Prayers for Bobby

Have you ever felt like you did not fit in? Have you ever had your parents not accept something about you? If you think you can not get this movie or understand and you are straight, think again. I am straight, but this film reminded me of all the times in my life I did not feel wanted or as though I fit in. I've spent the last year of my life fighting for the one place on the planet I felt like I belonged, and the one industry I felt I fit into. Have you ever had to fight to be? Have you ever had to stand up for something you believe in? Have you ever thought you were right about a belief and then discovered how wrong you were? Have you ever judged someone by ignorant standards, only to realize you were wrong? Are you part of a minority that has been persecuted and degraded? If any of this applies to you, see this film. It is more than just a movie about homosexuality. It is a film about people, family, love, friendship, and understanding. And if you are someone who thinks that homosexuals are evil, I dare you to watch this film.

The whole movie I was crying profusely. The cast was terrific. A must-see, especially for gay people and family of gay people. A gay youth is outcast by his mother and he struggles to accept his homosexuality. He eventually is able to leave his family for Portland, OR, but his mother's emotional/biblical abuse remains scarring his mind. I don't want to spoil what happens in Portland, but you will certainly find this a movie that makes you feel deeply for all the characters involved. I really felt connected to all the characters. This movie was certainly a movie that would be great to watch with someone you care for, as you will be crying the whole time. This movie points out the horrors of the religious Right, and criticizes the arguments against homosexuality.

The truth can be heartbreaking. Mary Griffith realized this when her son Bobby jumped off of a freeway into oncoming traffic. I just finished watching this movie and I must say... this movie is beyond touching. The acting was fantastic and it's message was very inspiring. Prayers for Bobby shows the struggles that gay youth and their families can go through, whether that means failing or triumph. This movie not only touches on the issues of homosexuality but also on pushing religion to far on someone, suicide and coming to terms with who you are. Life isn't always made up of rainbows and butterflies and this movie expresses that without holding anything back.

It would be so wonderful if the people that this piece is about actually watched it and understood what kind of hell they're putting their kids in for no particularly good reason.

It should be required viewing in every Baptist church on the planet. And there are a few other evangelical organizations with strange ideas about human beings who might learn something.

I will be surprised if Sigourney Weaver doesn't get at least an Emmy nomination, particularly given the speech she gives to the city council, both well written and well delivered.

Ryan Kelly also delivers a believable performance as Bobby, regardless of some of the cutting required to get the film into a two hour programming window.

I cried my eyes out, so maybe I shouldn't raise any objections, but... many things in this beautifully made movie were more simplistic than they needed to be.

The priest called Mary's attention to commands in the Bible she obviously wasn't taking literally in her life: we should stone disobedient children to death, we shouldn't eat shellfish. She then looks up these passages and tells the priest she has read them, and continues to raise questions about his reasoning. But earlier in the movie the family amuses itself with Bible quizzes -- I say a phrase, you tell me the book and chapter it's from. How could a woman who clearly knew the Bible better than she knew her own son not already have read Deuteronomy and Leviticus backwards, forwards, and inside out? For a self-convinced Christian like Mary, the contradictions between the passages in the Bible she liked and the ones she didn't like would have been explained away long before the events of this story.

Also, as another poster has said, the story didn't really lead us to understand why the boy did what he did. There's a hint that his boyfriend was seeing other guys, he got a really nasty birthday present from his mother, he was very lonely at the hospital where he worked, but -- the dots weren't really connected. It felt like a couple of scenes had been cut, with the effect that at the climactic moment I found myself asking "Wha'?" instead of feeling the horrible inevitability of it.

Why am I criticizing a movie that gave me the best cry I've had in months? Because movies on Lifetime, even the best ones, always pull back from the edge. There is always at least to some degree an ironed-out, homogenized, Canadian-locationized blandness to the storytelling (even though this one wasn't shot in Canada.) What if they let a movie actually be itself? What if they aimed for Sundance quality nuance, naturalism, emotion, unexpectedness in storytelling? The writing and direction on this movie were first-rate, for what it was (and Sigourney Weaver and Ryan Kelley ripped my heart out)-- but I feel that both writer and director could have gone all the way with it and made it a MOVIE.

I wonder why they didn't.