Triangle

I just came back from the world premiere at FrightFest in London, it was the festival opener as well so expectations were high and it didn't disappoint! Much better than Creep and Severance, this is Christopher Smith's most ambitious film. A mind-bending story that is as puzzling as it is original, Triangle is more a mystery than a horror movie in my opinion. Gorehounds will be sorely disappointed. This is more about a situation which becomes more and more surreal, almost dream-like, I thought during the film that I've had similar nightmares as a kid... nightmares going around in circles and getting more and more frightening because I knew when or how the monster would inevitably come back...

The plot (no spoilers): after their yacht is overturned during a freak storm, a group of friends are desperate for help. A cruise ship suddenly appears and they see a figure looking down at them from the bridge for a few seconds. They climb on board but there is no crew, no passengers, nothing. Saying anything more would be ruining the movie, so I'll stop here.

After the movie ended in a round of applause, Christopher Smith said that it took him 2 years to write the script, and in the end it's not surprising as this is a very complex plot and to make all the pieces fall into place must have been a daunting task! Good acting by Melissa George and the rest of the cast, but her haunting performance takes center stage very quickly as the movie goes on a WTF / Twilight Zone-ish mode. All in all I recommend it, I really enjoyed it and it kept me guessing the whole time so if you like unconventional, mind-f*** movies, this is one for you!

I went to see Triangle on a whim hoping it might be thrilling, entertaining or fun at least. I love it when a film exceeds your expectations like Triangle did.

Mellissa George stars as the lead in a small cast of young people on a yachting break off the coast of Florida who encounter a mysterious ship with no passengers after their yacht is upturned.

What follows is a complex and superbly written mystery that unfolds at a perfect pace. I spent most of the movie trying to work out what was going on, trying to piece together all the elements of the storyline. Christopher Smith has clearly spent a long time putting this film together with an intricately crafted deal of detail. I was gripped from the moment the yacht capsized.

The lead performance is excellent, superbly holding the plot together; and the supporting cast are more than passable. If you're looking for something a little different and you're happy to pay close attention to detail for an hour and a half, then I can thoroughly recommend Triangle as an original, well written and directed mystery that will keep you guessing until the final scene.

8/10.

After scanning several reviews, ('One of the best mysteries lately,Fascinating movie, Very good & intriguing...brilliant (?!?!) movie…'), I thought I'd give it a try.

Oh, what a dumb thing I did.

This is easily one of the worst movies I've seen in a while.

The makers of this dreck thought they had a 'clever-clever' idea, with this whole play on a variety of things - from it's title (as in Bermuda Triangle), to the Greek myths, and to other films about repeats in time, such as 11:59 (remade as Groundhog Day), and on, and on….snore…

The central character, Jess, played by Melissa George, has one of the most irritating personalities I've come across. Instead of feeling anything positive towards her, I just wished, she shut up.

The story in a nutshell, is: a bunch of people (who really have no connection to each other - so why are they getting on a boat together???) go on a yacht trip.

The yacht encounters freakish weather, and capsizes. All of the sudden, a mysterious passenger ship appears.

While it's quite clear there's NO ONE on-board (to the viewer), these people decide to get onto it.

No one helps them to board, but, that doesn't appear to seem unusual to them.

They wander, and all this stuff happens, involving a masked person - apparently the only person on board - who kills them.

Our 'heroine,' Jess, tries to plead with the others (in the most irritating adenoidal whine - nails on a blackboard are less annoying then her drone) to get off the boat.

Of course, they don't, and, well...without giving the 'plot' (of what there is) away, I will say it has something to do with multiple time-lines playing out.

What does our intrepid Jess do, when she sees this masked baddie (who she soon finds out, actually is)? She...HIDES.

Instead of just approaching this person, or doing anything common sense, she just hides and whines to the others, saying things like; 'you just gotta believe me, you gotta trust me,' which, of course, they don't.

The 'shocking' ending - the 'twist,' as it tries to be, is so poorly plotted, that film school 101 teaches you NOT to do idiotic stuff like these filmmakers did.

TRIANGLE is not the worst picture I've ever seen, but, I feel like I've been ripped off. Of an hour forty-five minutes of my life.

A small boat capsizes in the see and the people aboard must go to a large ship for help. But this ship is empty, with the exception of a lone killer acting out of unexplained motives... and then the plot goes from mundane to bizarre.

This film is written and directed by Christopher Smith, who made a few waves with his 2006 film "Severance". I think this is really going to be his break-out project, so long as enough people catch it. The plot is intelligent and tight, the directing is masterful, and the cast is kept in line.

Melissa George has been praised for this film, and I think that's fair. She has up until now been very second fiddle, and despite good performances in films like "Amityville Horror", never really got her due. This film is it -- she is front and center for the entire running time, showing her most anguished character possible.

There are few problem with this film. It does run a bit long, but not so long that it's unbearable... the first twenty minutes are bland, but it picks up after that. The biggest problem, which is unfortunate, is that this film was released after "Timecrimes"... and there are some similarities, even if minor, and critics will jump on this. But, if anything, this made me enjoy the film more rather than less, because it was like reliving the mindbend that "Timecrimes" gave me.

I completely endorse this film, and strongly recommend it to any horror or suspense fan. You may enjoy the subtle references to "The Shining", or simply the interesting and deep plot. And, at least as I write this (August 2010), the film is an instant play on Netflix, so you do not have to go out of your way to find it.

How to talk about "Triangle" without giving anything away? It's a puzzle equal to that which the movie presents its audience, because this isn't your standard horror movie. It has more in common with plot-twisting movies such as "Momento" and "The Machinist" than the gory likes of "Halloween" or "Ghost Ship".

Perhaps a good start is offer some praise to the director Christopher Smith whose work i've been a fan of since "Creep". I also greatly enjoyed his follow-up "Severence", but "Triangle" is easily his most mature effort so far; and the entire movie has an almost dream-like atmosphere to it. It certainly looks beautiful and the haunting music adds to this ambiance.

Melissa George, who plays the central role here, is quietly impressive; she's never really been an actress who has stood out to me in her previous roles, and so it was a pleasant surprise to see her rising to the occasion of taking center stage. It's only a shame that her character is so haunted and inaccessible. This isn't George's fault; the role is written in a way which keeps her detached not only from the other characters but also from the moviegoers. She's constantly aloof and distracted which can be initially annoying; it's hard to care for a character which you can't warm to.

I would certainly applaud the makers for attempting something different to the standard horror story (although, I do admit that it is very similar in theme to one other recent movie that you'll probably see mentioned a few times in the forum for "Triangle") and I certainly enjoyed the experience. I'd recommend staying away from learning too much about the plot beforehand (the trailer, in particular, gives far too much away) if at all possible.

"Triangle" is very much like a movie-length version of a "Twilight Zone" episode but its also a very flawed piece. There's an intelligence at work in the script; the way in which the pieces of the puzzle are presented to the audience is done in a skilled manner but it also suffers from thinking it's far cleverer than it actually is. There are plot holes to be found by those who dwell on the story, and the ending isn't quite as neat as the movie believes it to be.

Still, this is an impressive effort and well worth checking out (especially if you're a fan of the two superior movies mentioned earlier - "Momento" and "The Machinist"). In a world in which cinematic horror tends to involve torture and cheap shocks, it's nice to find a more psychological effort that looks for other ways to creep under your skin.