IMDb RATING
4.6/10
1.4K
YOUR RATING
A musical romantic comedy set at a mall and focused on the relationship between two young musicians and their respective personal and professional struggles.A musical romantic comedy set at a mall and focused on the relationship between two young musicians and their respective personal and professional struggles.A musical romantic comedy set at a mall and focused on the relationship between two young musicians and their respective personal and professional struggles.
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I bought this DVD from a bargain bin, and I still paid too much. I find sappy musicals so annoying, and this one hit a new low for me. I have heard more depth in songs on Jem! The songs are so heavily auto tuned, it was like listening to Britney and Madonna caterwauling! The characters are all so shallow, the dance routines make Glee look like Hamlet. The whole movie was a giant "flash mob" with little flash and a lame mob. The plot line is very similar to many teen dramas (90210, Degrassi, Parker Lewis Can't Lose). I had never heard of any of the "actors" in this movie, and I can see why. All very forgettable performances, although I thought "Ben" (the hot dog guy) was cute. Save your money, don't bother with this one.
I just finished watching this show. I agree to a large degree with the review that was posted on here. This show could have been a lot better with more originality. I have read that the main female singer's voice may have been dubbed. This movie was more set up to sell the commercials than to present a musical like "High School Musical," and actually "Camp Rock" were. It borrowed from these sources as well as a host of others I cannot think of at the moment.
Frankly I liked some of the songs but Mtv cut off some of the numbers to go to commercials before the ending of the song was actually shown. The last number was definitely borrowed from "Camp Rock." When "High School Musical" came out, I thought it was a good idea and I am sure teenagers could relate. Now we are seeing so many clones or attempts to clone this show, that is getting out of hand.
I am sure the "Camp Rock" and "High School Musical" fans will probably watch this or tape it and may even buy the DVD.
I wish they could rely on better material.
Again, this is one person's opinion.
Frankly I liked some of the songs but Mtv cut off some of the numbers to go to commercials before the ending of the song was actually shown. The last number was definitely borrowed from "Camp Rock." When "High School Musical" came out, I thought it was a good idea and I am sure teenagers could relate. Now we are seeing so many clones or attempts to clone this show, that is getting out of hand.
I am sure the "Camp Rock" and "High School Musical" fans will probably watch this or tape it and may even buy the DVD.
I wish they could rely on better material.
Again, this is one person's opinion.
To begin with I have to say I am not a fan of musicals at all. Having said that, I ask myself; what is the difference between this movie and a masterpiece like Grease...? Mostly a moronic script (in the case of this film, of course). Otherwise, the music is not half as bad, it could have befitted a decent musical. Of course the acting isn't top notch either like it was in Grease, etc. etc.
Considering this is a made-for-TV production though, I have to say that the music bails it out somewhat and brings it close to an average movie in spite of the above mentioned shortcomings. I suppose the film could appeal to teenagers and the 'High School Musical' crowd, but nothing more.
Considering this is a made-for-TV production though, I have to say that the music bails it out somewhat and brings it close to an average movie in spite of the above mentioned shortcomings. I suppose the film could appeal to teenagers and the 'High School Musical' crowd, but nothing more.
Though comparisons to "High School Musical" are inevitable, the charm of "The American Mall" is in its contrasts. TAM has a more honest and humble foundation for its story, and doesn't over-promise anything. And that's good.
The musical numbers aren't intended to blow you out the door like HSM, but instead are outward expressions of inner battles. Even though fantastical, the numbers reflect feelings and emotions more creatively and genuinely than HSM.
Focusing on the actors, Nina Dobrev's eyes are amazing in their subtle expressions. During an early duet, Dobrev (as Ally) hints at joy, thrill, uncertainty, wild abandon, and fear as her character wrestles with the bombardment of feeling. It's heartbreaking, soaring, and perfectly done. Later, during a terrific fantasy scene, Dobrev burns off the character's restraints to reveal one seriously intense individual. Dobrev's expressiveness combined with excellent songs and sharp choreography give TAM a solid foundation.
In a welcome contrast to Disney's formula of lightweight antagonists, the character of Madison, played to perfection by Autumn Reeser, is one mean young lady, who has no reservations about stepping on anyone to get what she wants. Autumn gives this shallow character quite a bit of depth, though, in a way that sets up a climactic scene that is surprising in its power.
Rob Mayes brings a sense of reality to the character of Joey the janitor. His character's imperfections, choices and their consequences are key drivers in the movie. Mayes' portrayal is nicely understated, and it reinforces the humble feel of the movie.
What TAM shares with HSM are solid songs that move the story along. While HSM has slicker choreography and production, TAM has better and more frequent bits of humor throughout, providing just the right balance of tone.
HSM tells viewers that no matter what stereotype you fit, you don't have to completely subscribe to that image...you can break loose and achieve superstardom, which equates to being able to sing, dance and act.
TAM meets viewers closer to the truth, that not every dream comes true, and that your character and conviction will be sorely tested in life, even by those closest to you. Try to persevere anyway.
The musical numbers aren't intended to blow you out the door like HSM, but instead are outward expressions of inner battles. Even though fantastical, the numbers reflect feelings and emotions more creatively and genuinely than HSM.
Focusing on the actors, Nina Dobrev's eyes are amazing in their subtle expressions. During an early duet, Dobrev (as Ally) hints at joy, thrill, uncertainty, wild abandon, and fear as her character wrestles with the bombardment of feeling. It's heartbreaking, soaring, and perfectly done. Later, during a terrific fantasy scene, Dobrev burns off the character's restraints to reveal one seriously intense individual. Dobrev's expressiveness combined with excellent songs and sharp choreography give TAM a solid foundation.
In a welcome contrast to Disney's formula of lightweight antagonists, the character of Madison, played to perfection by Autumn Reeser, is one mean young lady, who has no reservations about stepping on anyone to get what she wants. Autumn gives this shallow character quite a bit of depth, though, in a way that sets up a climactic scene that is surprising in its power.
Rob Mayes brings a sense of reality to the character of Joey the janitor. His character's imperfections, choices and their consequences are key drivers in the movie. Mayes' portrayal is nicely understated, and it reinforces the humble feel of the movie.
What TAM shares with HSM are solid songs that move the story along. While HSM has slicker choreography and production, TAM has better and more frequent bits of humor throughout, providing just the right balance of tone.
HSM tells viewers that no matter what stereotype you fit, you don't have to completely subscribe to that image...you can break loose and achieve superstardom, which equates to being able to sing, dance and act.
TAM meets viewers closer to the truth, that not every dream comes true, and that your character and conviction will be sorely tested in life, even by those closest to you. Try to persevere anyway.
I actually enjoyed the movie... it was definitely geared more towards an older age group, even though majority or the actors are probably the same ages as the High School Musical cast, in some cases they are actually younger. From what I've read... the singing voice of the main character "Ally" is not in fact Nina Dobrev, but a singer by the name of Keely Hawkes Pressly her myspace is as follows... www.myspace.com/keelypressly I thought her voice was cute, had range and was probably perfect for the sound they wanted... she was definitely better than some of the younger startlet singers whose voices are so high that only dogs can hear them. LOL. But I will definitely be buying the soundtrack, the songs are very catchy, and I wouldn't mind re-watching the movie or listening to the songs.
Did you know
- TriviaNina Dobrev doesn't actually sing in this movie.
- ConnectionsReferences The Bullwinkle Show (1959)
- SoundtracksEvery 10 Seconds
Written by Dana Calitri, Nina Ossoff & Kathy Sommer
Produced by Martin Briley & THE GYRLZ
Performed by Rob Mayes
Dana Calitri Music (BMI)
Squeak-A-Mouse Music (ASCAP)
SommerMuse Songs (ASCAP)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Американская аллея
- Filming locations
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- See more company credits at IMDbPro
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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