Nineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of ter... Read allNineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror.Nineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror.
- Director
- Writers
- Stars
- Won 2 Oscars
- 35 wins & 65 nominations total
- White Rabbit
- (voice)
- Cheshire Cat
- (voice)
- Blue Caterpillar
- (voice)
- Dormouse
- (voice)
- March Hare
- (voice)
- Bayard
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
But, even as someone with a lot of time for his films, and a pre-existing bias, I couldn't really connect with this. The cast acquit themselves well, especially considering the noted difficulty in emoting to a tennis ball on a stick, but all their tics and quirks seem to be masking a void at the centre of what should be a free-floating, evocative trip. Sure, it's weird looking, but we've seen it before, and back then in films like Edward Scissorhands it had a sense of purpose. Now we're left exploring a CGI wonderland that seems to be without a great deal of wonder. The book revels in its bizarre environs, absurd dialogue and whimsical characters. This film grounds them, drains them of that mystery and leaves us with a colourful but forgettable retread. It seems intent on driving us to a narrative conclusion that few people will have had much stake in through its running time, simply because we're not giving much to care for.
With a source material so familiar, even to those whose knowledge is second hand references, there needs to be a degree of innovation (as in Svenkmejer's dark stop-motion version, or the co-opting of Terry Gilliam in to his "Tideland" narrative), or else a studious and inspired adaptation that completely returns to Lewis Carroll. What we end up with is a mid-point that fails to get to grips with what enchants people about the Alice story, and another chance to see a beautiful waif walk around twisted, quasi-Gothic landscapes to a score by Danny Elfman.
Not that this isn't an enjoyable experience in itself, and as seen in the vast Screen 1 at the Empire it is at times breathtakingly pretty. It's just inessential, and while it may be unfair to expect a classic from a favoured filmmaker every time out, when they tackle something with the pedigree and history of Alice In Wonderland you can't help but hope for something special. And that's the problem, that Tim Burton, while he is still making decent films, has been a long way off special for some time now.
6/10 (if they gave half stars it'd be 6.5), but that doesn't mean it's a bad film. It's possible that my grade is affected by high expectations and lost potential. If you have kids, I'm sure it'll be better than 90% of the dross that passes for family films now. At least there is some artistry involved, and while he might not be at his best I'll still always pay to see a Tim Burton film (although I got this one for free...)
Best, Stefan
Moving rendering of Lewis Carroll classic with gimmick of blending live action and computer generator puppets and 3D animation . Riveting for its casting , but overall , roller-coaster spectacle. Most of the charm and wit remains from original story in this particular version . It results to be an amusing of somewhat aloof , storytelling of children classic with a magnificent three-dimensional visual effects team at its best bring to life the following : the Cheshire cat , Blue caterpillar, the Queen of hearts, March Hare , Tweedledum and many others. Breathtaking array of technical effects with impressive set pieces illuminate the Alice's full-blown adventures. The amazing plot is pure entertainment and with interesting screenplay based on characters created by Lewis Carroll , though here Alice acts as a heroine who combats dragons , monsters and of course the evil Queen of Hearts . Episodic characters as Mad Hatter and Queen of Hearts are given major boost by strong personalities from Johnny Depp and Helena Bonham Carter . Spectacular final battle full of action , groundbreaking frames and fabulous fights . Overwhelming production design , though full of digital effects with impressive scenes and portentous images . Stirring musical score fitting perfectly to story by Danny Elfman and colorful cinematography by Dariusz Wolski . The motion picture lavishly financed by veteran producer Daryl F. Zanuck is originally directed by Tim Burton in his exceptional style. Rating : 6,5 acceptable rendition .
Other take on based on this vintage tale are the following : 1933 by Norman Z McLeod with Gary Cooper , Edward Everett Horton and Jack Oakie ; 1950 by Dallas Bower with Carol Marsh , Pamela Brown and Felix Aylmer ; 1951 by Walt Disney directed by Clyde Geronimi, Hamilton Luke with voices of Sterling Holloway , Ed Wynn and Richard Haydn ; 1972 by William Sterling with Fiona Fullerton, Peter Sellers , Dudley Moore and Michael Crawford and TV version with Tina Majorino and Woopy Goldberg .
The temptation is for Burton fans to expect a Burtonesque flick while Disney fans expect an accurate retelling of the 1951 Disney cartoon classic. Neither happened, not by a longshot.
What happened instead is something you just have to experience. Someone once told me that the root of beauty lies in contrast. A yellow flower in a field of yellow flowers isn't as beautiful as a yellow flower growing on a desolate battlefield of some war-torn desert. So with that in mind, this is a movie for people who can appreciate the contrast between Burton's sarcasm and Disney's innocence. I'll give you an example...
In the Disney cartoon, as well as Lewis Carroll's original story, the Red Queen runs around commanding "Off with his head!" at anyone who irritates her, but of course the Red King quietly follows behind whispering "You're pardoned" each time, thus saving the executioner a ton of gory axe blades. But in this version, in a brief but stark moment, we learn that the beheadings are quite real. And then bam, we quickly return to Disney territory where we are entertained by the banter of cute talking mice.
Literally, I rubbed my eyes, turned to the person sitting next to me and asked, "Wait... did we just see a bunch of decapitated heads??" Confusing at first, this volley between macabre & merry becomes the charm of this film. I should add that I counted at least 3 characters who got an eyeball disgorged. And yet, in Disneyesque fashion you never really feel a sense of menace; it's mostly in good fun.
I purposely didn't mention the plot until now because, to me, the story was secondary to the overall vibe of the film. But in case you're wondering, this is *not* a retelling of Disney's, Carroll's or anyone else's "Alice in Wonderland". This is sort of a sequel to the original where Alice, now 19 years old and about to get married, gets reconnected with her long forgotten adventure of youth. In that respect, it reminded me of how the movie "Hook" was sort of a sequel to "Peter Pan".
To me, that's the only department where this film lost a few points, because it felt like they were weaving too much of a story into a tale that was inherently a stream-of-consciousness that mimicked the randomness of a dream (Lewis Carroll himself invented the story on the spot while rowing Alice Pleasance Liddell and her sisters on a pond). This version follows more of a straighforward plot to defeat the bad guys, and in so doing, it got away from the dreamlike feeling of all other versions I've seen.
Johnny Depp... of course JD steals the show with his alternately endearing and terrifying Mad Hatter. He plays the role as someone suffering from severe PTSD which manifests itself in multiple personalities. There's his normal, gentle, lisping Hatter. And then there's his cruel, dark Scottish Highlander Hatter who sounds like Sean Connery just lost his place in line at the Department of Motor Vehicles.
Honorable mention goes to Crispin Glover (Marty McFly's nerdy father in "Back to the Future") who plays a very chilling Jack of Hearts. And another honorable mention goes to Anne Hathaway who plays the angelic but somewhat ditzy White Queen.
Special effects are good for 2010 but a bit dated for today. The best effects are the subtle ones such as the way the Red Queen (Helena Bonham Carter) was depicted as having an enormous, bulbous head. I also thought the "Drink Me, Eat Me" scene where Alice shrinks & grows was done very well.
In the end, although I had been expecting something of a trainwreck, I think the odd pairing of Burton & Disney was a success. So what's next? Maybe horror master John Carpenter ("Halloween") does a teencom with Lindsay Lohan & Jamie Lee Curtis called "Freaky Friday the 13th"?
Did you know
- TriviaJohnny Depp, who says that he likes "an obstacle" while filming, admitted that he found the process of filming in front of a greenscreen "exhausting", and that he felt "befuddled by the end of the day".
- GoofsWhen Alice climbs back up out of the rabbit hole, the estate where her party is being held is visible in the background. Many of the guests appear to be dancing, yet when Alice returns to the gazebo, all of the attendees are waiting for her exactly as she left them.
- Quotes
The Mad Hatter: Have I gone mad?
[Alice checks Hatter's temperature]
Alice Kingsley: I'm afraid so. You're entirely bonkers. But I'll tell you a secret. All the best people are.
- Crazy creditsThe ending credits have flowers going from dead to blooming, a sun rising and setting, and vines moving around.
- Alternate versionsAlso released in a 3D version.
- ConnectionsFeatured in The Rotten Tomatoes Show: The Ugly Truth/G-Force/Orphan (2009)
- SoundtracksAlice
Written by Avril Lavigne
Produced by Butch Walker
Mixed by Deryck Whibley
Performed by Avril Lavigne
Courtesy of RCA/JIVE, a Label Group of Sony Music Entertainment
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Alicia en el país de las maravillas
- Filming locations
- Antony House, Torpoint, Cornwall, England, UK(Ascot Manor)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000,000 (estimated)
- Gross US & Canada
- $334,191,110
- Opening weekend US & Canada
- $116,101,023
- Mar 7, 2010
- Gross worldwide
- $1,025,468,216
- Runtime
- 1h 48m(108 min)
- Sound mix
- Aspect ratio
- 1.85 : 1