Beautiful

'In the quiet suburban area of Sunshine Hills, hides dark secrets and missing teenage girls. This leads the beautiful Suzy (Tahyna Tozzi) to enlist the help of Danny (Sebastian Gregory) to stalk the town and uncover the truth of what happened.'

It's worth starting off by saying first time director Dean O'Flaherty does a great job at providing the perfect 'feel' for this Stepford-style suburb with an even darker undertone. The film from start to finish is visually stunning and definitely incorporates beautiful scenes that are more like a work of art.

The acting is also something to boast about. The younger performers pack a punch while Peta Wilson is a force on screen in her dramatic role that requires a lot of nuance.

The storyline here is definitely engaging and pulls you into it's glossy web, but unfortunately it doesn't manage to lead anywhere worthwhile. The ending sadly doesn't feel resolved and not in a smart way. Motivations are never revealed and it feels lazy.

Overall I think the film is excellent despite disappointments.

..... told in an urban legend style!

There's the key phrase ... urban legend ... which you hear more than once throughout this movie! This story is just an urban legend. That weird neighborhood with those big odd houses and equally odd residents. How could a policeman own that huge house that Danny lived in? And the neighborhood seemed totally uninvolved with their fellow neighbors. Suzy outside showing herself off and then again inside? There's a couple having sex and nobody closes the curtains on the ground floor of their houses? Then number 46, the house at the end of the road ... the mystery house with the woman forever standing at the window. None of these characters comes across as real. There's just enough reality to them to be believed - just like an urban legend.

Then there is Danny, the withdrawn fourteen year old obsessed with taking photos and with Suzy next door. For a loner young boy he has nerves of steel and no fear of taking the challenges Suzy gives him to earn her attention. Just boil this story down to the opening stories of the missing girls - Danny - Suzy - house 46 - the strange woman inside - the detective magazines - and Max; you have yourself a full blown urban legend.

This is an OK movie with just enough edge to it to keep your interest up and then the powerhouse ending to bring it all into focus! None of it ever really happened.

I think the movie is called 'Beautiful' because director Flaherty was hung up on Sebastian's face - all those closeups of that most innocent wide eyed actor with that halo of black hair!

A rather routine risqué thriller that is not quite thrilling and never really risqué. Although, not for lack of trying. We have a "girls gone missing" story with satanic, sadistic, serial killer overtones that are a found in this type of eerie wannabe, but nothing is really resolved (it makes you want to think).

But don't think too much because then it will all be for naught. There are dangling and unanswered major questions that we are to fill in and the ending is too clever for its own good, revealing that it is not that clever after all.

It is gripping enough but ultimately loses it and we are left with unsolved mysteries and dream like disconnects and the result is a good looking film with some artistic touches, but overall it remains something like an urban legend. There is something there, but just out of reality's reach.

Just want to write a quick note to combat the other comments on here a bit. First, this movie isn't TRYING to be "American Beauty" or "Donnie Darko" -- and it certainly isn't trying to be David Lynch. To compare this to any David Lynch film shows you don't understand Lynch at all.

This is an atmospheric thriller. No, the plot isn't ridiculously tangled and doesn't have countless twists, like many Hollywood thrillers that seem to feel obligated to throw dozens of red herrings at the audience so that they feel sufficiently fishy when they leave the theater.

But neither is this movie trying to be an over-the-top freakfest like a Lynch film. I love David Lynch's style and the effect his films have on me, but this is quite different.

This movie was slow and calculated, with plenty of scenes to build atmosphere -- and thereby deepen the sense of character and environment. No, every scene does not advance the plot. Yes, you can tell most of what's going to happen in advance.

But for a strange story about a demented youth for whom everything goes terribly wrong, I thought this was wonderful. All the actors are top-notch, and the cinematography is delightful.

A more accurate frame of reference than the above-mentioned movies would be "Heavenly Creatures," Peter Jackson's tale of the disturbed fantasy life of two girls that explodes into violence. I felt shades of that story throughout "Beautiful." If you want a fast-moving, keep-you-guessing thriller, don't look here. You'll be disappointed. But if you want to see a nicely shot, atmospheric tale that slowly spins out of control, this is well worth your time.

Rarely there are films I don't like. Beautiful just happens to fit that quota. In a nutshell, to me, the film didn't make sense. Too many dead ends and some pieces that didn't fit. A beautiful blonde girl, whose the juvenile wet dream of the next door neighbour teen is asked something of her, while being kissed, prefore. She gets him to spy and take photographs of thesee girls who have supposedly been held hostage in a house, where the latest teen girl abduction could be. Trying to understand our blonde bombshell, especially at the end, which truly didn't make sense, would entail a lifetime of figuring. Other characters who's suffered come in and out of the film. Again, Aaron Pederson is great as a cop with a conscience, where some other actors are just wasted here. The only enticing bit is the flirtatious pro's in lingerie, working the upper end of Hindley St. The film makes as much sense as the t.v. show, Passions.