ultimately seems more important than the relatively narrow project that they present to the audience.
By telling her story they open up many important political, social and cultural questions, which they chose not to systematically address. Their narrow focus allows them to focus on the brief window of time leading up to her incarceration and the family history that led up to it, but they choose not to explore the deeper questions of the failure of the system that led up to this tragedy.
Why didn't the police arrest her husband for assault and domestic abuse during the proceeding 2 decades of abuse? Couldn't she have left him and sought a restraining order? Why didn't her family and friends help her to get out of this situation? Where were the social service agencies? Why did she get such a long prison sentence? What sort of legal representation did she have that advised her to take the plea bargain offered her? Is there an effort to get her a pardon or clemency? Decades after the "Burning Bed" made this sort of occurrence a national shame, how often does this still happen in the US and how can it be stopped?
While it is always easy to criticize documentary film makers for the film that they didn't make, in this case, the story cries out for a deeper examination and what they have done feels like it has opened up a door, but failed to walk through it. The film is compelling and important for what it shows us; however, it also feels narrow and unsatisfactory, because there is so much more that we need to know to try to understand the broader social and political implications of why Wendy is sitting in prison cell today.
The film is beautifully edited. The use of the family's home videos to supplement the 5-day footage with some historical background is powerful. The story that they tell is emotionally devastating, but it feels like half a story that raises more questions that it answers. Much more could have been done if they had chosen to interview the lawyers, the law enforcement officials, the judge, and experts of domestic violence to build a larger context around Wendy's specific case.
In some ways, the inherent drama of the story of Wendy and her children is more compelling and disturbing than the film Tommy Davis has made. Davis set out to make a film about how a family copes with the prospect that a loved one is being sent to prison in a few days. They apparently, almost accidentally, stumbled on Wendy Maldonado and her case which raises all sorts of legal and moral questions about domestic violence. They succeeded in telling that limited story that they set out to tell, but film doesn't seem to go far nearly far enough in exploring the societal implications of this tragedy which ultimately seems more important than the relatively narrow project that they present to the audience.
By telling her story they open up many important political, social and cultural questions, which they chose not to systematically address. Their narrow focus allows them to focus on the brief window of time leading up to her incarceration and the family history that led up to it, but they choose not to explore the deeper questions of the failure of the system that led up to this tragedy.
Why didn't the police arrest her husband for assault and domestic abuse during the proceeding 2 decades of abuse? Couldn't she have left him and sought a restraining order? Why didn't her family and friends help her to get out of this situation? Where were the social service agencies? Why did she get such a long prison sentence? What sort of legal representation did she have that advised her to take the plea bargain offered her? Is there an effort to get her a pardon or clemency? Decades after the "Burning Bed" made this sort of occurrence a national shame, how often does this still happen in the US and how can it be stopped?
While it is always easy to criticize documentary film makers for the film that they didn't make, in this case, the story cries out for a deeper examination and what they have done feels like it has opened up a door, but failed to walk through it. The film is compelling and important for what it shows us; however, it also feels narrow and unsatisfactory, because there is so much more that we need to know to try to understand the broader social and political implications of why Wendy is sitting in prison cell today.
I saw One Minute to Nine at Locarno Film Festival in 2007 and it has not left my mind since. There are few documentary films that leave an impression on me, mainly because the subject matter always seems to be marred by outdated and formulaic methods (i.e. talking heads and unnecessary captions). This was not the case with One Minute to Nine. Not only is One Minute to Nine incredibly moving, but it is also innovative in its style. The full story of Wendy's struggle to overcome the violence in her marriage is revealed to the audience progressively and allows the viewer to understand Wendy's story naturally almost as if Davis is granting the trust necessary to reveal such a horrific story. It is the type of film that leaves you feeling so aware and united with Wendy that it would be impossible to forget.
Naturally questions are raised throughout the entire film. In my opinion, trying to answer all of these questions would take away from the relationship that the viewer has built with Wendy in her last five days before going to prison. Instead, these questions are left unanswered and seem to parallel Wendy's own inability to comprehend the injustice she has faced. This is not a documentary that attempts to resolve Wendy's struggle, but to bring it to light. By not explicitly addressing the questions raised throughout the film, I feel Davis is also allowing the audience to remain frustrated by domestic violence rather than placate them with possible explanations or solutions. In this film, the unexplained resonates strongest.
Naturally questions are raised throughout the entire film. In my opinion, trying to answer all of these questions would take away from the relationship that the viewer has built with Wendy in her last five days before going to prison. Instead, these questions are left unanswered and seem to parallel Wendy's own inability to comprehend the injustice she has faced. This is not a documentary that attempts to resolve Wendy's struggle, but to bring it to light. By not explicitly addressing the questions raised throughout the film, I feel Davis is also allowing the audience to remain frustrated by domestic violence rather than placate them with possible explanations or solutions. In this film, the unexplained resonates strongest.
I saw the HBO version with the changed title. My low rating does not reflect my lack of interest in the actual case itself. I wish 48 Hours made this instead of a pretentious filmmaker. THere is sadly, nothing new or strange about this case or the people involved that merits "a day in the life of" approach taken to showing the 4 days leading up to her sentencing and the past flashbacks. The doc starts off great showing anold eerie clip of the family at some carnival like setting.
We get thewhole picture of the dynamics and what life was and is like for these people in the first 15 minutes. Why is it deemed revelatory that the killers are ordinary good people? Showing the mother just go through the motions in those four days is a waste of my time and bores me. It is because we understand right away why she did what she did. We do not need to see boring footage to be convinced this is a normal woman.
They could have easily condensed the first 50 minutes into 15 minutes and spent more time exploring at least one or more of the following issues - why did the cops fail them, and why did such an indifferent system all of a sudden feel the need to extract justice now and sentence them to an inhumane amount of time in jail? Showing the judge mentioning that his hands were tied was not enough. There had to be some depiction of the defense team and why they failed the mother and son.
The blunt truth is this . This is a case that is sadly not uncommon in our society. The filmmaker taking a passive approach doesn't reveal to us anything that is educational or revelatory. What is of interest is how the system failed them before and after the murder. I would like to know what the defense attorneys said that did not convince her she didn't have a good chance of a better outcome? I would like to know why the DA was not persuaded to present a better deal.
We get thewhole picture of the dynamics and what life was and is like for these people in the first 15 minutes. Why is it deemed revelatory that the killers are ordinary good people? Showing the mother just go through the motions in those four days is a waste of my time and bores me. It is because we understand right away why she did what she did. We do not need to see boring footage to be convinced this is a normal woman.
They could have easily condensed the first 50 minutes into 15 minutes and spent more time exploring at least one or more of the following issues - why did the cops fail them, and why did such an indifferent system all of a sudden feel the need to extract justice now and sentence them to an inhumane amount of time in jail? Showing the judge mentioning that his hands were tied was not enough. There had to be some depiction of the defense team and why they failed the mother and son.
The blunt truth is this . This is a case that is sadly not uncommon in our society. The filmmaker taking a passive approach doesn't reveal to us anything that is educational or revelatory. What is of interest is how the system failed them before and after the murder. I would like to know what the defense attorneys said that did not convince her she didn't have a good chance of a better outcome? I would like to know why the DA was not persuaded to present a better deal.
Watch this.
This is the kind of documentary that couldn't have been made, or at least not as well, before the advent of camcorders. The story is basically that of a battered family, ending in murder. It raises questions of what murder and justifiable homicide are... and leaves the answer to the viewer.
The most haunting aspects of this film are the homemade footage in which the question is perpetually forced upon the victim/murderer... Wendy? Wendy? The subject is forced, both by her attacker and the filmmaker to look into the camera and decide to answer either honestly or dishonestly.
The version I saw was the HBO documentary called Every F*ing Day, and that title seems much more appropriate. This movie gives a strange new meaning to familial bonds and love, and it leaves you hurting to find out how anyone can come out of such a situation intact.
This is the kind of documentary that couldn't have been made, or at least not as well, before the advent of camcorders. The story is basically that of a battered family, ending in murder. It raises questions of what murder and justifiable homicide are... and leaves the answer to the viewer.
The most haunting aspects of this film are the homemade footage in which the question is perpetually forced upon the victim/murderer... Wendy? Wendy? The subject is forced, both by her attacker and the filmmaker to look into the camera and decide to answer either honestly or dishonestly.
The version I saw was the HBO documentary called Every F*ing Day, and that title seems much more appropriate. This movie gives a strange new meaning to familial bonds and love, and it leaves you hurting to find out how anyone can come out of such a situation intact.
10Antioed
This is a fantastic film...so sad, so wrong and so *real*.
Everyone knows a documentary tells a true story. To me, a *good* documentary tells a true story that evokes a strong emotional response from the viewer. This one resonated strongly with me.
How easy it is for those who have not *lived through* extreme domestic violence to judge Wendy for staying with Aaron. They have not experienced the constant humiliation, torment and manipulation at the hands of an abuser. Abusers like Aaron are not dumb - they are *psychotic* and often masters of intimidation and manipulation. I should know, I grew up with one. Perhaps after having all your teeth knocked or broken out you might understand; or maybe the constant threats on your life and the lives of those you love if you leave? We all say "well I don't understand - I would just leave him"...of course we don't understand - we are not Wendy; we didn't marry that guy at eighteen and have kids with him. We can never know what it's like until we walk a mile in her shoes...the point of the film.
I thought the ending was executed brilliantly by the director...brutally real...frustrating. It left me in total consternation with our so-called "justice" system. Wendy and Randy should not have been imprisoned...they should be in therapy.
Everyone knows a documentary tells a true story. To me, a *good* documentary tells a true story that evokes a strong emotional response from the viewer. This one resonated strongly with me.
How easy it is for those who have not *lived through* extreme domestic violence to judge Wendy for staying with Aaron. They have not experienced the constant humiliation, torment and manipulation at the hands of an abuser. Abusers like Aaron are not dumb - they are *psychotic* and often masters of intimidation and manipulation. I should know, I grew up with one. Perhaps after having all your teeth knocked or broken out you might understand; or maybe the constant threats on your life and the lives of those you love if you leave? We all say "well I don't understand - I would just leave him"...of course we don't understand - we are not Wendy; we didn't marry that guy at eighteen and have kids with him. We can never know what it's like until we walk a mile in her shoes...the point of the film.
I thought the ending was executed brilliantly by the director...brutally real...frustrating. It left me in total consternation with our so-called "justice" system. Wendy and Randy should not have been imprisoned...they should be in therapy.
Did you know
- TriviaTommy Davis removed his director credit from the television version.
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- 1h 23m(83 min)
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