Nineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of ter... Read allNineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror.Nineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror.
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- Won 2 Oscars
- 35 wins & 65 nominations total
- White Rabbit
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- Cheshire Cat
- (voice)
- Blue Caterpillar
- (voice)
- Dormouse
- (voice)
- March Hare
- (voice)
- Bayard
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Featured reviews
Best, Stefan
But, even as someone with a lot of time for his films, and a pre-existing bias, I couldn't really connect with this. The cast acquit themselves well, especially considering the noted difficulty in emoting to a tennis ball on a stick, but all their tics and quirks seem to be masking a void at the centre of what should be a free-floating, evocative trip. Sure, it's weird looking, but we've seen it before, and back then in films like Edward Scissorhands it had a sense of purpose. Now we're left exploring a CGI wonderland that seems to be without a great deal of wonder. The book revels in its bizarre environs, absurd dialogue and whimsical characters. This film grounds them, drains them of that mystery and leaves us with a colourful but forgettable retread. It seems intent on driving us to a narrative conclusion that few people will have had much stake in through its running time, simply because we're not giving much to care for.
With a source material so familiar, even to those whose knowledge is second hand references, there needs to be a degree of innovation (as in Svenkmejer's dark stop-motion version, or the co-opting of Terry Gilliam in to his "Tideland" narrative), or else a studious and inspired adaptation that completely returns to Lewis Carroll. What we end up with is a mid-point that fails to get to grips with what enchants people about the Alice story, and another chance to see a beautiful waif walk around twisted, quasi-Gothic landscapes to a score by Danny Elfman.
Not that this isn't an enjoyable experience in itself, and as seen in the vast Screen 1 at the Empire it is at times breathtakingly pretty. It's just inessential, and while it may be unfair to expect a classic from a favoured filmmaker every time out, when they tackle something with the pedigree and history of Alice In Wonderland you can't help but hope for something special. And that's the problem, that Tim Burton, while he is still making decent films, has been a long way off special for some time now.
6/10 (if they gave half stars it'd be 6.5), but that doesn't mean it's a bad film. It's possible that my grade is affected by high expectations and lost potential. If you have kids, I'm sure it'll be better than 90% of the dross that passes for family films now. At least there is some artistry involved, and while he might not be at his best I'll still always pay to see a Tim Burton film (although I got this one for free...)
STARRING
Johnny Depp... as Willy Wonka, if Willy Wonka hadn't been Michael Jackson
Mia Wasikowska... as a winsome young lady Alice who discovers her inner fortitude
Crispin Glover... who doesn't dance, unfortunately
Helena Bonham-Carter... with a big head
Matt Lucas... as two Matt Lucases
Stephen Fry... who does actual voice acting and doesn't just read his lines
Paul Whitehouse... who against all my expectations, still does know how to be very funny
Alan Rickman... who nearly steals the movie, just by doing what he does best
Christopher Lee... who actually steals the movie with just two lines
AND
Babs Mitchell-Windsor... playing a character her actual, real size
I can see why the they've not really wanted to call the film a proper sequel. It is that, being the story of a nineteen year old Alice who returns to barely-remembered Wonderland, but it also lifts dialogue and scenes from the original books. The story is your standard journey, emotionally, but all set in a very Tim Burton Wonderland.
Which, of course, looks astounding. Wonderland is an amazing place, often colourful, but equally often ravaged and desolate. It's a treat for the eyes, with the imagination and design shining through the technology. (It's very, very good, but strange things happen if you look somewhere the 3D doesn't want you to look and there's the odd moment of strangely stiff animation, especially when human(-like) characters are completely CGI-ed up.)
Unexpectedly, it sometimes feels like one of the Narnia films (though makes those movies look like accountant-led spreadsheets that have been printed out on toilet paper and left out in the rain), but mainly it's exactly what you'd expect from Tim Burton's Alice in Wonderland. It's a great big treat of a movie, to be sure. Given that it's Tim Burton working with Disney, it's often gruesome and scary, but not too much. It makes you laugh at times, it pins you to the back of your seat at others, it gets you leaning forward trying to drink in every detail of the place, but it's not ever actually surprising. You know what's up, you know where things are going and you're never shocked. (Maybe once, in a quiet, horrible scene that stands out, even amongst the rest.) Even if you've not seen a single still photo or second of footage, if you know Wonderland and you know Tim Burton, you can picture it yourself effortlessly.
So much of it is still in my head this morning, but it's all visual. There's no heartache or sense of triumph that lingers after a great story. Funny as it is, there's only one line I'm ever likely to quote (a single word). I just have these amazing images left in my brain. In that sense, then, it's appropriately dream-like.
I doubt I'll go back and watch it again at the cinema, but I'm most definitely getting the Blu- Ray when it comes out next week, or whenever Disney decided they should bring it out.
If it feels like I've damned it with faint praise, I don't intend to. It's all pretty wonderful for the two hours it takes to speed past you, but I just want to make it clear - nothing that goes into your ears or your heart ever quite matches what goes into your eyes.
Did you know
- TriviaJohnny Depp, who says that he likes "an obstacle" while filming, admitted that he found the process of filming in front of a greenscreen "exhausting", and that he felt "befuddled by the end of the day".
- GoofsWhen Alice climbs back up out of the rabbit hole, the estate where her party is being held is visible in the background. Many of the guests appear to be dancing, yet when Alice returns to the gazebo, all of the attendees are waiting for her exactly as she left them.
- Quotes
The Mad Hatter: Have I gone mad?
[Alice checks Hatter's temperature]
Alice Kingsley: I'm afraid so. You're entirely bonkers. But I'll tell you a secret. All the best people are.
- Crazy creditsThe ending credits have flowers going from dead to blooming, a sun rising and setting, and vines moving around.
- Alternate versionsAlso released in a 3D version.
- ConnectionsFeatured in The Rotten Tomatoes Show: The Ugly Truth/G-Force/Orphan (2009)
- SoundtracksAlice
Written by Avril Lavigne
Produced by Butch Walker
Mixed by Deryck Whibley
Performed by Avril Lavigne
Courtesy of RCA/JIVE, a Label Group of Sony Music Entertainment
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Alicia en el país de las maravillas
- Filming locations
- Antony House, Torpoint, Cornwall, England, UK(Ascot Manor)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000,000 (estimated)
- Gross US & Canada
- $334,191,110
- Opening weekend US & Canada
- $116,101,023
- Mar 7, 2010
- Gross worldwide
- $1,025,468,216
- Runtime
- 1h 48m(108 min)
- Sound mix
- Aspect ratio
- 1.85 : 1