The story of a young Jack, newly released from serving a prison sentence for a violent crime he committed as a child.The story of a young Jack, newly released from serving a prison sentence for a violent crime he committed as a child.The story of a young Jack, newly released from serving a prison sentence for a violent crime he committed as a child.
- Won 4 BAFTA Awards
- 13 wins & 11 nominations total
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Featured reviews
We have all came across the stories and events of young children committing terrible crimes. They must be evil and need to be locked away as they are clearly not the same as you and me are they? Well what if they were the same, only they had a moment of madness, a moment that they did without thinking when they were young enough to know it was wrong but not too fully realise the full extent of their actions? This film does what all great films do, it educates and opens your eyes and mind to new on suggestions, in a sense it widens your experiences. If you really let it this film will get into your head and cause you to fight with your preconceived ideas on punishment for people or whether they deserve forgiveness.
This is a great film, I really liked it but I felt uncomfortable during most of it because I knew deep down it was just asking me a question. I know what the lead character did is wrong, I know he was a child when he did it, but now you see him in a new life, touching other people's lives. The film does have an ending for you but this is not the point of the film. The really ending is in your head and it stays with you, "are you are willing to forgive someone like Jack?"
This is a great film, I really liked it but I felt uncomfortable during most of it because I knew deep down it was just asking me a question. I know what the lead character did is wrong, I know he was a child when he did it, but now you see him in a new life, touching other people's lives. The film does have an ending for you but this is not the point of the film. The really ending is in your head and it stays with you, "are you are willing to forgive someone like Jack?"
A young man is released from prison after being incarcerated since he was a child. His attempts to adjust to the outside world aren't always successful.
This isn't a feel good movie about a struggle for redemption or the effects of rehabilitation. This is a dark, gritty and realistic view of how things could be for a person newly released after a horrible crime.
There isn't a lot of graphic bloodshed; most of that is implied instead of being played for shock value. That's good; this movie doesn't need any more shock value than is already portrayed. You aren't particularly encouraged to sympathize with the ex-con, nor are you encouraged to condemn him. Instead the film makes you an objective observer to his trials and tribulations, his attempts to get into society with as little trouble as possible, the reactions of people who know and work with him.
This isn't a feel good movie about a struggle for redemption or the effects of rehabilitation. This is a dark, gritty and realistic view of how things could be for a person newly released after a horrible crime.
There isn't a lot of graphic bloodshed; most of that is implied instead of being played for shock value. That's good; this movie doesn't need any more shock value than is already portrayed. You aren't particularly encouraged to sympathize with the ex-con, nor are you encouraged to condemn him. Instead the film makes you an objective observer to his trials and tribulations, his attempts to get into society with as little trouble as possible, the reactions of people who know and work with him.
This is a real gift. It's a gift in the times when Hollywood bombing us with an enormous amount of bad movies,and it's a gift of acting, specially the acting of Andrew Garfield. IMHO,the movie absolutely deserved every award and nomination. So,I give nine stars,not because we have another classic, but because it shows to Hollywood how to make a good movie.
P.S.
It is not necessary to write a bible about this movie. To much talking about a plot will make it less interesting for the spectator and that no one wants.
P.S.
It is not necessary to write a bible about this movie. To much talking about a plot will make it less interesting for the spectator and that no one wants.
The Christian author Lewis B. Smedes once said that, "to forgive is to set a prisoner free and discover that the prisoner was you." John Crowley's Boy A is a powerfully gripping film about what happens when we fail to forgive ourselves for wrongdoing and give society the opening to move in and assuage our guilt. Jack Burridge (Andrew Garfield) has been released from prison after serving fourteen years for a murder that he helped commit when he was ten years old, but the struggle to recover his life has just begun.
Adapted by Mark O'Rowe from the novel by Jonathan Trigell, the story is a reminder of the notorious 1993 Jamie Bulger case when two ten-year-olds were convicted of murdering Jamie Bulger, aged two, although Trigell says that his inspiration for the book was a friend of his who served prison time as a juvenile and turned into "a lovely lad." In the Bulger case, the British media portrayed the two boys as evil savages, ignoring circumstances that might have compelled them to commit the act. Sadly, Jack's release is also trumpeted in the media with a scare headline about "evil coming of age" and a drawing of how he might look today.
Known at their trial only as Boy A and Boy B, both Jack (whose given name was Eric Wilson) and his friend Phillip (Taylor Doherty) were incarcerated for the brutal murder of a young female classmate, yet the full details of the crime including what may or may not have been Jack's role are never fully explained and the surrounding circumstances revealed only in sporadic flashbacks. We learn that both boys had a childhood of poverty and neglect. Eric had an alcoholic father and a mother stricken with cancer and Philip was sexually abused by an older brother, yet Crowley never uses their circumstances to justify their crime.
The film opens with Jack being assisted by his counselor, his uncle Terry (Peter Mullan), on his release from prison. Terry gives him a present of a pair of "Escape" brand sneakers and helps him to find a new job at a delivery service and obtain living accommodations with Kelly (Siobhan Finneran), a kindly woman who agrees to house him temporarily. As a cover, he tells his new boss and co-worker Chris (Shaun Evans) that he did three stints in prison for stealing cars when he was much younger. Jack makes a positive adjustment at work and falls for office secretary Michelle (Katie Lyons), known affectionately by her mates as 'The White Whale". Their relationship at first is awkward, especially when Jack is given Ecstasy at an office party and lets loose in a wild, spasmodic dance, and later, engages in a violent brawl while coming to the aid of a friend.
Slowly Jack and Michelle find much in common and one of the loveliest scenes in the film is when they snap photos of each others while taking a bath together. As Jack begins to get his life together, he remains fully aware of the need to guard his secret and his anxiety that others will discover it is always evident. All the while, Jack is supported by Terry, and when the boy rescues the victim of a car accident to become a local hero, Terry calls him his "most successful achievement." Things get complicated, however, when Terry's estranged son (James Young) comes to live with him and begins to show resentment about his father's closeness to Jack. Eventually this entanglement will be the trigger for the realization of Jack's (and our) deepest fears.
Boy A is a compassionate and disturbing film that won numerous BAFTA awards for acting, directing, editing, and cinematography, though it started out as a made for TV movie. As Jack, Andrew Garfield turns in a superb performance, allowing his face to reveal his vulnerability and his changing moods to reveal the tightrope on which he is walking. Though the film has moments of pathos, it is not without grace. We cling tenaciously to those moments of transcendence, sensing that they might be fleeting, but knowing that they will never be forgotten.
Adapted by Mark O'Rowe from the novel by Jonathan Trigell, the story is a reminder of the notorious 1993 Jamie Bulger case when two ten-year-olds were convicted of murdering Jamie Bulger, aged two, although Trigell says that his inspiration for the book was a friend of his who served prison time as a juvenile and turned into "a lovely lad." In the Bulger case, the British media portrayed the two boys as evil savages, ignoring circumstances that might have compelled them to commit the act. Sadly, Jack's release is also trumpeted in the media with a scare headline about "evil coming of age" and a drawing of how he might look today.
Known at their trial only as Boy A and Boy B, both Jack (whose given name was Eric Wilson) and his friend Phillip (Taylor Doherty) were incarcerated for the brutal murder of a young female classmate, yet the full details of the crime including what may or may not have been Jack's role are never fully explained and the surrounding circumstances revealed only in sporadic flashbacks. We learn that both boys had a childhood of poverty and neglect. Eric had an alcoholic father and a mother stricken with cancer and Philip was sexually abused by an older brother, yet Crowley never uses their circumstances to justify their crime.
The film opens with Jack being assisted by his counselor, his uncle Terry (Peter Mullan), on his release from prison. Terry gives him a present of a pair of "Escape" brand sneakers and helps him to find a new job at a delivery service and obtain living accommodations with Kelly (Siobhan Finneran), a kindly woman who agrees to house him temporarily. As a cover, he tells his new boss and co-worker Chris (Shaun Evans) that he did three stints in prison for stealing cars when he was much younger. Jack makes a positive adjustment at work and falls for office secretary Michelle (Katie Lyons), known affectionately by her mates as 'The White Whale". Their relationship at first is awkward, especially when Jack is given Ecstasy at an office party and lets loose in a wild, spasmodic dance, and later, engages in a violent brawl while coming to the aid of a friend.
Slowly Jack and Michelle find much in common and one of the loveliest scenes in the film is when they snap photos of each others while taking a bath together. As Jack begins to get his life together, he remains fully aware of the need to guard his secret and his anxiety that others will discover it is always evident. All the while, Jack is supported by Terry, and when the boy rescues the victim of a car accident to become a local hero, Terry calls him his "most successful achievement." Things get complicated, however, when Terry's estranged son (James Young) comes to live with him and begins to show resentment about his father's closeness to Jack. Eventually this entanglement will be the trigger for the realization of Jack's (and our) deepest fears.
Boy A is a compassionate and disturbing film that won numerous BAFTA awards for acting, directing, editing, and cinematography, though it started out as a made for TV movie. As Jack, Andrew Garfield turns in a superb performance, allowing his face to reveal his vulnerability and his changing moods to reveal the tightrope on which he is walking. Though the film has moments of pathos, it is not without grace. We cling tenaciously to those moments of transcendence, sensing that they might be fleeting, but knowing that they will never be forgotten.
Lately there have been a lot of movies about real life situations.And most of them were good.But this one definitely jumps out from all the others. First of all,The story is unique.I truly don't think that this kind of story has been used before.It grab your attention from its beginning ti its end.Secondly,while watching this movie I have seen some of the greatest performances lately.Actors aren't well known but I am sure they will become soon if they keep it up like this.At moments I felt as if I were a part of this amazing story,and that is one of the greatest qualities a movie can have. All in all,this is a must see movie.At times it pictures joy,at times it pictures reality,at time it pictures pain but most of the time it pictures human behavior towards someone unusual,someone we aren't used to meeting every day.And finally it shows the great strength from the main character to overcome all the obstacles in his life,he accepts his reality and he learns to deal with it.It pictures human nature. So if you like touching movies,filled with lots of emotions,showing the life as it is,than this is a must see.And trust me - you won't regret it...
Did you know
- TriviaDespite being based on a novel by British writer Jonathan Trigell, many point out that this film is inspired by the real-life murder of James Bulger, which shocked the entire UK and the rest of the world.
- Quotes
Jack Burridge: Jack.
Terry: What?
Jack Burridge: That's the name I want.
Terry: [slowly] Okay...
Jack Burridge: Jack.
Terry: Well, that's the first thing taken care of.
- ConnectionsFeatured in Screenwipe: Review of the Year 2007 (2007)
- SoundtracksWith Every Heartbeat
Performed by Robyn Carlsson (as Robyn) featuring Andreas Kleerup (as Kleerup)
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Ra Tù
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $113,662
- Opening weekend US & Canada
- $13,024
- Jul 27, 2008
- Gross worldwide
- $1,202,375
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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