The Vicious Kind

An elegant study in character and the use of subtle good vs evil interplay in the presentation of a character to an audience. Caleb, the character in question, is the true focus of the movie, though the camera dwells lovingly on the beautiful Emma ("a dark angel, does your sister dye her hair black like that? It's very flattering") for obvious reasons.

Our feelings for Caleb shift constantly from bemusement, to loathing, to admiration to astonishment, but the balance is always cleverly maintained in his favour (juxtaposed by a less than flattering portrayal of his brother as the prudish 'republican') and with the climax of the film, despite his often atrocious behaviour, Caleb is the lovable anti-hero. We find ourselves, against our better judgement, rooting for him.

Kreiger has created one of the most memorable personalities in a modern film - a true train wreck of a character and one you will not forget in a hurry - and a masterclass in independent film making. Forget Paranormal Activity. Here is a budget movie worthy of the indie tag and your attention.

Caleb Sinclaire (Adam Scott) is an angry bitter drunken insomniac. His brother Peter (Alex Frost) has a new girlfriend Emma Gainsborough (Brittany Snow). They pick her up from college. Caleb warns him against all women, but he can't seem to get his mind off of her. Peter and Emma are staying with their father Donald (J.K. Simmons), and Caleb has a contentious relationship with their father.

This is definitely not the normal character that Adam Scott usually plays and it's far away from his nice guy persona. Caleb is unhinged and self destructive. It's a good performance from him as well as Brittany Snow. Writer/director Lee Toland Krieger has created a difficult dysfunctional family dynamics. The story has just a little bit of humor. I wish it had a bit more as well as more drama. It's an interesting little indie with some interesting performances.

The Vicious Kind is the kind of film that will play great to rabid audiences on the festival circuit, the problem being that now it has been released to the general paying public. There are a lot of problems with this film, namely; the humor isn't very funny, and the drama can't be taken too seriously. This will leave any film dead on arrival. What The Vicious Kind attempts to do is mix comedy and drama, and what's left is blandness and confusion amongst the aud per what is supposed to be funny and what is serious. Adam Scott is decent, but he could be real good if the script gave him some real emotion to play off of. Which brings me to the films next major problem - motivations. What drives these characters to do what they do? There is some back story, but it felt very exposition-y. There's a lot of crying being done here seemingly without reason as well, explicitly as means to "deepen" the characters and solemn the mood.

If you want to see a truly great American Indie this year, rent "Two Lovers".

This felt like a breeze of fresh air, and it ambushes the viewer in a very good way. Taking place in a cold small town, I tended to put it on a strange "cold-far-away-god forgotten postmodern scenery" shelf, strange because this shelf contains Lost in translation, The girl in the café, Gigantic, Twilight and other seemingly unrelated movies. But The Vicious Kind is by far the most alive and vigorous movie out of these, in which the characters seem to be living very sincerely and intense, even against their own will. The humor is also genial, and the tenderness/passion that the love (or simply sex) story inspires is also an unexpected surprise. Loved this movie. The way one would appreciate a hot and tasty meal in a cold winter's day, after a mouthful of cold cucumber soup that the more pretend to be classy movies often serve. and i imagine the main character ended up to be Sully Sullivan from Nobody's Fool, the 1994 movie, played by Paul Newman.

The Vicious Kind may not be what it seems like from the title or the premise, but that turns out to be a good thing, in this little gem of a straight to video film that does pay off if you stick with it to the end. Disillusioned Caleb (Adam Scott), who chain smokes as he tells his newly smitten brother Peter (Alex Frost) that 'They're all whore's-' he's talking about women of course. But no matter how off putting and anti social he might seem at first, Caleb, well guided by Scott's first rate performance, is one of those character's you couldn't ignore if you tried. Peter's new girlfriend Emma Gainsborough (Brittany Snow) might have an upper class name, but we can tell she's not from wealth even if she didn't keep sneaking outside to smoke. But as much as she may be turned off by Caleb's many acts where he well acts out, (including leaving X rated pics of himself with a prostitute for her to find), we know that the bad brother has something to offer that the good one can't possibly provide, and while the third act of the film does not play out too predictably, it would be no surprise to most viewers what happens. But the performances above all make this film watchable, not the least of which comes from J.K. Simmons as Frank, the father who is estranged from Caleb, while inviting of Peter and Emma's budding relationship. Simmons turns in yet another dependable and likable character here, even with the least screen time of the four. Happy endings may not necessarily abound at the end, but at the very least the film leaves it's character's with the promise for a different path.