Bran Nue Dae

BRAN NUE DAE (aboriginal speak for "Brand New Day") is a joyous musical romp which celebrates Australia's indigenous culture. The movie tells the story - in song, dance and dialogue - of an aboriginal boy's escape from a Catholic boarding school in Perth in the 1960s and misadventures with hippies (Missy Higgins and Tom Budge) and Uncle Tadpole (Ernie Dingo) in a "Kombi" Campervan on his journey back to his sweetheart in hometown, Broome, pursued by the relentless Father Benedictus (Geoffrey Rush).

In the 1990s, I had enjoyed the stage musical written by Broome musician/playwright, Jimmy Chi, but was intrigued as to how it might be adapted to the big screen. I was not disappointed. Director Rachel Perkins does a fine job of retaining the exuberance of the stage production while incorporating new elements that only cinema can provide. Like most road comedies, BRAN NUE DAE revolves around a series of skits, most of which are very funny. The cast are excellent, especially Ernie Dingo and Jessica Mauboy, with suitably over-the-top performances by Geoffrey Rush, Deborah Mailman and Magda Szubanski. The tunes are catchy and infectious.

BRAN NUE DAE touches lightly upon aboriginal rights issues, but mostly it is good old fashioned vaudevillian fun. Go see it!

Where the heck did Rocky McKenzie come from? Someone must have forgotten to tell him that unknown indigenous boys with no previous film experience don't upstage the likes of Geoffrey Rush, Magda Szubanski and Ernie Dingo in their debut, because that is exactly what he has done. From the moment McKenzie appears on screen he lights it up. The aforementioned Aussie heavyweights all provide superb support though, as does ex-Australian Idol Jessica Mauboy in a role that should see her offered some more in the future. Fellow singer Missy Higgins, Tom Budge and well-respected aboriginal actress Deborah Mailman don't fare as well mind you.

Rachel Perkins has said that when she saw the stage musical of the same name she knew she would have to bring it to the big screen one day. Her obvious adoration of the source material is a blessing, the light-hearted and enthusiastic atmosphere seeps onto the audience and makes her paean a sure-fire Summer smash. Perkins has delivered what so many Aussies - indigenous or otherwise - have wanted for so long, a movie where all Australian races are poked fun at. It is the ideal anecdote to the current trend of Oz productions dealing with issues both serious and heavy.

The musical numbers are of varying standards. The finest of them – a booming Ernie Dingo-led traditional piece and an opening number in the Roebuck Bay Hotel with Mauboy and co which kicks the film off with a blast – are not only enjoyable but set the tone at their respective parts of the flick. Others don't progress the story quite as well – Higgins idyllic hymn to the 'dusty road' or her alluring melody to boyfriend Slippery – and have a distinct 'video clip' feel to them, however they're still excellent songs.

Credit goes to Perkins for proving that Aussies can still have fun on celluloid.

4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)

Bran Nue Day has its heart in the right place it just doesn't quite pull it off! Its basically a musical road movie but its just a bit too silly for my tastes. There are some good elements - it moves along nicely, there are some good performances (Jessica Mauboy for one, Ernie Dingo is OK too), reasonable songs, its bright & paints Australias Broome in an attractive light. Other parts really could have done with some work though. The Tom Budge character (he plays Missy Higgins hippie boyfriend) is a complete joke & Geoffrey Rushs character is over the top too. Some of the choreography & miming are so bad, characters pop in & out with little relevance & the finale is woeful. With all that it is a pretty reasonable excuse for a mindless popcorn movie, it thats what you are looking for, this is your film.

The people who say this film is badly acted and cheesy just do not understand it. Just like Grease, it is meant to be a musical comedy and has aspects of great parody. Even as Missy Higgins is acting the wide eyed hippie, she's poking fun at hippies and the hippie era, as well as being affectionate towards it. I think she's brilliant in this film. There are some pretty dark themes such as alcohol abuse, deaths in police custody and homelessness -- and humour is used as an effective tool. Rather than trivialise the issues, it makes us look at them in a different way. Rather than state that all Europeans or all Aborigines are bad, the film shows us that people are often a mixture of good and bad. I think it's beautifully shot and directed and the actors, who clearly had a ball making it, do a fantastic job.

I was lucky enough to see a review screening of this movie. I have to say it is one of the best movies i've ever seen. What i would like to know is, when will it be shown at the cinemas for all to see? I recommend it to everyone. It showed so much more of Australian then the movie 'Australia' and it left you feeling so energised in your seat. The casting is fantastic, I was a little hesitant about a few, especially as they're many first timers for movies. At the end we were left wanting to sing some of the songs, and one could describe it as an 'Australian Bollywood' in the way it is brought together with so many songs throughout. Absolutely brilliant. I haven't seen the 'musical' version, but i wish i had! Wow what a movie. The time flies by so quickly!!!! Too quickly if you ask me!! Cant wait to see it again!