Blink

After family of blood, which was frankly excellent, this episode was, in my eyes, truly superb on so many points. It was so good in fact, that I finally signed up to IMDb after having trusted the user's opinions for a few years now, just to give it 10/10 and a smashing review! The story was just perfect, the effects were relatively simple but yet highly effective (exactly how it should be!), and the acting was spot on. This must have been the best episode I've seen probably since the beginning of the next-gen Doctor Who 2 years ago. Don't get me wrong, episodes such as Doomsday in series 2 were really excellent, but this episode really brought back the old Doctor Who feal in terms of sheer simplicity with maximum effect. I'm old enough (in my mid 20's in fact) not to have had nightmares in many years, but after this episode, I came close, having had my first bad dream since I can remember!! Really worth watching; The DVD of the whole series should be out in the autumn I guess, and i'll be buying it just to see this episode again!

Wow! After last week's "The Family of Blood", I was expecting a "filler" episode before the series moved into position for the exciting run towards the finale. "Blink" proved to be a superbly imaginative, and downright scary, delight from the always creative Steven Moffat.

An episode which managed to grip the viewer in a steel vice of mystery, intrigue and behind-the-sofa terror, "Blink" avoided the disappointment of "Love & Monsters" while still managing to keep The Doctor and Martha's appearances to the bare minimum.

Carey Mulligan is gorgeously scrumptious as the girl in peril, Sally Sparrow. Mulligan is pure companion material and captivates the viewer with her plight. Lucy Gaskell is also extremely pleasing as Sparrow's friend, Kathy.

Moffat even manages to throw in some fan-pleasing / teasing lines, including one about police box dimensions. Forum dwellers will probably love this magic touch.

Oh, this scores another 10 out of 10. Loved this episode to bits. Thoroughly clever stuff! I'm off to move some statues right now...

At my age, I have been watching the Doctor avidly for 40 odd years and, like everyone have had favourite stories. They've all just been blown out of the water.

Moffatt had written probably the best episodes from the previous two series of the re-incarnated Doctor in "Girl In The Fireplace" and the scary "Empty Child", so I had great hopes of "Blink" when I saw he was the writer. I wasn't disappointed.

If you like science fiction, or even if you like traditional British horror, watch this brilliantly performed and written episode. And, oh yes, "Don't turn your back. Don't look away. And don't Blink".

In an episode which was arguably the best of the new Doctor Who episodes yet, the Doctor has to help a young woman called Sally Sparrow, whose life is endangered by an unlikely enemy...despite the fact that he is lost in time.

In an episode which may seem utterly confusing at first, it picks up the pace dramatically and with a multitude of clues, Sally Sparrow is forced to work out the mystery of the Weeping Angels with the help of her best friend Kathy Nightingale and her brother before it is too late.

Teeming with references to other time-travel classics such as "Back To The Future", this is a phenomenally written episode where everything takes time to come together but when it all comes together there are shocks and horror in equal measure.

An interesting feature of this episode is its similarity to the Second Series episode "Love and Monsters", because The Doctor is hardly in the episode, yet the episode is so superbly written that it doesn't really seem to matter.

This episode will make any fans beg for answers at several points in the episode due to the confusing way in which the episode is put together, but don't worry, because everything is explained clearly by the end of the episode and the result is immensely pleasing episode.

10/10

So in Series 2 they tried a "non doctor centric" episode. While this idea was intriguing and gave a different dynamic to the series, the writing, in particular the disappointing "absorbaloff", wasn't quite up to scratch (don't get me wrong it was still a great episode!). However, this time round, they appear to have honed their skills and come up with one of the best episodes yet, certainly one of the highlights of this series.

The format of this episode gave us a break from prosthetics, animal heads and spaceships and produced a extremely clever and frightening episode. It was superbly acted by Carey Mulligan (Sparrow) and if she were to return in future it would be great, she fit into the Doctors universe with perfect ease. I look forward to other "non doctor centric" episodes in the future. I also look forward to more episodes written by Steven Moffat, easily one of the best writers the show has.