Sally Sparrow receives a cryptic message from the Doctor about a mysterious new enemy species that is after the TARDIS.Sally Sparrow receives a cryptic message from the Doctor about a mysterious new enemy species that is after the TARDIS.Sally Sparrow receives a cryptic message from the Doctor about a mysterious new enemy species that is after the TARDIS.
Raymond Sawyer
- Desk Sergeant
- (as Ray Sawyer)
Elen Thomas
- Weeping Angel
- (uncredited)
Featured reviews
Wow! After last week's "The Family of Blood", I was expecting a "filler" episode before the series moved into position for the exciting run towards the finale. "Blink" proved to be a superbly imaginative, and downright scary, delight from the always creative Steven Moffat.
An episode which managed to grip the viewer in a steel vice of mystery, intrigue and behind-the-sofa terror, "Blink" avoided the disappointment of "Love & Monsters" while still managing to keep The Doctor and Martha's appearances to the bare minimum.
Carey Mulligan is gorgeously scrumptious as the girl in peril, Sally Sparrow. Mulligan is pure companion material and captivates the viewer with her plight. Lucy Gaskell is also extremely pleasing as Sparrow's friend, Kathy.
Moffat even manages to throw in some fan-pleasing / teasing lines, including one about police box dimensions. Forum dwellers will probably love this magic touch.
Oh, this scores another 10 out of 10. Loved this episode to bits. Thoroughly clever stuff! I'm off to move some statues right now...
An episode which managed to grip the viewer in a steel vice of mystery, intrigue and behind-the-sofa terror, "Blink" avoided the disappointment of "Love & Monsters" while still managing to keep The Doctor and Martha's appearances to the bare minimum.
Carey Mulligan is gorgeously scrumptious as the girl in peril, Sally Sparrow. Mulligan is pure companion material and captivates the viewer with her plight. Lucy Gaskell is also extremely pleasing as Sparrow's friend, Kathy.
Moffat even manages to throw in some fan-pleasing / teasing lines, including one about police box dimensions. Forum dwellers will probably love this magic touch.
Oh, this scores another 10 out of 10. Loved this episode to bits. Thoroughly clever stuff! I'm off to move some statues right now...
After family of blood, which was frankly excellent, this episode was, in my eyes, truly superb on so many points. It was so good in fact, that I finally signed up to IMDb after having trusted the user's opinions for a few years now, just to give it 10/10 and a smashing review! The story was just perfect, the effects were relatively simple but yet highly effective (exactly how it should be!), and the acting was spot on. This must have been the best episode I've seen probably since the beginning of the next-gen Doctor Who 2 years ago. Don't get me wrong, episodes such as Doomsday in series 2 were really excellent, but this episode really brought back the old Doctor Who feal in terms of sheer simplicity with maximum effect. I'm old enough (in my mid 20's in fact) not to have had nightmares in many years, but after this episode, I came close, having had my first bad dream since I can remember!! Really worth watching; The DVD of the whole series should be out in the autumn I guess, and i'll be buying it just to see this episode again!
This is, without doubt, the cleverest episode of Doctor Who since it was revived. It's also a contender for the scariest, giving a very definite challenge to last years The Impossible Planet. When I saw that Steven Moffat was writing this one, I knew we were in for a treat, since he wrote arguably the best episodes of the previous two series. But I never thought for a second it'd be this good.
I had already been blown away by the trailer for this episode alone (which is here if you want to see it - http://www.youtube.com/watch?v=OHoxfE0Kj80) but seriously, that gives no justice to how good the actual episode is. There's one part where the main character Sally (played outstandingly by Carey Mulligan - let's see more of her in the future!) appears to be talking to the Doctor through a DVD, and that actually had me genuinely wondering how. There's so much of this episode that really grabs you and pulls you in, and you just can't pull yourself away from it. And the final 15 minutes - especially the Doctors incredibly frightening "Don't blink!" speech, is just mesmerising.
Again, hats must be doffed to the writing genius that is Steven Moffat. The BBC MUST hang on to him at all costs.
I had already been blown away by the trailer for this episode alone (which is here if you want to see it - http://www.youtube.com/watch?v=OHoxfE0Kj80) but seriously, that gives no justice to how good the actual episode is. There's one part where the main character Sally (played outstandingly by Carey Mulligan - let's see more of her in the future!) appears to be talking to the Doctor through a DVD, and that actually had me genuinely wondering how. There's so much of this episode that really grabs you and pulls you in, and you just can't pull yourself away from it. And the final 15 minutes - especially the Doctors incredibly frightening "Don't blink!" speech, is just mesmerising.
Again, hats must be doffed to the writing genius that is Steven Moffat. The BBC MUST hang on to him at all costs.
In an episode which was arguably the best of the new Doctor Who episodes yet, the Doctor has to help a young woman called Sally Sparrow, whose life is endangered by an unlikely enemy...despite the fact that he is lost in time.
In an episode which may seem utterly confusing at first, it picks up the pace dramatically and with a multitude of clues, Sally Sparrow is forced to work out the mystery of the Weeping Angels with the help of her best friend Kathy Nightingale and her brother before it is too late.
Teeming with references to other time-travel classics such as "Back To The Future", this is a phenomenally written episode where everything takes time to come together but when it all comes together there are shocks and horror in equal measure.
An interesting feature of this episode is its similarity to the Second Series episode "Love and Monsters", because The Doctor is hardly in the episode, yet the episode is so superbly written that it doesn't really seem to matter.
This episode will make any fans beg for answers at several points in the episode due to the confusing way in which the episode is put together, but don't worry, because everything is explained clearly by the end of the episode and the result is immensely pleasing episode.
10/10
In an episode which may seem utterly confusing at first, it picks up the pace dramatically and with a multitude of clues, Sally Sparrow is forced to work out the mystery of the Weeping Angels with the help of her best friend Kathy Nightingale and her brother before it is too late.
Teeming with references to other time-travel classics such as "Back To The Future", this is a phenomenally written episode where everything takes time to come together but when it all comes together there are shocks and horror in equal measure.
An interesting feature of this episode is its similarity to the Second Series episode "Love and Monsters", because The Doctor is hardly in the episode, yet the episode is so superbly written that it doesn't really seem to matter.
This episode will make any fans beg for answers at several points in the episode due to the confusing way in which the episode is put together, but don't worry, because everything is explained clearly by the end of the episode and the result is immensely pleasing episode.
10/10
At my age, I have been watching the Doctor avidly for 40 odd years and, like everyone have had favourite stories. They've all just been blown out of the water.
Moffatt had written probably the best episodes from the previous two series of the re-incarnated Doctor in "Girl In The Fireplace" and the scary "Empty Child", so I had great hopes of "Blink" when I saw he was the writer. I wasn't disappointed.
If you like science fiction, or even if you like traditional British horror, watch this brilliantly performed and written episode. And, oh yes, "Don't turn your back. Don't look away. And don't Blink".
Moffatt had written probably the best episodes from the previous two series of the re-incarnated Doctor in "Girl In The Fireplace" and the scary "Empty Child", so I had great hopes of "Blink" when I saw he was the writer. I wasn't disappointed.
If you like science fiction, or even if you like traditional British horror, watch this brilliantly performed and written episode. And, oh yes, "Don't turn your back. Don't look away. And don't Blink".
Did you know
- TriviaIn the disc of the original DVD release of Series 3 with "Blink" in it (disc 4) there is an Easter Egg on page 2 of scene selection of "Blink". It has the Doctor's Easter egg, unedited. To access it, you have to highlight "Blink" in the page and select it. Unlike other bonus scenes and deleted footage, the Easter egg remains "filmized" rather than being rendered on video, in keeping with it supposedly having been filmed in 1969.
- GoofsWhile Billy Shipton is showing Sally Sparrow the TARDIS (in the room where he keeps the abandoned cars), just after he says, "[You] can't even get in it'", he rattles the TARDIS' handle to demonstrate. Watch carefully: When he shakes the handle we hear a rattling noise as if the door is shaking, but in fact the door stays rock solid.
- Quotes
The Doctor: People assume that time is a strict progression of cause to effect, but *actually* from a non-linear, non-subjective viewpoint - it's more like a big ball of wibbly wobbly... time-y wimey... stuff.
- ConnectionsFeatured in Doctor Who Confidential: Do You Remember the First Time? (2007)
- SoundtracksDoctor Who Theme
(uncredited)
Written by Ron Grainer
Arranged by Murray Gold
Performed by BBC National Orchestra of Wales
Details
- Release date
- Country of origin
- Official sites
- Language
- Filming locations
- West Bute Street, Cardiff, Wales, UK(Outside police station and Sally's phone call to Larry)
- See more company credits at IMDbPro
- Runtime
- 45m
- Color
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