An Education

In early 1960s England, a 16-year old schoolgirl becomes infatuated with a man nearly twice her age. The best thing about this handsomely made if unoriginal drama is the winning performance by Mulligan, a radiant young actress. American Sarsgaard seems an odd choice to play her British suitor, but he brings an appropriate creepiness to the role. Also notable are Molina, Williams, and Thompson. Although based on a memoir, it is hard to believe that the young lady's parents would be so gullible and idiotic as to let her go out of town for overnight stays with an older man they know nothing about. The screenplay is somewhat plodding, leading to a clichéd ending.

With excellent acting and excellent visuals this is a good film, as a Chaucerian cautionary tale, or a retake on Congreve, it succeeds in buckets. But more even than the excellent script by Nick Hornsby is a marvellous performance by Carey Mulligan.

It tackles what is an incredibly sensitive subject, more so today than even in its setting, the relationship between a teenager and an older man, with definite aplomb. What could have been either an anachronistic script filled with moral sensibilities that didn't surface in 1961 or a cheap and tawdry sensationalist production is handled with verve, humour, and brings both the wonder of first love and the seductive ability of that love to steer lives in directions we'd rather not go out in ways that work very well indeed.

Carey Mulligan has more than a touch of sensibility about her and is, obviously, the more mature, yet still a naive genué - her performance is to be admired for its ability to not switch characters but rather hold a fast course that is totally believable. I seriously cannot think of any debut in the past 20 years that has this weight. Like Taylor in National Velvet or Johnny Mill's daughter in Whistle Down the Wind you just know you are watching something very special indeed.

All the parts are very well written by Nick Hornsby and what we get is both complex and light, a witty drama with depth that truly evokes the post-Suez and Macmillan era; Britain before the Beatles but a Britain full of a generation who didn't wanted to be reminded of rationing and the Blitz, who were searching to get away from the drudgery of a boring job-for-life that was killing their parents by degrees.

While there are moments of real unease, not surprisingly given the subject matter, there is nothing to not recommend about this: it is thoughtful, funny, intriguing, and marks the start of a significant career for Carey Mulligan who will certainly become one of the leading British actresses of her generation.

Sixteen year old "Jenny" (Carey Mulligan) lives with her aspiring, middle class, parents "Jack" (Alfred Molina) and "Marjorie" (Cara Seymour) whose only real desire in life is for her to study at Oxford University. This is and has been her sole focus throughout her childhood, until, that is - she encounters the dashing "David" (Peter Skarsgard). He's easily twice her age but is so much more stimulating than her schoolboy friend "Graham" (Matthew Beard). This isn't a sweep her off her feet relationship, he gradually engages her in conversation and finds they share common interests. He makes her feel special, interesting, grown up - and when he introduces her to his friends "Danny" (Dominic Cooper) and "Helen" (Rosamund Pike) she starts to feel like the proper fourth wheel on a social wagon that's truly exhilarating. Needless to say, her schoolwork starts to suffer - much to the chagrin of her teacher (Olivia Williams) and, like we all were at that age, there's no telling her that her short term path is not necessarily in her long term interests. As the film develops, we discover that though harmless enough, "David" and his pal are a pair of cads who make their living legally, but maybe just a little immorally - and when "Jenny" discovers that he has one whopping great (if predictable) skeleton in his closet, she has to put her new found maturity to good use. There's something very natural not just about Mulligan's performance here, but also about her burgeoning relationship with a man who knows just which buttons to press. He's not a nasty man, he has no agenda to get her straight into bed, indeed he seems just as dependent on having this young woman around to make him feel alive as she does him; and those characterisations proves quite effective. The star for me, though, was probably Molina. He portrays almost perfectly a father whose dreams for his daughter partnered with his own middle-class mores leaves him caught between his paternal instincts to protect his daughter and his ambitions that she live a better, more fulfilled, life than he. It does run out of steam a little at the end, but then again I'm not quite sure how I would have wanted it to conclude without copping out - one way or another, so maybe it is for the best. It looks classy, the 1960s cars, costumes and soundtrack see to that and it's well worth a watch,

I was 14 years old in 1961, just a couple of years younger than the girl here. A couple of years later, I too was involved with an older married man. (But not to worry, the next year I entered hippiedom and all was very, very different.) What I'm trying to say is, "Been there, done that" … except in my case it was Evansville, Indiana and not London. Too bad. Anyway, I was not as sophisticated as this 16 year old (neither was he, by the way) but I reveled in the mystery and adventure of the adult world … also the lies and deceit. The thing is, now that I'm an Aging Hippy, Retired, the age difference of the girl/man couple disturbed me. I was also disturbed by the acceptance of the parents. The movie was well made, the actors do a terrific job, and it made me think. My reaction is my own personal bugaboo. Just thought I'd put it out there.

It's early 1960's London. Jenny Mellor (Carey Mulligan) is a sheltered schoolgirl aiming to go to Oxford. She meets David Goldman (Peter Sarsgaard) one rainy afternoon. He's a mysterious older man who opens her eyes to the exciting world outside her life at home. He's so slick that even her parents fall for him. Only there's more of a dark side to David. He does questionable things to keep his highlife. She joins him as her live inevitable slide downwards.

It's annoying how easily deceived her father (Alfred Molina) is. He's more caricature than anything. There are some wonderful exchanges with Miss Stubbs (Olivia Williams). Peter Sarsgaard is so obviously slimy that it's offputting. Carey Mulligan is absolutely lovely. She puts in a great performance.