The Russell Girl

While one should not expect an Emmy award winner out of the movies Hallmark typically puts out, "The Russell Girl" was OK entertainment for two hours. I appreciated the lack of long commercial breaks. It was difficult to say if the lead actress, Tamblyn, made the movie slow down in parts or if it was just the script itself. It did seem to drag out as she kept playing a "keep-away" game of her secret from her family.

Even though she was relatively young (early 20's) she had not resolved a major event that had happened five years ago, one she ran away from. This movie did fairly well in showing the results of not forgiving as well as the ineffectiveness of running away from a bad situation. It just seemed to take awhile to get to the ending that wasn't a surprise but was nice to see anyhow.

The strength of the movie came in giving the audience a chance to examine their own lives, if given the news of having an "aggressive cancer". Would we accept it as some sort of karma for the bad things we have done? Would we try to right past wrongs? How would we spend the little time we have left? Considering the junk that passes for entertainment on TV lately (watching someone strapped to a lie detector for an hour?), I did not have any regrets using up two hours of my life on this movie.

(A better Hallmark movie on forgiveness is "The Christmas Gift" with Neal Patrick Harris.)

The Russell Girl deals about fear, guilt, suppressed feelings, anger, and the need to let go of the past, and to embrace the future.

The Russell Girl went back to visit her family, to tell the news about her health. She was suffering from leukemia. However, when she got home, she couldn't find the courage to let her parents know about it.

And her distant past caught up with her. She remembered vividly what had happened years ago, when she was entrusted to babysit her neighbor's's kids. Tragedy ensued that night, and they blamed her for the mishap.

Overall, a good film, albeit a tad too slow for my liking. The ending was predictable and expected.. However, that is in no way saying that the film wasn't good or anything. It is just that it may not be everyone's cuppa tea.

A very different and exceptional Hallmark entry dealing with grief, guilt, blame, and hope. The entire cast is fine, with the wonderful Jennifer Ehle, Amber Tamblyn, and Mary Elizabeth Mastrantono standing out in pivotal roles.

Times flies. The last time I saw Mary Elizabeth Mastrantonio--well, was when she was Tom Cruise's girlfriend in "The Color of Money". Now, she is playing a mother.

Without giving the plot away, the movie deals with guilt, denial, grief, and loss. Secrets are lethal, and they seem to abound in so many families.

This film is a sumptuous production. Only the likes of Hallmark and Playhouse 90 could offer such a magnificent presentation. There is a stellar cast, brilliant direction, and fine editing. The story is true to life, and naturally slow as the arduous events pull at your heart strings. This is a tearjerker, and you will need at least one box of tissue. Generously pass the Kleenex around because all of the viewers will need them. The timing is just right for some serious issues, there is actually some resolution, and the ending is a myriad of emotional fireworks.

I cannot praise this film enough, and rank it a 10 out of 10. This movie is a definite award winner, and a must see. But, it's not just a film for families. It's a film for singles, and everyone. But, to really appreciate this movie, you must be open to feelings, and be willing to deal with issues. Yes, life can be as difficult, as it can be rewarding. But, with just the right measure of love and support, we can rise to life's joys and its challenges. Bravo!

This is one of the best movies I've seen in years. While the "Matrix" crowd may consider the plot "slow," I consider it natural and unhurried. This movie rests on its WRITING and PERFORMANCE, not fancy graphics, nudity, or profanity. You can watch this show with your 3-year-old.

Two families are caught in a very plausible conflict. There is a lot of judgment, anger, blame, self-loathing, and fear involved. The conflict rises to an almost intolerable level, but then is eventually resolved.

Like many real-life conflicts and wounds, the Russell girl walls herself off in unhealthy denial and self-judgment. The family doesn't help either, with the mother blinding herself to the depth of her daughter's guilt.

True to the self-righteous, self-justified attitude of humans in their worst light, the antagonist (Jennifer Ehle) had deepened the wound for many years, but with the artful interplay of emotions and relationships woven by Blotevogel, the wound is finally punctured and healed.

My hat is off to Jill Blotevogel, Jeff Bleckner, Amber Tamblyn, and all the people involved in making this excellent film.