Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where so... Read allRefusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.
Shauna Macdonald
- Sarah Carter
- (as Shauna MacDonald)
Josh Dallas
- Greg
- (as Joshua Dallas)
Featured reviews
In the first The Descent movie, where Sarah was the only survival of a caving expedition, Neil Marshall (director and writer) chose to keep the ending open to different interpretations of the real cause of what happened. For me it is that open end that gave an added value to the first episode. Unfortunately someone, probably commercialism and money, decided to create a sequel. In any sequel the storyline is simplified to a brainless horror movie with a fairly guessable storyline.
There is also nothing to say about good acting or the development of characters.
If you have seen The Descent this sequel is certainly not worth it. But if you want to see a brainless horror with some jump-scenes it is acceptable.
There is also nothing to say about good acting or the development of characters.
If you have seen The Descent this sequel is certainly not worth it. But if you want to see a brainless horror with some jump-scenes it is acceptable.
Following the events of the first movie, Sarah (Shauna Macdonald) is taken to a hospital. She has memory loss. A rescue team searches the caves for the missing women. A dog tracks one of the woman to an abandoned unexplored mine. Sheriff Vaines (Gavan O'Herlihy) takes deputy Elen Rios, Sarah, three cavers, and old timer Ed Oswald down into the depths.
The horror of the cave dwellers is diminished this time around. They are no longer the surprise of the first movie. The first issue is Sarah's position in the eyes of the law. At the hospital, she should be a suspect in murdering her companions. It would have been a more compelling position to put Sarah into. Once in the tunnels, the movie gets back into the claustrophobia which is so vital to the previous movie. There is one terrific section where a woman is trapped in a cave-in. One returning character is beyond belief. Overall, the shock is gone and this sequel fails to reach new depths.
The horror of the cave dwellers is diminished this time around. They are no longer the surprise of the first movie. The first issue is Sarah's position in the eyes of the law. At the hospital, she should be a suspect in murdering her companions. It would have been a more compelling position to put Sarah into. Once in the tunnels, the movie gets back into the claustrophobia which is so vital to the previous movie. There is one terrific section where a woman is trapped in a cave-in. One returning character is beyond belief. Overall, the shock is gone and this sequel fails to reach new depths.
A Sheriff suspects that Sarah has killed her friends and forces her to return to the caves with a rescue team.
Even after the UK ending of The Descent, Sarah still manages to get out but is forced back to the uncharted underground to help locate her five missing companions.
I'll try not reminisce over the amazing first film, there appears to be some mixed comments on The Decent: Part 2. If you did like The Descent, for the record the follow up even with the tantalising story setup it is sadly a huge disappointment.
Surprisingly the excellent editor Jon Harris gives a poor directorial debut. Even with some of the strong original cast including Shauna Macdonald and Natalie Mendoza, they simply can't save J Blakeson and James McCarthy poor screenplay. On board is Eden Lake's writer James Watkins and support from cinematographer Sam McCurdy (The Descent, Dog Soldiers, Doomsday to name a few).
It feels and looks like a poor mans interpretation of the Descent, it's not a straight to video production but its almost there, awful dialogue, little if any character development, no suspense and poorly executed scares and that's just touching the surface. The film looks rushed, the lighting, sets, sound, direction, everything on screen looks cheap and nasty. It lacks the grittiness of the first and the Crawler's don't look as menacing or a realistic.
It is only worth watching to see how film with such great talent can go so wrong.
Even after the UK ending of The Descent, Sarah still manages to get out but is forced back to the uncharted underground to help locate her five missing companions.
I'll try not reminisce over the amazing first film, there appears to be some mixed comments on The Decent: Part 2. If you did like The Descent, for the record the follow up even with the tantalising story setup it is sadly a huge disappointment.
Surprisingly the excellent editor Jon Harris gives a poor directorial debut. Even with some of the strong original cast including Shauna Macdonald and Natalie Mendoza, they simply can't save J Blakeson and James McCarthy poor screenplay. On board is Eden Lake's writer James Watkins and support from cinematographer Sam McCurdy (The Descent, Dog Soldiers, Doomsday to name a few).
It feels and looks like a poor mans interpretation of the Descent, it's not a straight to video production but its almost there, awful dialogue, little if any character development, no suspense and poorly executed scares and that's just touching the surface. The film looks rushed, the lighting, sets, sound, direction, everything on screen looks cheap and nasty. It lacks the grittiness of the first and the Crawler's don't look as menacing or a realistic.
It is only worth watching to see how film with such great talent can go so wrong.
I'm sure this will be the general feel from the majority of reviews but I've got to say that the Descent part 2 is just what you should expect; Similar character development but less of; Similar direction/cinematography but less of; Similar jumpy frights but less of; Similar gore but less of; Similar crawlers but less of; Similar fun but less of. However, for a £3.5m budget, 1st time director and not much room to manoeuvre with the script it's definitely an enjoyable Friday night flick worth investing in. Hey guys it's a sequel and with few exceptions (which I'm sure are discussed ad nauseum on IMDb notice boards) sequels at best are watered down versions of the originals. Not as good as "The Descent" but certainly better than Mr. Marshall's "Doomsday".
Somehow, they've managed to crap all over the mystery and wonder of the first film. I wouldn't have thought that possible, but here's two hours worth of what basically amounts to the same movie with different angles. There's a fine line between horror and annoyance, and the difference is evident between the original film and this sequel. The first had some great character development, witty dialogue, an intriguing plot. All of those things have been substituted for B-movie versions of same. Huge plot holes, impossible scenarios, expositional dialogue, and an ending that makes both films seem pointless. Don't even get me started on why there is light in some of the caves deep underground.
Did you know
- TriviaDirector Jon Harris had the crawlers slightly redesigned for this sequel. Apart from darker skin tones with better camouflage ability, they look more feral with more scars, and have more deformities to suggest years of inbreeding. Additionally, they have several rows of teeth like a shark, for ripping out flesh.
- GoofsThis film is set in 2005, right after the first one. At 1 hour, 2 minutes, Rios records her video message to her daughter on a Nokia N81 phone, which wasn't released until 2007.
- Crazy creditsWhile in the first film the opening credits resembled a flashlight passing over and illuminating them, in this one, the opening credits appears as if a passing light were shining past them onto the audience.
- ConnectionsFeatured in WatchMojo: Top 10 Horror Movies Ruined by Terrible Endings! (2017)
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El descenso: parte 2
- Filming locations
- Bourne Wood, Farnham, Surrey, England, UK(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $7,048,886
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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