This Baltimore-set movie of interconnecting story arcs deals with the challenges of reading or misreading human behavior.This Baltimore-set movie of interconnecting story arcs deals with the challenges of reading or misreading human behavior.This Baltimore-set movie of interconnecting story arcs deals with the challenges of reading or misreading human behavior.
- Awards
- 1 win & 4 nominations total
- Crying 20-Something
- (as Kristen Faye Hunter)
- Sorority Girl
- (as Zoë Jarman)
- Sous Chef
- (as Renee Scott)
- Army Recruit
- (as Carmen Perez)
- African Woman
- (as Délé)
Featured reviews
But to me this movie kind of shows now modern relationships work or don't work. If anything is a falter in this story it is that it trys to hard to show too many stories.
Sure there is X likes Y but Y likes Z but Z is married to A. Which is always entertaining.
Then there is the Ben Affleck / Jeniffer Aniston couple that may sum up most of the "couples" I know.
The whole mentioning of "new dating rules" is kind of cool to see that cell phones, emails, myspace and speeddating have replaced and re-written the rules for dating...and in some way made it harder not easier. Some people says this movie is full of stereotypes. In my opinion it covers just about all the realities in dating...especially dating in fast paced big city life.
What I liked though is the movie balanced "The Bad Guy" with "Bad Girl" Showing that there are breakups faulted by both sides. And there are regretful feelings for both Women and Men.
I would say rent it, hopefully you are not watching it alone.
How dare they play "Somewhere Only We Know" by Keane near the end. That pushed it over the edge for me. Tears, UGH!!! I don't like rom coms and I'll never fall in love!!!! But every damn Jennifer Aniston movie rates a 7 with me! STOP IT JENNIFER!!!!!
This is the kind of movie where a bunch of 20 and 30-somethings own beautiful loft apartments they couldn't possibly afford and struggle with relationship issues that are just boring to watch other people grapple with if you yourself are over the age of 30. Once again we're expected to accept Jennifer Aniston as a sad sack who can't get a date after she dumps the long-time boyfriend (Ben Affleck, playing not so much a character as a woman's fantasy made real) who won't commit to marriage. Ginnifer Goodwin is the doormat who can't figure out why guys won't call her even though they say they will. Justin Long is terribly miscast as a womanizer who doesn't know when he's fallen in love himself (I can't look at him without seeing the image of his dork from "Dodgeball" getting hit in the face with a wrench, which is not far from what I wanted to do to his character in this movie). Jennifer Connelly and Bradley Cooper are the lone married couple in the film, and because this is a Hollywood movie about relationships, of course the married couple MUST be miserable. Scarlett Johanssen is a bombshell with giant knockers that I couldn't take my eyes off of; Drew Barrymore might as well not be in the movie, and only is because a.) she co-produced it and b.) the filmmakers needed a forum in which to introduce a bunch of stock gay characters. You want to throttle pretty much everyone by the time the movie's over; I settled for thanking God I didn't have to be friends with any of them.
Though the film was only written by two people, it has the feeling of something written by committee. Characters aren't consistent or believable; those played by Goodwin and Connelly more often than not come across as mentally ill. In the world of this film, there are only two kinds of marriages: the ones that end in adultery and bitterness, or the ones that end in a ridiculously romanticized version of happily-ever-after. No wonder so many people have trouble making marriages work if they're using films like this as examples.
What a dud, and probably solid evidence that movies shouldn't be adapted from smug and jokey self-help books written by jackass talk show hosts.
Grade: C+
Gigi just wants a man who says he'll call—and does—while Alex advises her to stop sitting by the phone. Beth wonders if she should call it off after years of committed singlehood with her boyfriend, Neil, but he doesn't think there's a single thing wrong with their unmarried life. Janine's not sure if she can trust her husband, Ben, who can't quite trust himself around Anna. Anna can't decide between the sexy married guy, or her straightforward, no-sparks standby, Conor, who can't get over the fact that he can't have her. And Mary, who's found an entire network of loving, supportive men, just needs to find one who's straight.
If you've ever sat by the phone wondering why he said he would call, but didn't, or if you can't figure out why she doesn't want to sleep with you anymore, or why your relationship just isn't going to the next level... he (or she) is just not that into you. He's Just Not That Into You 7/10
Did you know
- TriviaJennifer Connelly plays a character whose father died of cancer. In real life, her actual father was dying of cancer at the time, and passed before this film was released.
- GoofsBeth's cousin says it's too bad that cousins cannot marry. In the state of Maryland, where this is set, first cousins can get married.
- Quotes
Gigi: Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is... just... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope.
- ConnectionsEdited into Loose Women: Episode #13.105 (2009)
- SoundtracksI Got A Woman
Written by Ray Charles and Renald Richard (as Renald J. Richard)
Performed by Elvis Presley
Courtesy of The RCA Records Label
By Arrangement with Sony BMG Music Entertainment
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- A él no le gustas tanto
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $93,953,653
- Opening weekend US & Canada
- $27,785,487
- Feb 8, 2009
- Gross worldwide
- $178,866,158
- Runtime
- 2h 9m(129 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1