IMDb RATING
6.0/10
7.4K
YOUR RATING
A young couple on a motorway journey are drawn into a game of cat and mouse with a truck driver following a near accident.A young couple on a motorway journey are drawn into a game of cat and mouse with a truck driver following a near accident.A young couple on a motorway journey are drawn into a game of cat and mouse with a truck driver following a near accident.
- Awards
- 1 nomination total
William Ash
- Zakes Abbot
- (as Will Ash)
Rupert Procter
- Dad
- (as Rupert Proctor)
George Beach
- Trevor
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
better than expected British thriller about a mad man in a truck abducting girls. Zakes Abbot discovers this one night when he drive behind the Psycho's truck. is it better to leave it be? or get involved? hell soon find out the consequences of his decision. the last 20 minutes of the film , i found myself yelling at the screen saying "be quiet", "stupid woman" and "moronic dog". decent acting by the lead and superbly directing for first timer Mark Tonderai. the film could have easily be 30 minutes longer, especially since there was a few questions i wanted answered. the lack of these answers is the only reason i gave "Hush" a 7 in stead of an 8.
Hush is written and directed by Mark Tonderai and stars William Ash, Christine Bottomley, Claire Keelan and Stuart McQuarrie. Music is by Theo Green and cinematography by Philipp Blaubach.
Warring young couple Zakes (Ash) and Beth (Bottomley) are driving up a dark and rain-soaked M1, when all of a sudden a grime covered truck swerves in front of them and the tail-gate lifts briefly to reveal a caged woman in the back. It signals the start of a fight for survival for the pair of them......
The setting is suitably bleak, anyone who has had cause to be on a rainy British motorway at night knows how mind-numbing it can be. Even the stops at the service stations serve as mundane experiences, where the staff are on auto-pilot and other patrons are zombie like in the banality of their routines. Into the fray are a young couple who are on the cusp of breaking up (though Zakes in that macho way is ignorant to this fact), this is where Hush manages to rise above merely being a horror picture cobbled together from bits of other genre pictures. It examines how a fractured relationship reacts to a terrifying reality thrust into their lives, and with barely half a dozen principal characters in the story, this clearly isn't going to be a psycho truck driver movie that sees the antagonist offing a number of dim-wits with gory care-free abandon.
Director Tonderai has done an impressive job with such limited resources, there's a realistic tense atmosphere brought out by the low budget. His staging of certain scenes really grab the attention, with a container base set cat and mouse sequence of events truly breath holding stuff. He doesn't compromise the pace of the movie with pointless filler, it's a standard three tiered horror structure (meet the principals/put them in peril/do or die finale), but the film always remains honest to its core ideas, with Zakes reacting to his various predicaments in a way that is not beyond the realms of reality. There's also some nice camera touches (under carriage tracking shot) and smart use of appliances (light sensors), so why is Hush not more loved and lauded?
Fact is, is that hardened horror fans from the last twenty years will not be able to get away from that old familiar feeling of deja vu. From the cat and mouse on asphalt core story, to scenes such as a toilet hide out, there's territory that has been well trodden in better movies. There's a couple of twists, one that genuinely surprises, but one which is so telegraphed it annoys greatly. Then there is the use of the hand-held camera, which has become a staple requirement, it seems, of fledgling horror directors. Here it is used to dizzying great lengths, so much so it grows tiresome entering the last third and had this particular viewer wondering if the contents of his stomach was about to unload! There's also, perhaps inevitably, some implausibilities that are likely to test the patience of some.
Undeniably it has flaws and struggles to shake them off at times, but the good far outweighs the bad here. And given the small budget and fresh ideas the writer/director puts into what is becoming a stagnated formula, Hush is actually something of a small triumph and well worth seeking out if you are stuck for a tension pumped thriller. 7/10
Warring young couple Zakes (Ash) and Beth (Bottomley) are driving up a dark and rain-soaked M1, when all of a sudden a grime covered truck swerves in front of them and the tail-gate lifts briefly to reveal a caged woman in the back. It signals the start of a fight for survival for the pair of them......
The setting is suitably bleak, anyone who has had cause to be on a rainy British motorway at night knows how mind-numbing it can be. Even the stops at the service stations serve as mundane experiences, where the staff are on auto-pilot and other patrons are zombie like in the banality of their routines. Into the fray are a young couple who are on the cusp of breaking up (though Zakes in that macho way is ignorant to this fact), this is where Hush manages to rise above merely being a horror picture cobbled together from bits of other genre pictures. It examines how a fractured relationship reacts to a terrifying reality thrust into their lives, and with barely half a dozen principal characters in the story, this clearly isn't going to be a psycho truck driver movie that sees the antagonist offing a number of dim-wits with gory care-free abandon.
Director Tonderai has done an impressive job with such limited resources, there's a realistic tense atmosphere brought out by the low budget. His staging of certain scenes really grab the attention, with a container base set cat and mouse sequence of events truly breath holding stuff. He doesn't compromise the pace of the movie with pointless filler, it's a standard three tiered horror structure (meet the principals/put them in peril/do or die finale), but the film always remains honest to its core ideas, with Zakes reacting to his various predicaments in a way that is not beyond the realms of reality. There's also some nice camera touches (under carriage tracking shot) and smart use of appliances (light sensors), so why is Hush not more loved and lauded?
Fact is, is that hardened horror fans from the last twenty years will not be able to get away from that old familiar feeling of deja vu. From the cat and mouse on asphalt core story, to scenes such as a toilet hide out, there's territory that has been well trodden in better movies. There's a couple of twists, one that genuinely surprises, but one which is so telegraphed it annoys greatly. Then there is the use of the hand-held camera, which has become a staple requirement, it seems, of fledgling horror directors. Here it is used to dizzying great lengths, so much so it grows tiresome entering the last third and had this particular viewer wondering if the contents of his stomach was about to unload! There's also, perhaps inevitably, some implausibilities that are likely to test the patience of some.
Undeniably it has flaws and struggles to shake them off at times, but the good far outweighs the bad here. And given the small budget and fresh ideas the writer/director puts into what is becoming a stagnated formula, Hush is actually something of a small triumph and well worth seeking out if you are stuck for a tension pumped thriller. 7/10
I watched this not expecting much, and yeah some of the acting was a bit dubious but overall I was very impressed. When I started watching it I sat there with my finger on the stop button, but that button was never pressed as I was truly hooked. I really felt for the lead character and thought he played the part well. I was also surprised by a few twists here and there which would give Hollywood a run for its money.
For a movie that was obviously on a budget (made with help from the lottery) I think it can stand proud with the multi-million pound big boys from the USA.
A good thriller worth watching
For a movie that was obviously on a budget (made with help from the lottery) I think it can stand proud with the multi-million pound big boys from the USA.
A good thriller worth watching
I find it amazing how people get very critical about films which in some cases weren't advertised as big block busters. OK this isn't going to win any Oscars but hey its wasn't as bad as some people think. I do find these films frustrating sometimes when you dissect them and say well i wouldn't have done that but hey if that is the case then tell all those idiots who still swam with Jaws and still go to holiday camps. It had suspense and some good moments, i thought it was better than i was lead to believe and wouldn't recommend it but if you do hire it then you wont be too disappointed and just enjoy it for what it is a low budget film with some good moments.
this film is a gem, i found it by accident,its about a man who is having problems with his relationship, and one night whilst doing his job or posting posters in motorway service stations , he sees a crime and wonders what to do, then gets drawn into it all. I thought it was gripping, towards the end i was shouting at the telly ''don't go in there'' haha, there were no really daft decisions made by the main character 'zakes' .lots of twists that i didn't see coming. All the negative reviews seem to be by people who think all thrillers have to be like 'frantic'. One even complained about the accents of the actors, they were speaking 'english' lol if you like excitement, suspense, thrills and twists, then this is the film for you
Did you know
- GoofsWhen Zakes is looking for Beth in the service area, he crawls under a lorry in the lorry park in the pouring rain, in the next scene inside the service area, he appears clean and dry, surely he would be covered in oily marks.
- Quotes
Zakes Abbot: [goading the Tar-man outside] Remember me you CUNT!
- Crazy creditsAfter the coda, credits start appearing. After the producer credits, an epilogue is shown, of one of the criminals (obviously uncaught) shopping at a bookstore, and picking up a book by the protagonist describing the criminal operation and its end. We then see him getting into one of storage trucks like the one seen earlier in film and drive way from a series of similar looking vehicles.
- ConnectionsFeatured in House at the End of the Street (2012)
- SoundtracksKnock Down
(K Gee Heat Remix)
Written by Alesha Dixon
Performed by Alesha Dixon
Published by Universal Music Publishing Ltd, Warner/Chappell Music Ltd and Xenomania Songs Ltd
Courtesy of Polydor Ltd
Under licence from Universal Music Operations
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Giấc Mộng Kinh Hoàng
- Filming locations
- Sheffield, South Yorkshire, England, UK(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,000,000 (estimated)
- Gross worldwide
- $288,667
- Runtime
- 1h 31m(91 min)
- Color
- Aspect ratio
- 2.35 : 1
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