Pandorum

I simply loved the posters for PANDORUM, they were edgy and graphic enough to make me want to give this movie a shot even thou i'm not a Dennis Quaid fan at all. I gave it a shot earlier today and i have to say it was a pretty good movie.

PANDORUM is your classic outer space scifi movie which we really haven't had for sometime. I do have to say the aliens kind of reminded me of the creatures in the movie DESCENT just with armor. The movie itself had a feel of the original ALIEN movie. Now to what I enjoyed about this movie was the way the story evolved into a edge of your seat thriller with twist after twist. The story is what separates this from other spaceship, scifi movies. Even leaves the viewer thinking "what if" this happens. PANDORUM is a good way to enter this fall season. Great story, good effects, easy story to follow, just enough gore to satisfy everyone and not to much Dennis Quaid to make me happy!

Better than you'd expect. I was shocked that movies like this.. can still sell and be good enough to watch. The theater was packed. Nobody was disappointed. Grade A- acting. Intense action! New superstars will emerge from this one. I won't spoil it by telling you who. You'll see. Rating >> 8.1

Antibodies director Christian Alvart takes suspense into space with this tale of two astronauts who realize that they aren't alone as they drift into the darkest corners of our galaxy. Awakening in their hyper-sleep chamber with no memory of who they are or what their mission is, disoriented astronauts Lt. Payton (Dennis Quaid) and Corporal Bower (Ben Foster) gradually surmise that they are the only ones aboard the darkened spacecraft. But how did they get here, and what are those strange sounds coming from the belly of the ship? The only way out of their hyper-sleep chamber is a narrow air shaft, and the only one small enough to climb through it is Corporal Bower. As the younger of the two space travelers shimmies inside, the older remains behind to offer guidance on the radio transmitter. But the deeper Corporal Bower ventures into the ship, the more apparent it becomes that something horrible has happened. Could it be that the survival of the entire human race rests in the hands of these two astronauts stuck on a lonely ship in deep space?

Echoing such luminous sci-fi classics as 2001 and Alien, Pandorum is a terrific psychological thriller, although it does struggle at times to be coherent and original. But it's a true mindbender, and it's packed with action that moves so quickly neither the actors nor the audience can really catch a breath, which is a good move if your plot is shaky to begin with.

As with the best deep-space movies, the context is mental illness, what the Professor on Gilligan's Island called, oddly enough, "island madness." Only in space. In the distant, distant future, a ship has been sent from the Earth carrying a lot of people, headed to the only Earth-like planet ever found. Sometime during the journey, things go awry. We pick up the story as an astronaut named Bower (Ben Foster) awakens from hypersleep, abruptly; he's soon followed by his commanding officer, Payton (Dennis Quaid). The rest of the crew is gone, and the only door is locked from the outside. What's happened here? Making matters more difficult is the amnesia that each man suffers from, owing to their having been in hypersleep way longer than intended. Somehow, they must piece together what has happened and find out what lies behind that door - and throughout the rest of the gigantic ship.

Not only does the movie recall Aliens and 2001, you can also see similarities to The Descent and The Abyss; really, any movie in which people are trapped in claustrophobic environs. And although the pacing is frenetic at times, the movie is really chillingly shot (by Wedigo von Schultzendorff). On the one hand, the plot flows linearly - Bower needs to get to the ship's reactor so he can reboot it and save everyone - meaning that the actors race from scene to scene, running out of time. On the other hand, they don't piece together what's happened as quickly as they might in other, lesser films; they seem to figure things out gradually, as if assembling a puzzle in their heads. Bowers and others - and there are others - discover right away, though, that they're not really alone on the ship and that their enemies are extremely strong and fast and vicious.

Injected into this oh-my-goodness-what's-out-there madness is, well, madness. The movie's title is explained as being a sort of mental illness that affects astronauts from time to time, when they just plain go bonkers for seemingly no reason and kill everyone on board. Is that's what's happening here? Is Bower the crazy one? Or is it Payton? Are they, in fact, alone on the ship? Foster is excellent as the hero who remembers a little bit more of their mission as time elapses; Quaid, in turn, shows a few more layers than we're accustomed to seeing from him (he's usually more of a poor man's Harrison Ford). Both actors turn in convincing, full-throated performances that complement, rather than succumb to, the special effects and cinematic wizardry. Often, the effects are the entire show. Now, it's true that you won't see a lot of character development here, as you might in the most cerebral of sci-fi, but what works best here is the paucity of knowledge about the situation and the characters. By spinning the tale gradually, feeding the audience only a snippet at a time, director Christian Alvart dangles the mystery in front of his viewers without allowing them to settle back and solve the mystery on their own. When you're constantly kept on your toes with sudden lurches of unseen shapes and reverberating noises, you - like the befuddled characters - are concurrently kept off balance. The result is an unsettling, entertaining delight.

Better than you might expect, based on the television trailers. The trailers made the film look like just another clone of the "Species" series. In fact, it's nothing like that.

The film centers around two characters who awaken on what at first seems to be a ghost ship, and quickly discover the extent to which "they are not alone." The remainder of the film parallels the experiences of the two men as they separate and seek to establish control over the ship.

The film has a well-defined plot (not a given in modern sci-fi films) and sticks to it. No wacky subplots that peter out irresolutely; no absurd romancing. Also, mercifully absent were explanations of the current state of affairs that dragged the whole movie sideways.

The finale is corny but satisfying. The movie does such a good job of taking the viewer on the journey with the protagonists, that the denouement is refreshing.

Not great film-making, but good sci-fi.

I thought this movie did an excellent job of tapping into a number of deep-rooted fears that seem to be universal - claustrophobia, loneliness, loss of memory, large semi-dark areas with things that go bump, not to mention suddenly waking up and not knowing what the heck is going on all around you.

It had some nice "seat jump" scenes, and had moments where it was surprising funny.

And lots of nice twists too - don't see that enough in movies in general any more!

I can't comment too much on the "technical" aspects of the film, sorry, I'm just more of "was it a good, believable story" person. This was.