A tight-knit group of New York City street dancers find themselves pitted against the world's best hip hop dancers in a high-stakes showdown.A tight-knit group of New York City street dancers find themselves pitted against the world's best hip hop dancers in a high-stakes showdown.A tight-knit group of New York City street dancers find themselves pitted against the world's best hip hop dancers in a high-stakes showdown.
- Director
- Writers
- Stars
- Awards
- 2 nominations total
Adam Sevani
- Moose
- (as Adam G. Sevani)
Stephen Boss
- Jason
- (as Stephen 'tWitch' Boss)
Oren Michaeli
- Carlos
- (as Oren 'Flearock' Michaeli)
Joseph Slaughter
- Julien
- (as Joe Slaughter)
Chadd Smith
- Vladd
- (as Chadd 'Madd Chadd' Smith)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Not too bad and everything you may expect for a dance flick. Why it is in 3D is anyone's guess, ohh yehh, thats right, every second movie is in 3D these days. If your a fan of the other two Step Up films you will absolutely love this predictable story. A battle of dance teams looms with prize money needed to pay the bank to hold the closure of the street dancers studio/residence. The cast is good looking and talented as they strut their stuff, a highlight being a splashing dance scene in water. Australian starlet,Sharni Vinson, last seen in CSI.NY is a natural while Rick Malambri (Surrogates) will have the ladies swooning at his disco inferno. It's an OK movie, family friendly and undemanding entertainment.
I have to say that I am a fan of the series. The dancing in the first movie was great, but the subsequent films has had amazing numbers. I could see why Chu would want to do the film in 3D. 3D is the "it" thing these days, and the dance sequences were enhanced by the technology. That being said, 90% of the film didn't require 3D. I hate wearing the glasses unless I'm on a ride at Disney. I feel like a lot of the films that employ 3D technology also release a 2D version (a good thing for people like me). I wish Step Up 3D would have given the option, even if the name denotes the extra dimension. As for the cast, I was disappointed in the male lead but not because of his acting or looks. He is beautiful and can act. However, he apparently can't dance. I felt like if he was going to stand on the sidelines during battles or have obvious doubles they could have played him even heavier as the "director". Moose and Camille pulled off what could have been an impossibility: tying the first and second film together with the third in a realistic manner. Unlike Channing Tatum's cameo to tie the first and second films together, making Moose and Camille besties going to college together was brilliant. The soundtrack is great (even though some of the songs you'll recognized from other recent shows: Glee and Sex and the City). All in all, I enjoyed the movie and left the theater wanting to dance. The film (like any self- respecting franchise) leaves it wide open for a fourth. A word of advice: make like The Fast and the Furious and wait 'til you're missed and can get the entire cast together to go for #4.
Sure the story is probably the weakest from the 3, but the dancing is the most entertaining to watch from the 3 movies as well. And the 3D aspects of the film is done pretty well and was a lot of fun to watch. The past two movies is better when it comes to the plot, but still boring and I couldn't careless about it in this. Since it is mostly ridiculous, but it's just really ridiculous this time around. But if you want to see a dance flick with cool dancing in it, go check this movie out. I am also really glad Moose makes a comeback in this, the kid is one cool nerd and the kid can really freaking dance. Overall although the plot is laughably ridiculous, the dancing and the 3D aspects of it was a ton of fun to watch. Would have been even more entertaining if it had more dancing competitions in it.
7/10
7/10
If you've seen one break-dance flick, then let's be frank, you've seen them all. The blue print is the same each and every time, lots of awesome dance sequences with gap-filling scenes of excruciating acting, non-existent plot and direlogue that wouldn't feel out of place in a Z-grade horror film. With those standards in mind, the most effective entries into this genre do two very simple things: maximise the eye-boggling dance routines and minimise the yawn-inducing guff that fills the rest of the runtime.
Step Up 3D only gets half of the above equation right. An unnecessary amount of time is wasted on boring dross like predictable plot twists and deep and meaningful (read: long and laughable) conversations about how profoundly dancing can affect people. Honestly, who cares? From the moment the main character tells his new BFF that "he's BFAB, born from a beatbox" in the first ten minutes, all further dialogue should've been ceased immediately. I'm serious, they should've let the music and moves do the talking for the remaining 90 minutes. That way our gag-reflex wouldn't have been tested by Vinson (ex-Home and Away star) and Malambri's acting.
When the bodies are twirling, contorting, flinging, jumping, smashing or moving like a robot the film unsurprisingly finds its legs. Choreographed with flair and panache, the set-pieces incorporate the 3D technology decently enough by having dancers approach the camera with fast, whippy hand movements, however the depth of the stage was employed more successfully by its British counterpart StreetDance 3D. Regardless, there are still a handful of entertaining dance-offs that impress on varying levels.
Replete with the freshest hip-hop tunes and sporadic inventiveness – mainly in the form of illuminated costumes – this trilogy-closer may tickle your fancy, but that is wholly reliant on whether you're BFAB or not.
2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
Step Up 3D only gets half of the above equation right. An unnecessary amount of time is wasted on boring dross like predictable plot twists and deep and meaningful (read: long and laughable) conversations about how profoundly dancing can affect people. Honestly, who cares? From the moment the main character tells his new BFF that "he's BFAB, born from a beatbox" in the first ten minutes, all further dialogue should've been ceased immediately. I'm serious, they should've let the music and moves do the talking for the remaining 90 minutes. That way our gag-reflex wouldn't have been tested by Vinson (ex-Home and Away star) and Malambri's acting.
When the bodies are twirling, contorting, flinging, jumping, smashing or moving like a robot the film unsurprisingly finds its legs. Choreographed with flair and panache, the set-pieces incorporate the 3D technology decently enough by having dancers approach the camera with fast, whippy hand movements, however the depth of the stage was employed more successfully by its British counterpart StreetDance 3D. Regardless, there are still a handful of entertaining dance-offs that impress on varying levels.
Replete with the freshest hip-hop tunes and sporadic inventiveness – mainly in the form of illuminated costumes – this trilogy-closer may tickle your fancy, but that is wholly reliant on whether you're BFAB or not.
2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
The whole franchise is just about a group of street dancers dancing in the street?! Obviously, the plot isn't what we are here to watch. The only reason anyone even see this franchise is because they want to see some dancing. Acting, plot, story-telling, and writing, screw all of that. The only thing they need is a good choreographer and a director who specializes in dancing. Jon Chu is the correct choice since he directed the first Step Up and he did a fine job on this one also. The eye-popping 3D is what I like in particular to this. Adding in the 3D is a very risky but also right move. Everyone loves to see a dancing film in 3D! Aside from the bad acting, no plot, and the improvised dialogue, Step Up 3D is the best dancing film of the year.
Did you know
- TriviaCamille is also in the first movie, she is Tyler's little sister who eats pb captain crunch.
- GoofsAt the final battle where Julien takes 2 of his crew members as dogs with chains, he once wears his jacket, the next shot he stands there without it and so on.
- Crazy creditsAt the beginning of the end credits there's a scene in which Jay Franco (aka J-Smooth) sits on a chair and performs an impressive catalog of finger tutting moves
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #18.93 (2010)
- SoundtracksEmpire State of Mind
Written by Jay-Z (as Shawn Carter), Alicia Keys (as Alicia Augello-Cook), Angela Hunte, Bert Keyes, Sylvia Robinson, Janet Sewell (as Jane't Sewell), Al Shux (as Al Shuckburgh)
Performed by Jay-Z featuring Alicia Keys
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
Alicia Keys appears courtesy of J Records
Contains a sample of "Love on a Two Way Street"
Performed by The Moments
Courtesy of Sugarhill Records Ltd.
By Arrangement with Warner Music Group Film & TV Licensing
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Step Up 3
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $42,400,223
- Opening weekend US & Canada
- $15,812,311
- Aug 8, 2010
- Gross worldwide
- $159,291,809
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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