19-year-old Brooklyn boy Mike tries to balance a scholarship to NYU and his sophisticated Italian neighborhood roots, as well as an eager-to-marry girlfriend, a proud father and a less lawfu... Read all19-year-old Brooklyn boy Mike tries to balance a scholarship to NYU and his sophisticated Italian neighborhood roots, as well as an eager-to-marry girlfriend, a proud father and a less lawful transport job. After Tim McLoughlin's novel.19-year-old Brooklyn boy Mike tries to balance a scholarship to NYU and his sophisticated Italian neighborhood roots, as well as an eager-to-marry girlfriend, a proud father and a less lawful transport job. After Tim McLoughlin's novel.
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Not good at all
A long trip to nowhere.
The acting and cinematography were quite good but the story kind of wandered around . . . An intimate look at the mundane life of run-of-the mill thugs.
I don't think I'll even have a slice of tomato pie . . . At least for a day or so.
Surprisingly good
It's not emotionally draining so to that extent perhaps it lacks a bit of depth, but even so you get to sympathize with the plight of people who don't really fit into the rapidly changing world. The brutality comes with morality albeit not in a conventional form, and there is a sense that everything will turn out OK if you live by that code.
A regular college kid whose job is not waiting tables or flipping burgers, but following in the family tradition of gangland crime, is a fascinating take on a familiar theme, and it works really well.
Not too demanding but very enjoyable with some fantastic performances.
An excellent twist on a familiar story.
Spacious
The setup tries to be sophisticated and clever, bouncing between the "neighborhood life" the main character grew up in and the new world he's exposed to while off at college. On paper, that duality should create tension and depth. In execution, it just feels jumbled and disjointed, never finding its footing or establishing a rhythm.
The screenplay is the film's biggest downfall. The writing drags, stumbles, and circles back on itself to the point where I found myself dozing off-literally. I had to rewind multiple times, hoping it would finally click, but it never did. Instead, it settled into a nonchalant tone that kept the story flat and lifeless.
At the end of the day, The Narrows isn't gripping, it isn't sharp, and it certainly isn't entertaining. It's a slow, unfocused drama that thinks it's more profound than it actually is, and the result is a forgettable, dragging experience that I wouldn't recommend.
Did you know
- GoofsThe taxi license plate number changes. At the end of movie, when the taxi pulls away its number is 5P48. Half a block down the street, the number is 9M77.
- Quotes
Mike Manadoro: Gina Abrutzi - my girl friend. She says she'll quit smoking the day I ask her to marry me. So, on top of everything else, I cause lung cancer.
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- Narrows: The Last Shot
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- $5,000,000 (estimated)
- Runtime
- 1h 46m(106 min)
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- Aspect ratio
- 1.78 : 1






