IMDb RATING
6.6/10
1.2K
YOUR RATING
Shot in real time, PVC-1 is based on the true story of a woman who is turned into a human time bomb in a bizarre act of terrorism.Shot in real time, PVC-1 is based on the true story of a woman who is turned into a human time bomb in a bizarre act of terrorism.Shot in real time, PVC-1 is based on the true story of a woman who is turned into a human time bomb in a bizarre act of terrorism.
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A COLOMBIAN Film that is Astoundingly "DIFFERENT"!!!
BUT BEFORE diving in....
FIRST... Let us FOCUS on the Title's Content and Context:
You think you know "Reality" in movies? If you do, I invite you to take the PVC-1 CHALLENGE! BTW, due to Non-Stop PVC-1 Ricocheting around my brain since seeing it some hours ago, I have revised my rating to 10*! Upfront, I will state very clearly: I absolutely cannot even Begin to be the LEAST BIT objective about this film. I really don't think any Colombian or any long time resident of Colombia possibly could be either! 6.8 Stars Average.... Huh! Pathetic!!!
Let me tell you a few things you DON'T know about PVC-1. Forget the Blurb. This is the most realistic Single-Take, Real-Time, Docu-Drama any of us have ever seen. Why? From the "Family-That-Slays-Together-STAYS-Together" opening scene; where the Can't-Get-Out-A-Single-Sentence-Without-Multiple-Obscenities Uncle/Patriarch sociopath/psychopath "Traqueto" whips his motley crew into shape for their up-coming grizzly caper... Until the literally mind-blowing, in every sense of the word, closing scene; every minute detail, EVERYTHING depicted on-screen is a pure, unadulterated Reality Bite. 6.8 STARS?!?! GIVE ME A BREAK!!!!!
OK...Here is my COLOMBIAN PVC-1 CHALLENGE: As you watch the hysterical Elvia, mother of three (Merida Urquia) being fitted for her PVC-1, pipe-bomb necklace, superimpose, on her face, the face of YOUR mother, or sister, or wife, daughter, girlfriend, Aunt, cousin, or best friend...as she scrambles around desperately, for her life, as the seconds tick by. When the bomb-squad police lieutenant, who is trying franticly to save her from certain death, cuts his hand with a knife and says to her, "I'll be back in SECONDS!" She then loses it completely! "SECONDS?" Elvia shrieks insanely, "What Seconds? They took ALL my Seconds! I don't have ANY Seconds for ANYBODY!"...And then I CHALLENGE you to rate this 6.8 STARS! Because the harshly stark reality of Colombia ensures that when WE look at Elvia, we see the face of someone near and dear to us! 10**********
....ENJOY! / DISFRUTELA!!!
Any comments, questions or observations, in English o en Español, are most welcome!
BUT BEFORE diving in....
FIRST... Let us FOCUS on the Title's Content and Context:
You think you know "Reality" in movies? If you do, I invite you to take the PVC-1 CHALLENGE! BTW, due to Non-Stop PVC-1 Ricocheting around my brain since seeing it some hours ago, I have revised my rating to 10*! Upfront, I will state very clearly: I absolutely cannot even Begin to be the LEAST BIT objective about this film. I really don't think any Colombian or any long time resident of Colombia possibly could be either! 6.8 Stars Average.... Huh! Pathetic!!!
Let me tell you a few things you DON'T know about PVC-1. Forget the Blurb. This is the most realistic Single-Take, Real-Time, Docu-Drama any of us have ever seen. Why? From the "Family-That-Slays-Together-STAYS-Together" opening scene; where the Can't-Get-Out-A-Single-Sentence-Without-Multiple-Obscenities Uncle/Patriarch sociopath/psychopath "Traqueto" whips his motley crew into shape for their up-coming grizzly caper... Until the literally mind-blowing, in every sense of the word, closing scene; every minute detail, EVERYTHING depicted on-screen is a pure, unadulterated Reality Bite. 6.8 STARS?!?! GIVE ME A BREAK!!!!!
OK...Here is my COLOMBIAN PVC-1 CHALLENGE: As you watch the hysterical Elvia, mother of three (Merida Urquia) being fitted for her PVC-1, pipe-bomb necklace, superimpose, on her face, the face of YOUR mother, or sister, or wife, daughter, girlfriend, Aunt, cousin, or best friend...as she scrambles around desperately, for her life, as the seconds tick by. When the bomb-squad police lieutenant, who is trying franticly to save her from certain death, cuts his hand with a knife and says to her, "I'll be back in SECONDS!" She then loses it completely! "SECONDS?" Elvia shrieks insanely, "What Seconds? They took ALL my Seconds! I don't have ANY Seconds for ANYBODY!"...And then I CHALLENGE you to rate this 6.8 STARS! Because the harshly stark reality of Colombia ensures that when WE look at Elvia, we see the face of someone near and dear to us! 10**********
....ENJOY! / DISFRUTELA!!!
Any comments, questions or observations, in English o en Español, are most welcome!
I'm a working actor actor in Los Angeles and being involved in film and theatre since the age of 7. This last week I was fortunate enough to view a piece of cinematic history called PVC-1.
I watched the movie at the LA Greek festival and I found myself in awe. Not only the director had the ability to shoot the entire movie in a continuous shot of 87 min but in those 87 min he had the ability to capture the audience's heart. With subtle movements of the camera he was able to express raw and electrifying emotions.
As a friend of mine described it with tears in his eyes after we were leaving the auditorium:" I haven't felt so human in years". There is something glorifying in achieving catharsis through a movie, something that many theoreticians believe it's only achievable in the theatre or opera. But Mr. Stathoulopoulos did it. And when i heard him speak about his film later that day i understood how he was able to do it.
It wasn't his superb knowledge of technical matters or breathtaking ability of steady cam usage, but the simple fact that he cares about his fellow humans. With a mixture of humility and the self confidence possessed only by those who know that they are destined to succeed Mr.Stathoulopoulos explained the inspirational force behind PVC-1.
Im not a critic and i never had the intention of being one, but i've being watching movies since i can remember. Fortunately i was raised on Fellini, Visconti and Kurosava and i can say with confidence that all three of them would have generously applauded PVC- 1.
Thanks once more to the director and artists involved in the production. it was an experience i will cherish for the rest of my life.
I watched the movie at the LA Greek festival and I found myself in awe. Not only the director had the ability to shoot the entire movie in a continuous shot of 87 min but in those 87 min he had the ability to capture the audience's heart. With subtle movements of the camera he was able to express raw and electrifying emotions.
As a friend of mine described it with tears in his eyes after we were leaving the auditorium:" I haven't felt so human in years". There is something glorifying in achieving catharsis through a movie, something that many theoreticians believe it's only achievable in the theatre or opera. But Mr. Stathoulopoulos did it. And when i heard him speak about his film later that day i understood how he was able to do it.
It wasn't his superb knowledge of technical matters or breathtaking ability of steady cam usage, but the simple fact that he cares about his fellow humans. With a mixture of humility and the self confidence possessed only by those who know that they are destined to succeed Mr.Stathoulopoulos explained the inspirational force behind PVC-1.
Im not a critic and i never had the intention of being one, but i've being watching movies since i can remember. Fortunately i was raised on Fellini, Visconti and Kurosava and i can say with confidence that all three of them would have generously applauded PVC- 1.
Thanks once more to the director and artists involved in the production. it was an experience i will cherish for the rest of my life.
It's been a few years since I've seen this film, but I'll add a few words.
From a technical perspective the film was incredible for me as I remembered it was filmed in a single take with one camera. That is stage-theatre discipline right there.
I liked the general idea of the plot, but the pacing was agonizingly slow. This did help to achieve some incredible tension as the film progressed. I recommend screening this flick once for the experience; but this really isn't the kind of film you'll find yourself wanting to revisit.
From a technical perspective the film was incredible for me as I remembered it was filmed in a single take with one camera. That is stage-theatre discipline right there.
I liked the general idea of the plot, but the pacing was agonizingly slow. This did help to achieve some incredible tension as the film progressed. I recommend screening this flick once for the experience; but this really isn't the kind of film you'll find yourself wanting to revisit.
The plot is literally ripped from the headlines, and is straightforward. A collar bomb is placed on an unsuspecting victim, mother of a household, and ransom is demanded. And here starts her family's agonizing journey to resolve the situation.
As a movie viewer, you soon realize that the movie starts off in a seemingly long continuous take - not uncommon in many films. Then there comes a point that you realize that the filmmaker has likely committed himself to filming the ENTIRE movie in one continuous take.
Filmed, then, in real-time, to the movie detriment, there is really no opportunity to build characters or backstories or plot twists or motives behind anything or subplots. What's left, gratifyingly, to the movie's brilliance, is a mesmerizing exercise in filmmaking.
Fully committed to this technique, stretches of the film, regrettably, feel tedious. But this is frankly unavoidable.
With little if any soundtrack to speak of, the movie can only build tension through body language and gestures and dialogue and somewhat succeeds.
The movie also is also intriguing in its exhibition of bomb squad procedures in the backwoods of a foreign country.
Flaws aside, the movie is compelling to watch from beginning to end, and most discriminating movie viewers will appreciate the intricate staging what with complex tracking and attention to shadows from the camera person and possible crew - a fascinating movie to watch.
As a movie viewer, you soon realize that the movie starts off in a seemingly long continuous take - not uncommon in many films. Then there comes a point that you realize that the filmmaker has likely committed himself to filming the ENTIRE movie in one continuous take.
Filmed, then, in real-time, to the movie detriment, there is really no opportunity to build characters or backstories or plot twists or motives behind anything or subplots. What's left, gratifyingly, to the movie's brilliance, is a mesmerizing exercise in filmmaking.
Fully committed to this technique, stretches of the film, regrettably, feel tedious. But this is frankly unavoidable.
With little if any soundtrack to speak of, the movie can only build tension through body language and gestures and dialogue and somewhat succeeds.
The movie also is also intriguing in its exhibition of bomb squad procedures in the backwoods of a foreign country.
Flaws aside, the movie is compelling to watch from beginning to end, and most discriminating movie viewers will appreciate the intricate staging what with complex tracking and attention to shadows from the camera person and possible crew - a fascinating movie to watch.
PVC-1 is one of the most influential films i've seen all year. You can't take your eyes of the screen for one second. The brilliant camera work and directing, is complimented by outstanding acting and a sound script. This is a movie not to be missed. It succeeds in pulling you into a true story that deserves such a telling. If only every film in Hollywood had a film maker who could do justice in such a gripping fashion.
If you haven't seen this film yet, you're missing out!! Trust me you won't be disappointed!
GO SEE P.V.C-1!!
If you haven't seen this film yet, you're missing out!! Trust me you won't be disappointed!
GO SEE P.V.C-1!!
Did you know
- TriviaBased on the true story of Elvia Cortez, although some of the individual details have been changed. The bomb itself is almost identical in appearance to the actual one around Cortez's neck.
- ConnectionsReferenced in Film Junk Podcast: Episode 251: Best of 2009 (2010)
Details
Box office
- Gross worldwide
- $5,789
- Runtime
- 1h 25m(85 min)
- Color
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