The Note

Poorly written story that's internally inconsistent, amongst other problems, including the dialog and acting.

Clichés: now, let's write another movie filled with clichés in an hour to dump on TV so the station can sell ad-time to holiday card makers. Halmark and others are losing money to the more enjoyable and personal emails, videos, and photos that can be shared directly without trying to find and pay for a card that sort-of says what you're really trying to say. So, they basically pay for movie length ads, in addition to the more well-known TV shows employing more obvious product placement.

The story had potential as a concept, but it's clearly motivated by the desire to promote and sell other things. In short, it's one more reason to limit your TV watching to PBS and Comedy Central and to demand some form of rebate system for the time wasted watching such simplistic stories.

As a highly emotional person with absolutely no life, I'm a sucker for holiday movies of the type Hallmark usually shows around Christmas-time each year. Between Thanksgiving and the New Year, if a movie uplifts personal spirit, promotes feelings or thoughts of closeness with family, or otherwise has a happy ending, chances are I'll cry and I'll like it. Not so with Hallmark's latest effort: "The Note". I thought the script was very weak and the story itself just wasn't believable. The movie is about a Newspaper columnist who finds a note in a plastic bag following an airline crash. Assuming the note was written by a passenger on the flight, the lead character, Peyton Magruder sets out to to find the note's intended recipient - it's clear the note was written by a father to his child. With little else to go on, Magruder -played by Genie Francis - takes us on an unbelievable, unrealistic and ultimately unrewarding journey. Blame the script, mostly. I hadn't seen Genie Francis in quite some time and I was really pleased to see how she had changed since I'd seen her last (long long ago). I think I like her and I'd like to see her in something else; she has an interesting and expressive face. It's a good face. Even Ted McGinley who has unfortunately been type cast as the henpecked neighbor from Married With Children was fine. The rest of the cast was awful! The storyline was dreadful! I was tempted to rate this movie one star but I relented because I thought Genie Francis brought it up "a couple of notches" as Emeril might say. While it's a blessing that Hallmark isn't making any more of the dreadful "meet the Santas", their latest fare including this movie and another recent one in which a child sets out to find a husband for his mom (I'm glad I don't remember the name of it), make you wonder if maybe Hallmark's best efforts aren't behind them.

The storyline had so much potential. This could have been a blockbuster movie but in the end, your left feeling it was made for TV and was on a tight production schedule. I teared up a couple times but way too often I was left disappointed by the character development or dialogue. Many of the situations were not believable or lacked the gravity of the moment. Many elements just happened for the sake of continuity but seemed forced and kept me from being drawn into the movie. So many instances that were highly emotional and the actors were not reflecting a convincible or honest level of emotion. Good but not great. I can't recommend it.

Admittedly, this movie is extremely sappy, or corny. It lays it on pretty thick. But that doesn't mean that some of that emotion doesn't stick to you.

The acting is good enough as is the production.

The story is a captivating mystery as the viewer longs to see what is the message that a dying man intended for his child. Peyton works her way one by one through the candidates and each one teaches her something about living. If you were really good, you might have seen the answer to the mystery, but I thought the clues were subtle. Unfortunately for me, I already knew the answer because I watched the sequel first.

As in the sequel, I didn't get invested in the relationship between Peyton and King, but the movie was really much more than that story.

The search for the owner of the note by a newspaper columnist, that is believed to have come from and airplane crash touches the lives of all who read. The journey to search out the intended recipient has many little turns that keep your interest. Perhaps the biggest changes take place with the reporter. There is also a little conflict as a national television news reporter is trying to steal the story. There is additional personal conflict in the life of the columnist that comes to light as the movie progresses. The many elements come together to create a heartwarming film. I rated it at a nine rather than a ten, just because there were a few moments where the acting didn't seem quite on, and there were a few small elements out of place, but on the whole they distracted little from the overall story. This tale of loss, broken families, past mistakes, and most importantly forgiveness and love, definitely deserves a place in your viewing schedule.