The Brothers Warner

Cass Warner, producer of this film, is actually the granddaughter of Harry Warner, one of the four original Warner Brothers. This documentary is not a retread of "You Must Remember This", the documentary which focused on the studio. This is the story of the four Warner Brothers themselves, starting back in the 19th century and their ventures into the entertainment industry that predate the forming of Warner Brothers the company by twenty years. It goes forward past the time that they exited the running of Warner Brothers the company and talks about the lives of the brothers themselves. Although Ms. Warner is a descendant, she doesn't get overly sentimental about her subject nor does she try to smooth over the real problems that the brothers had in their own private lives and with each other. The book by the same name has much more detail, of course, but this is still a very fascinating documentary for those interested in film history.

Cass Warner Sperling, granddaughter of Harry Warner, took on the subject of Warner Brothers Studio and the brothers behind it and has made an excellent documentary. She goes into the history of the family, from its emigration from Russia, the kinds of jobs they could get, and the family finally entering the nickelodeon business. Sperling tells the story with a lot of warmth and a nice lack of formality.

The brothers were as different as any four people could be - the outlandish Jack, the good businessman Harry, the kind-hearted Sam, and the quiet Albert - but the main characters are Jack and Harry.

Naturally, since this is done by a family member, the emphasis is on the positive aspects of the studio - the risk-taking to get into sound, the tough social topics the studio tackled, their work against Naziism before World War II, and their wartime contributions. The difficulties with Sam Warner's widow, Lina Basquette, are soft-pedaled. It is noted that Sam's and Lina's child was taken from her and raised by the Warners. If that strikes people as odd, it's because it's not mentioned how much power and influence the family wielded against an actress. What also isn't mentioned is that the Warners had Lina blacklisted, and she never met her daughter until she reached adulthood.

Another thing left out is exactly how Sam Warner acquired Vitaphone, but it's possible that Cass Warner doesn't know the story. The anti-Semitism was rampant in Hollywood in the '20s, and in fact, Joseph Kennedy was one of the people determined to get the Jews out of the film-making business. Therefore, when Sam, who was a big redheaded guy, went to meet the Vitaphone people, he asked Lina to wear her Catholic cross. Unaware that Sam was Jewish, Warner Brothers was able to acquire Vitaphone.

No words are minced regarding Jack's ultimate betrayal of brother Harry and his whole family, a very shocking and sad page in the family scrapbook.

Some of the people interviewed include Lina Basquette, George Segal, Efrem Zimbalist, Jr., Debbie Reynolds, Roy Disney, Sherry Lansing, film historian Jeanine Basinger, Dennis Hopper, Tab Hunter, and ex-staff members at Warner Brothers - all very good and insightful.

Jack Warner used to call Raoul Walsh into his office and moan to him that he needed him to direct a film. Who's in it? Walsh would ask, and Warner would answer, "some bum." That's probably what he thought of his actors in general; unfortunately, he seemed to view his family the same way. A fascinating story and highly recommended.

Back in Hollywood's heyday - "Warner Bros." was, without question, one of Tinseltown's most prominent studios (in full operation) which, boastfully, employed some of the biggest stars during its "golden years".

This eye-opening, historically-relevant documentary certainly reveals a very vivid portrait of the 4 Warner brothers (Harry, Albert, Sam, and Jack) where intense rivalry, rifts, money, and greed drove these 4 siblings to conduct business matters in a manner that the viewer must witness for themselves to get the full picture of what really went on behind closed doors.

This 94-minute presentation was produced and directed by Jack Warner's granddaughter, Cass Warner-Sperling.

Cass Warner Sperling made this fine documentary of her grandfather Harry Warner and his brothers, Sam, Albert, and Jack, in telling the story of their making history by going into the motion picture business and forming the legendary Warner Bros. Pictures studio. So we see many pics of them and Cass' various siblings and cousins as she interviews some of them. I was most fascinated by Sam's relationship and marriage with Lina Basquette. And also of Jack's eventual betrayal of Harry. In summary, The Brothers Warner was a worthy doc of the famous film family.

This documentary is about the Warner Brothers and their studio. However, unlike other documentaries about film studios, this was more like a home movie in many ways--with one of the granddaughters of the original Warner Brothers narrating and talking with some family members about their recollections (in addition to all the film historians who comment). This gives it a rather intimate feel but also made you wonder how objective the production was. For example, I often find that autobiographies are FAR less interesting than biographies because they tend to tell the tale from a far from neutral point of view. Now I am NOT saying this film does this exactly. There is quite a bit of dirt in the film about the animosity between Jack and Harry--making Harry sound like a swell guy and Jack akin to Satan. But I did wonder about the film at times--especially concerning Harry Warner's adoption of his niece, Lina. What would a neutral party say about all this?

There were a lot of neat facts about the studio. I loved learning how the KKK sued Warner for their depiction in "Black Legion"! Or, how the studio was the first to refuse to sell movies in Germany and made the first anti-Nazi film from Hollywood--even when the nation was firmly in the isolationist camp. Interestingly, the film really didn't focus so much on the stars of the day--but more on the day to day behind the scenes events. I liked this, as if you want to see more about Cagney or Bette Davis, a documentary about them would make a lot more sense.

Overall, this is the sort of film that movie lovers like myself love--especially those who adore Hollywood during the classic years of the 1920s-40s. Fascinating--as it's filled with wonderful little stories and facts that film buffs will love. My only real problem with the film is that there is just too much material for a film that's just a bit over 90 minutes long. A mini-series would really due more justice to the history of this amazing studio.

Oddly, while the documentary was filled with a lot of film clips, some of them were of pretty poor quality--particularly the grainy and washed out one from "Giant". I am really not sure why this was the case.