Recount

Recount goes over familiar territory, and for some it will be like opening up a wound that's been covered for several years only to find the pus is still fresh and rotten. Whether you're a democrat or republican- for the latter, of course, your man "won" in the end- a lot of the details in the story of the Florida electoral results in the 2000 Presidential election just flat out stink of corruption and mismanagement. It displays a failure on the part of what should be a somewhat reliable process in an already faulty system (i.e. electoral college, besides the point). What lessons can be taken from the Florida story? Pretty much the story, and the film, acts as a referendum on how things can get so (bleeped), on each party side- democrats not strong enough in the fight at crucial beats, republicans acting like bullies- and the only hope is that it never gets this wretched again.

Whatever thoughts on the issues one will have, it's a worthwhile TV movie based just on the cast alone. Director Jay Roach, usually responsible for silly comedies like Austin Powers and Meet the Parents, tackles the drama with a firm hand (if not the sturdiest camera- hand held of course) on his large group of thespians. Kevin Spacey hasn't been this good in years, and Leary is a welcome presence as a Gore campaign member. Also very noteworthy are small parts for John Hurt, Ed Begley Jr, Bruce McGill. But best of all are Laura Dern in a harrowingly funny turn as dumb-bell Katherine Harris and Tom Wilkinson as tough lawyer James Baker, who comes off as icy as one might expect playing a loyal cadre of the Bush family. They make the movie compulsively watchable, even as the details of the case- the dimple chads, the discrimination, the BS protester problem in Miami-Dade, and ultimately the ruling of the supreme court- make one very sick about the madness unraveling.

I could not turn away from this movie- not because the outcome was unclear or because I was unfamiliar with the events (I took a class in college the next year entirely dedicated to this debacle) I just found the acting so compelling.

The actors did a fantastic job- they created tension even when I knew what the Supreme Court would say- If you are a political junkie and have not been drinking from your respective party's kool-aid jug for too long you will enjoy this movie.

Those that take offense to this film clearly are delusional about their party or candidates- they can't acknowledge that their side will go to the same lengths as the other guy to win- Recount is not a social commentary on voter fraud- it is a behind the scenes look at the recount teams for Gore and Bush and how they strategized and plotted to WIN-

That does not mean Recount seeks to establish who WON the election- only that there were two camps who wanted to, which we already knew before the vote was so ridiculously close. And I don't see how the film could have done a better job showing us this-

This is an emotional roller-coaster that will keep you watching despite knowing how it is going to end. There are very few films which have the ability to suck in an audience so deeply even though they know what is going to happen.

It raises questions about the 2000 election and does a fair job of cramming several weeks into two hours. The performances are pitch perfect and but Laura Dern in particular should win an Emmy for her portrayal of Katherine Harris. Your party affiliation should not prevent you from watching this film as it bounces back and forth between both campaigns without too overtly taking a side.

I don't know how Jay Roach got involved in directing this project, but he redeemed himself for the horrific "Austin Powers in Goldmember".

Watch it.

If you thought a movie about the controversial 2000 Presidential campaign recount in Florida, you're wrong. Just when you think it's some crazy movie, you recall that it all really happened. At times, only the CNN footage reminds us that it really did happen. The drama and gravitas of the story should not be lost, but is, upon Americans. The movie not only accurately portrays actual events, but notes their context and their importance to American history, an analysis that many have already so soon forgotten.

The star-filled cast's fame does not disservice or overshadow the characters they portray, a fine balance of talent and respect. Special note, however, must be paid to Laura Dern's awe-inspiring role as the aloof, artificial Secretary of State, Katherine Harris. Despite makeup which makes prostitutes jealous, her mannerisms and uncanny slanted poise cause incredulous disbelief that such a wacky imitation could be enacted. All the cast, however, is likewise surrealistically convincing.

The hard working, late hours, and soul-sucking reality of working in a campaign office, often a suite rented out of a strip shopping mall with temporary desks and phone lines cheaply laid in for only a few months' time, is evident and pervasive. Such atmospheres lend the movie a realistic feel of grassroots-level work. One is likely to develop a profound respect for the idealism and vigor (or ego) of such volunteers with such spartan environments.

Music is not even necessary as the chaotic, meaningless buzz of a campaign office or the silent seriousness of a limo ride are soundtracks in and of themselves. The seriousness of the situation does not let the viewer go for the entire movie's arc, from the movie's opening seconds when an elderly lady's seemingly innocent action will cause screaming suspended disbelief in all viewers alike. The tension continues for over an hour more, frustrating and terrifying viewers until an ending whose frustration compares with few other feelings. Even typically dry court readings gain an impossible level of drama, tension, and emotional disbelief to the point of tears as the movie progresses through the increasingly unbelievable tale. The dirty tactics are unsurprising, given recent politics, but to witness the beginnings of the such era in retrospective is humbling. The animosity of the foes is tempered with a thin grasp on reality and humanity, summoned by powers eluding most of us common lay men and women.

The film is so accurate and nearly documentary which is suitable for those of all political persuasions. The far more important point is the preservation of the Union and our ability to pass power peacefully and civilly. Affairs even weightier than party affiliation are at stake. The movie is trying on the heart and mind as it begs us to question how insane the electoral system is, a view with which those of all political persuasions may likely agree. Nonetheless, the system somehow survived to live another day, a day that will again return.

There are two immutable facts that were brought out in this excellent film: one, Florida looked absolutely ridiculous in the way they conducted elections; and two, the 2000 election was absolutely stolen.

Florida will forever be stigmatized by butterfly ballots and hanging chads. The fact that election officials in some sixteen counties refused to do the machine recount as ordered shows the incompetency of our officials.

The recount notwithstanding, the manipulation of the voter roles and the subsequent disenfranchisement of 20,000 voters by the clownish Katherine Harris, played perfectly by Laura Dern, casts a permanent stain on the legitimacy of the Bush presidency.

The fact that the details of this movie were well known did not detract one bit from its enjoyment. It was compelling and exciting and the performances of stars like Kevin Spacey, Tom Wilkinson, and Dern made you forget that you knew the ending.