IMDb RATING
4.2/10
1.7K
YOUR RATING
An American student studying in Australia mistakenly gets involved with a mysterious and unhinged girl while house-sitting for a rich family on vacation.An American student studying in Australia mistakenly gets involved with a mysterious and unhinged girl while house-sitting for a rich family on vacation.An American student studying in Australia mistakenly gets involved with a mysterious and unhinged girl while house-sitting for a rich family on vacation.
Christopher Egan
- Julian
- (as Chris Egan)
Helen Hanson
- Kelly Loomis
- (as Helen Searle)
Kerry-Ella McAullay
- Samantha
- (as Kerry Ella McAullay)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
CRUSH β TRASH IT ( D ) I knew from the promos that Crush is an average thriller so, sometimes these average thrillers becomes quite entertaining because of Sex, Glamour and fear. Unfortunately, here they had the perfect young cast but they didn't utilize them well and in the end it became a mediocre Mixture of Thriller/Horror and Supernatural. Nasty Dish! The most Annoying & laughable scenes in the movie were the Sex scenes. I don't know what the director was thinking? Just tell me guys who has Sex with clothes On? No one in Real world But here they had! LOL :-D what a Shame! Chris Egan is a young Australian actor and the major reason I saw this movie in first place, as I loved his work in "Letters to Juliet". He is quite inspiring even in this mediocre Trash he kept me going. Emma Lung looks Stunning in Red Swim suit but otherwise she looks old N weird. Brooke Harmon was an average blonde both in talent & beauty. So, Simply Trash this One!
Don't be seduced by the user rating. This movie is awful, probably one of the worst I've ever seen.
If you're familiar with Home and Away, you'll probably recognise the main character. You'll also recognise the standard of acting, perhaps even the quality of writing.
Our main character Julian is American for some imperceptible reason, but unfortunately his accent wavers between Australian and some poor attempt at vague American sounding. The writers aren't really imaginative enough to come up with a reason for anything, so apparently he's an American on a Student Visa studying architecture and doing martial arts. This ultimately has nothing to do with the movie and fails to tie you to the character.
The pacing is terrible, frankly if you do happen to make it to the last 15 minutes the payoff isn't really worth it.
If you can put aside the terrible Aussie soap style writing, the crappy plot, the bad acting and the unsatisfying payoff, you might get some nice views of Perth. So that's good I guess.
Note: For those attacking my person, I appreciate that it's much easier to launch personal attacks and speculate about my interests in why this film sucks, so by all means knock yourself out. I'm also pleased to inform you that I am actually Australian (although I spend time in Canada too), which I figured would've been obvious based on my comments.
If you're familiar with Home and Away, you'll probably recognise the main character. You'll also recognise the standard of acting, perhaps even the quality of writing.
Our main character Julian is American for some imperceptible reason, but unfortunately his accent wavers between Australian and some poor attempt at vague American sounding. The writers aren't really imaginative enough to come up with a reason for anything, so apparently he's an American on a Student Visa studying architecture and doing martial arts. This ultimately has nothing to do with the movie and fails to tie you to the character.
The pacing is terrible, frankly if you do happen to make it to the last 15 minutes the payoff isn't really worth it.
If you can put aside the terrible Aussie soap style writing, the crappy plot, the bad acting and the unsatisfying payoff, you might get some nice views of Perth. So that's good I guess.
Note: For those attacking my person, I appreciate that it's much easier to launch personal attacks and speculate about my interests in why this film sucks, so by all means knock yourself out. I'm also pleased to inform you that I am actually Australian (although I spend time in Canada too), which I figured would've been obvious based on my comments.
Well, I am from Perth & IMHO the only honest review on this page is from the much maligned 'Craig in Canada'.
I won't reinvent the wheel; Craig hit the nail on the head. That anyone could describe this cast in such glowing terms, much less the plot & scriptwriting is beyond me.
Within seconds of Egan opening his mouth, I was cringing at his awful accent. And as has been pointed out, that he is supposedly American adds nothing to the plot, so why torture us?
The frat boy friends are a complete mystery. And as for the supposed 'can't see it coming from a mile off' ending....spare me. Saw it coming from about 10 minutes in.
I'm all for encouraging good local film making. But this is most definitely NOT it! I can't see anyone independent of the production company who made this lemon holding the glowing views that have been expressed here. And the endless references to Nexus by name pretty much confirm that to be the case.
If you're missing your dose of bad Australian soapie in the off-season, then maybe this will take the edge off. Otherwise, I wouldn't bother.
I won't reinvent the wheel; Craig hit the nail on the head. That anyone could describe this cast in such glowing terms, much less the plot & scriptwriting is beyond me.
Within seconds of Egan opening his mouth, I was cringing at his awful accent. And as has been pointed out, that he is supposedly American adds nothing to the plot, so why torture us?
The frat boy friends are a complete mystery. And as for the supposed 'can't see it coming from a mile off' ending....spare me. Saw it coming from about 10 minutes in.
I'm all for encouraging good local film making. But this is most definitely NOT it! I can't see anyone independent of the production company who made this lemon holding the glowing views that have been expressed here. And the endless references to Nexus by name pretty much confirm that to be the case.
If you're missing your dose of bad Australian soapie in the off-season, then maybe this will take the edge off. Otherwise, I wouldn't bother.
Crush brings a war hammer to the table when it comes to the idea of 'hitting every single part of the youth demographic'. It's a thriller featuring tae kwon do championships, house sitting in a Panic Room mansion, a sexy mystery girl and a brand new rockin' song on the soundtrack in every second scene. The actors are young and glamorous and so is the Perth scenery. The trouble is that all of this rollicking-in-theory content is at the service of a story and film-making which continually nudge at the borders of dumbness, and which ultimately make a leap right into its crazy heart.
Julian (Chris Egan) can no longer compete in his beloved tae kwon do on his USA home turf after a minor underage drinking scandal, so now he has to slum it in Australia while studying architecture. With his next big tourney approaching, Julian figures he'll get a bit of R&R in while carrying out his new temp job of housesitting the mansion of a rich family who are about to holiday in Paris. The dad has installed a Sliver-like system of security cameras throughout the house, and warns Julian that his niece might drop over while the family's away to use the mansion's swimming pool.
Before you can say "Fatal Attraction", Anna (Emma Lung) materialises by the swimming pool in a red bikini. She is well sultry, and about five minutes later Julian is already having understandable fantasies of her licking his face. This immediately creates a ton of problems β he's already got a girlfriend (Brooke Harmon), plus Anna apparently has keys to the otherwise secure house, plus Julian is supposed to be taking it easy before the big fight.
Development in these thrillers about obsession needs to be craftily ratcheted up by degrees in order to keep things believable. Crush is very shaky in this respect, moving alternately in extreme leaps or underwhelming shuffles. Anna's behaviour as she hangs around the house is pretty inscrutable. One scene begins with the decent threat of the lights suddenly going out. It ends with Julian 'rescuing' his girlfriend from a slightly regurgitating toilet.
Julian frequently has flashbacks to scenes which occurred just five seconds earlier, another omen of bad film-making. He is seen with his university friends in authentically Australian campus computer labs, but his two mates are scripted and acted far more like American college frat boys than Australians, even though they occasionally say "mate". Combined with Julian's nationality being American, this feels like further slight desperation to play to the international market, which I wouldn't mind if this film was better.
Unfortunately, at the moment of potential maximum intrigue concerning Anna's origins, a revelation occurs whose proportions are so ludicrous that any viewer remotely cynical at this point (which I believe will be the majority of viewers) will topple completely offside. I then experienced the film's conclusion as dumb and embarrassing.
Chris Egan does okay as Julian, and Emma Lung wrings a few good moments out of an impossible, ridiculously scripted part as Anna. The film's glamour, high production values and unpaid-off hints of intrigue actually make it pretty easy to watch, even through some overbearing faults and naffness, but the finale is irredeemable. I think the real reason Crush invites derision is that it goes all out to be a rousing cross-market genre piece, yet for all its heavy-handedness, doesn't pull it off, and ends up prompting jokey cynicism instead.
Julian (Chris Egan) can no longer compete in his beloved tae kwon do on his USA home turf after a minor underage drinking scandal, so now he has to slum it in Australia while studying architecture. With his next big tourney approaching, Julian figures he'll get a bit of R&R in while carrying out his new temp job of housesitting the mansion of a rich family who are about to holiday in Paris. The dad has installed a Sliver-like system of security cameras throughout the house, and warns Julian that his niece might drop over while the family's away to use the mansion's swimming pool.
Before you can say "Fatal Attraction", Anna (Emma Lung) materialises by the swimming pool in a red bikini. She is well sultry, and about five minutes later Julian is already having understandable fantasies of her licking his face. This immediately creates a ton of problems β he's already got a girlfriend (Brooke Harmon), plus Anna apparently has keys to the otherwise secure house, plus Julian is supposed to be taking it easy before the big fight.
Development in these thrillers about obsession needs to be craftily ratcheted up by degrees in order to keep things believable. Crush is very shaky in this respect, moving alternately in extreme leaps or underwhelming shuffles. Anna's behaviour as she hangs around the house is pretty inscrutable. One scene begins with the decent threat of the lights suddenly going out. It ends with Julian 'rescuing' his girlfriend from a slightly regurgitating toilet.
Julian frequently has flashbacks to scenes which occurred just five seconds earlier, another omen of bad film-making. He is seen with his university friends in authentically Australian campus computer labs, but his two mates are scripted and acted far more like American college frat boys than Australians, even though they occasionally say "mate". Combined with Julian's nationality being American, this feels like further slight desperation to play to the international market, which I wouldn't mind if this film was better.
Unfortunately, at the moment of potential maximum intrigue concerning Anna's origins, a revelation occurs whose proportions are so ludicrous that any viewer remotely cynical at this point (which I believe will be the majority of viewers) will topple completely offside. I then experienced the film's conclusion as dumb and embarrassing.
Chris Egan does okay as Julian, and Emma Lung wrings a few good moments out of an impossible, ridiculously scripted part as Anna. The film's glamour, high production values and unpaid-off hints of intrigue actually make it pretty easy to watch, even through some overbearing faults and naffness, but the finale is irredeemable. I think the real reason Crush invites derision is that it goes all out to be a rousing cross-market genre piece, yet for all its heavy-handedness, doesn't pull it off, and ends up prompting jokey cynicism instead.
I have been searching for this crush for a long time now... I miss watching this crush it's intense and creepy that's what I like about it I don't care about other people's opinions about this movie I love it I will watch it a million times... Actually, I am trying to watch right now it's impossible to please bring it back to a network π₯π₯π₯π₯
Did you know
- TriviaGemma Pranita's debut.
- Crazy creditsDuring the middle of the end credits a brief bonus scene appears where Julian is lying on a bed next to Anna.
- SoundtracksWaiting All Day
Performed by Silverchair
Written by Johns/Hamilton
Published by Sony ATV Music Publishing Australia
Licensed courtesy of EMI Music Australia Pty Limited
- How long is Crush?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Π‘ΡΡΠ°ΡΡΡ
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,500,000 (estimated)
- Runtime
- 1h 22m(82 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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