The Other Side of the Tracks

I can not understand the high rates because this film is really awful. It was so slow I lost interest by the middle of it. Easy to sort it out, I figured out the plot and the "mistery" in a bit less than an hour. No surprises. Acting was poor. It was really bad. The end was a "Cliché", well seen in other movies. Dating back to "The Others" (Alejandro Amenábar ) for example. The soundtrack is interesting though. I did not get scared in any moment. Some scenes did not seem to be necessary. The female cast is fine. Well do not need to say much, It's not worth watching. As I wrote before, It's slow, boring and totally predictable.

I am a big fan of A.D. Calvo's approach to the thriller/horror genre precisely because it is craftily understated, subtle, eerie, goose-bumpy, and truly haunting. In a genre where movies are commonly padded with obvious digital special effects, cliché chase scenes, gratuitous gore, and incessant explosions, Other Side of the Tracks sets itself apart by being truly about the story first, before the techniques. It is a carefully conceived and beautifully made psychological thriller whose ending forces one to think back through each scene to try to piece together its full meaning. It stays with the you for a while, and makes you think about your own perceptions, memories, delusions, fantasies, etc.

Gorgeously filmed in rural Connecticut, featuring a particularly powerful performance by Chad Lindberg, and with a beautiful and evocative score by composer Joe Carrano, Other Side of the Tracks is a remarkable debut film from a very talented director, and I'd like to see where he goes next.

This Film is deeper than you think. You have to see it with the Karmhic wheel in mind. I'm not going to spoil the film, but it's more than meets the eye. Think of it on several levels before you review. There is a cult quality to it's form. Give it a good chance and as I said: Look deeper. The acting is right in form. There is deep foreboding throughout. Excellent main characters with superb appearances from very familiar actors. The mood is very stark in contrast to the very lush cinematography. This characteristic alone will keep you guessing. The music score is excellent in both composition and placement. Excellent coverage and interpersonal relationships. Is it confusing? Yes. It's supposed to be, but the payoff ties everything together nicely, and at the same time leaves options and questions open. A great movie for thinkers. Not your run of the mill suspense supernatural thriller. This film has more to it than meets the eye.

This movie may not be everyone's cup of tea; it's a love-it-or-hate-it experience. The performances were commendable, particularly Tanya Raymonde's, which held my fascination. Nevertheless, one must admit that the cinematography and dialogue did leave something to be desired. However, beneath these flaws lies a profound message, not overtly presented but subtly woven throughout, ensuring your involvement till the end. Initially uncertain about the plot, I found that everything was ultimately interconnected harmoniously. This film must be rewatched to fully understand it because a single viewing will not deliver the message. Overall it is a melancholic story about love, loss, and death. In my opinion, it was a good film even with a scant production budget.

A bad director can ruin a film despite the cast and crews best efforts.

The casting was good as regard the main characters but the hot lesbians, whilst pleasing to the eye did the film no favours. I suspected that they were a later addition to spice up what was a rather stilted, poorly directed and edited movie, but it just served to spoil the film further(and this is a straight guy speaking). Anyway, I gathered that this was filmed on a low budget, however the camera work was very good. I am no stranger to film sets so I tend to notice little things. The railway line location they were principally using was disused, obviously so with all the rust, weeds and fallen deadwood. A coat of oil on top of the rails would have covered the rust and given the impression of recent use. An hour weeding, clearing the fallen twigs and uncovering the sleepers would have completed the impression that it was still in use and not just a defunct line to some old sawmill. Brendan Fehr has let himself go since Roswell days. The baggy shirts don't disguise this unfortunately and he walks like someone out of shape too. What would a gorgeous girl like Amelia really find attractive in a back woods short order chef who is his own best customer? Chad Lindberg is not a bad actor but his part smacked of just one take being enough to satisfy Mr A.D. Calvo.

Remake it with a new scriptwriter, with roles for Natassia and Beatrice that contribute to the story. Send Brendan to the gym for three hours a day for a month, and don't let A.D. Calvo direct it again.