The Sound of Drums
- Episode aired Sep 28, 2007
- TV-PG
- 45m
The Doctor, Martha and Jack return to the 21st Century eighteen months after the Doctor and Martha left. They find they've missed the election, and the new Prime Minister, Harold Saxon, is s... Read allThe Doctor, Martha and Jack return to the 21st Century eighteen months after the Doctor and Martha left. They find they've missed the election, and the new Prime Minister, Harold Saxon, is someone they've met before by another name.The Doctor, Martha and Jack return to the 21st Century eighteen months after the Doctor and Martha left. They find they've missed the election, and the new Prime Minister, Harold Saxon, is someone they've met before by another name.
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He starts with the cabinet slain, then a journo gets to feel the pain, gathers up Martha's family, builds on his popularity, then embarks on his wicked campaign.
Meanwhile the time travelling trio are pursued and hunted before perceptively making it onto the aircraft carrier Valiant after discovering the secrets of the Master's mind games.
A dark, tense and highly original episode, "The Sound of Drums" is so good it's difficult to know where to begin. Davies' teases fans with references to The Doctor's brother (a few seconds pause seemed like an eternity in this scene), jelly babies and so on, while giving long-term viewers the best Gallifrey treat they could ever wish for in this episode. The short, beautifully shot clip of The Master's back-history is informative and manages to honour the memories of anybody who has grown up with "The Deadly Assassin" and the various subsequent Time Lord tales. This is epic stuff - there's a legendary feel to "The Sound of Drums" and the show appears bigger in scale than a television programme, having an almost movie-like feel to the proceedings. After watching this series of "Doctor Who" other science fiction offerings are going to feel tired and drawn-out compared to this lean and mean, multi-faced beast. We have seen a diverse number of stories this year but the quality has remained constant throughout.
John Simm steals the show as the psychopathic Master. He has all the best lines and eats the part up like the world's most scrumptious meal. Simm is the very picture of a maniacal genius and it's hard to imagine anybody delivering a better performance in this role. His scenes with the cabinet and the President of the USA will be difficult to forget.
The Jones family are proving more entertaining and likable than the Tylers - Trevor Laird and Adjoa Andoh are excellent as Martha's parents and Gugu Mbatha-Raw is wonderful as younger sister, Tish.
The episode finishes on the ultimate cliffhanger. This is black as night "Doctor Who" and it's an absolute delight.
10 out of 10. Again, thank you Russel T. Davies and Phil Collinson for delivering such a treat to fans everywhere, young and old. This is more than anybody could have ever expected and as each season progresses, the creative envelope is pushed ever further. Genuinely jaw-dropping entertainment.
This follows on from the brilliant Utopia in which we had the great Derek Jacobi as the Master and he was truly magnificent. Thanks to Big Finish audio adventures we get to enjoy Jacobi more but it would have been amazing to get him on screen as the Master for a bit longer.
Simm, whilst very different and shockingly bonkers is suitably menacing, fun and impressive in the role and this two parter gives him plenty of chance to treat us to a mixture of zany humour and dark threatening drama.
Both these last two episodes are very funny in the comedic dialogue and very exciting in the dramatic plot development. The story is thrilling, interesting, dark and thoroughly enjoyable. As well as Simm's fine performance we get Tennant on superb peak form, Freema Agyeman again demonstrating what a great companion Martha is and John Barrowman enjoyable as ever as Captain Jack Harkness.
The threat to Earth in the first part is wonderfully well evoked and leads to a thrilling cliffhanger.
The Last of the Timelords is harshly judged by some for being over the top and for its resolution where bad events on Earth are conveniently wiped from ever happening. I think that is very exaggerated as a criticism.
Yes the events on Earth are undone which feels a bit convenient but the whole story features the Master using a Paradox Machine and the destruction of that logically means that events that took place after the paradox began cease to exist. It makes sense (unlike quite a few stories in Moffatt and Chibnall eras). I still feel all the horrifying events shown retain most of their strength and impact despite the fact they get wiped from ever happening.
They were never going to continue with a decimated Earth for all future stories so to have a story featuring a paradox machine allowing a logical reset was, I think, a clever way to deal with it. It is pretty well executed although the way the Doctor defeats the Master is slightly hyped up for my taste.
My main complaint in this story is the way they depict the Doctor being aged into a small withered figure with out of proportion head and eyes. I would happily do a George Lucas and superimpose a better version with modern graphics over the top of the original effects haha.
My Ratings: Utopia - 10/10 The Sound of Drums - 10/10 The Last of the Timelords - 8.5/10 Overall 3-part story - 9.5/10.
Did you know
- TriviaWhen The Doctor and The Master are speaking to each other on the phone, they really are talking to the other person. Instead of having the lines read to them on the set, David Tennant and John Simm called each other in order to make the scene more authentic.
- GoofsWinters is described as "President", but identifies himself to the Toclafane as "President Elect of the United States of America". The President Elect is the candidate who has won an election (in early November) but not yet taken office (on January 20); he has no authority yet. (Russell T. Davies has stated that he used the term President-Elect without realizing what it actually meant, and that Winters is meant to be the full President of the United States.)
- Quotes
The Doctor: [to Martha and Jack] Oh! I know what it's like. It's like when you fancy someone, and they don't even know you exist. That's what it's like.
[Martha looks crestfallen, and turns to Jack for support]
Captain Jack Harkness: [to Martha] You too, huh?
- ConnectionsFeatured in Doctor Who Confidential: The Saxon Mystery (2007)
- SoundtracksVoodoo Child
Performed by Rogue Traders
Details
- Runtime
- 45m
- Color