IMDb RATING
5.0/10
8.5K
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The horrific account of 6 year old Martin Bristol, abducted from his backyard swing and forced to witness the brutal crimes of a deranged madman.The horrific account of 6 year old Martin Bristol, abducted from his backyard swing and forced to witness the brutal crimes of a deranged madman.The horrific account of 6 year old Martin Bristol, abducted from his backyard swing and forced to witness the brutal crimes of a deranged madman.
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Bereavement is a slasher movie with some strong points - good acting (Michael Biehn, Alexandra Daddario and the rest of the cast) and a good cinematography and production value. The weakest point: the behavior of the victims is so dumb like they never heard any news of serial killers and maniacs or never watched some horror movies. So watching them killed I always thought - well , that's survival of the fittest, baby ;)
In a teenie-slasher with some elements of comedy such "behavior" of course is part of the deal, in a "serious" slasher like Bereavement it is not. On top, there are some implausibility and issues with the story: many girls disappear but nobody checks on the weird guy living in a old slaughterhouse, is just one of them. Also the "twist" (no, I won't spoil) I saw miles ahead coming and is just a cliche that wants to shock but can't, at least not the "serious" horror audience.
Well, with a more refine and plausible plot this movie could be easy a really good slasher. So it is a solid one, that is in the end not in every aspect convincing.
In a teenie-slasher with some elements of comedy such "behavior" of course is part of the deal, in a "serious" slasher like Bereavement it is not. On top, there are some implausibility and issues with the story: many girls disappear but nobody checks on the weird guy living in a old slaughterhouse, is just one of them. Also the "twist" (no, I won't spoil) I saw miles ahead coming and is just a cliche that wants to shock but can't, at least not the "serious" horror audience.
Well, with a more refine and plausible plot this movie could be easy a really good slasher. So it is a solid one, that is in the end not in every aspect convincing.
I was so bored while watching this movie. You just can't make a lame screenplay work by just using a bunch of people, put them in the countryside somewhere in the rural America, then put one or two families with young kids or teenagers just reach puberty, with one or two moms, some kind of a father figure always looked like so unhappy and angry almost anything, then a loner who as formulaic to be a psycho, like to kidnap kids, teenagers, cut them up, using lot of red dye and required all the kidnapped one kept screaming their head off and at the same time using some lame horrific sound track to give off the horror feelings. The screenplay is so lame and so hollow without any surprise or ingredients of horror. I was so bored during watching this movie, kept yawning all the time so uncontrollable that my eyes were tearing up.
Kudos to writer/director Stevan Mena for making Bereavement, his prequel to the impressive Malevolence, such a downbeat, mean-spirited and bloody little psycho flick, and also for casting delicious Alexandra Daddario in the lead, an actress who deservedly finds a place in my 'Big Breasted Babe In A Small Vest' Horror Hall of Fame. No such praise, however for Mena's woeful script, which is both incredibly clichéd at times and deeply flawed, making the film frustratingly mediocre as a whole.
First and foremost, why did Mena have his serial killer drive around in a truck that reveals his identity on the side? Loitering outside schools, driving slowly down suburban streets, and prowling round parking lots for victims are the kind of thing best done in an unmarked vehicle (or so I am lead to believe—ahem!); nut-job Sutter has his name painted on the door of his distinctive rusty heap and would surely have been the prime suspect for any local disappearance. Amazingly, though, he continues to abduct and kill with no interference from the police. And then there's the little matter of Sutter's lair, a dilapidated meat packing factory which sits next to a main highway and yet has never aroused the suspicion of anyone passing by, despite screams clearly being audible from the road; incredibly, the place even has power and a fully functional furnace!!!
Considering the sheer stupidity of this basic set-up, it shouldn't come as much of a surprise to learn that the characters act as though they have sawdust for brains. Track star Alison (Daddario) has obviously never seen a horror film in her life, since she is happy to continue exploring the creepy meat factory even after finding pools of blood and a scrapbook full of newspaper cuttings about missing local women. Alison's boyfriend William suffers the ultimate price for displaying a similar lack of self preservation, as does a waitress who makes so much noise while attempting to escape from Sutter that it's not long before she's hanging from a meat-hook. Hell, it's almost as though people actually want to be killed by this guy.
Unfortunately, that's just the tip of the iceberg when it comes to the idiocy on display in this film, with moments that will make you want to scream at the screen in frustration coming thick and fast, right up to the bleak and bloody finale that could have been avoided if only someone had just displayed a little common sense.
First and foremost, why did Mena have his serial killer drive around in a truck that reveals his identity on the side? Loitering outside schools, driving slowly down suburban streets, and prowling round parking lots for victims are the kind of thing best done in an unmarked vehicle (or so I am lead to believe—ahem!); nut-job Sutter has his name painted on the door of his distinctive rusty heap and would surely have been the prime suspect for any local disappearance. Amazingly, though, he continues to abduct and kill with no interference from the police. And then there's the little matter of Sutter's lair, a dilapidated meat packing factory which sits next to a main highway and yet has never aroused the suspicion of anyone passing by, despite screams clearly being audible from the road; incredibly, the place even has power and a fully functional furnace!!!
Considering the sheer stupidity of this basic set-up, it shouldn't come as much of a surprise to learn that the characters act as though they have sawdust for brains. Track star Alison (Daddario) has obviously never seen a horror film in her life, since she is happy to continue exploring the creepy meat factory even after finding pools of blood and a scrapbook full of newspaper cuttings about missing local women. Alison's boyfriend William suffers the ultimate price for displaying a similar lack of self preservation, as does a waitress who makes so much noise while attempting to escape from Sutter that it's not long before she's hanging from a meat-hook. Hell, it's almost as though people actually want to be killed by this guy.
Unfortunately, that's just the tip of the iceberg when it comes to the idiocy on display in this film, with moments that will make you want to scream at the screen in frustration coming thick and fast, right up to the bleak and bloody finale that could have been avoided if only someone had just displayed a little common sense.
Did ANY of you prior reviewers realize this movie doesn't need an explanation because it IS an explanation? This movie is a prequel for the movie Malevolence. And a good one. The acting wasn't top billing actors (take a look at the budget), but it wasn't the worst I've seen by far. Not sure how anyone could say there's no plot. It won't replace my favorite horror movie, but I did enjoy it. Either watch Malevolence first, or watch it knowing what it is. I can see how confusing and open ended it would seem not knowing that, especially since, as far as I saw, IMDb didn't bother to mention it, either.
This movie does a great job telling the background story of how Martin became the psychopath he was in Malevolence. There were still surprises along the way. It would be nice for it to be more obvious what this movie is, because it really is not a stand alone movie like some other prequels and sequels are.
This movie does a great job telling the background story of how Martin became the psychopath he was in Malevolence. There were still surprises along the way. It would be nice for it to be more obvious what this movie is, because it really is not a stand alone movie like some other prequels and sequels are.
When you go to a horror movie, you expect one basic thing: to be scared. This movie does not deliver.
Not only does it not deliver in the "scare me" department, but the scenes are so utterly ridiculous, the acting so insanely over the top, and the direction so pitifully bad that I had to walk out at the 3/4 mark of the film. It's just really bad on all levels. It's so bad that it's not even worth watching just to see how bad it is.
I can forgive a lot when I go to movies these day (they do seem to be going down hill), but this one is not worth watching for any amount of money. And if it were free, I'd rather watch Madea's Big Happy Family.
Not only does it not deliver in the "scare me" department, but the scenes are so utterly ridiculous, the acting so insanely over the top, and the direction so pitifully bad that I had to walk out at the 3/4 mark of the film. It's just really bad on all levels. It's so bad that it's not even worth watching just to see how bad it is.
I can forgive a lot when I go to movies these day (they do seem to be going down hill), but this one is not worth watching for any amount of money. And if it were free, I'd rather watch Madea's Big Happy Family.
Did you know
- TriviaThe film was shot in the fall of 2007, nearly four years before it was finally released.
- GoofsAllison is a track athlete, yet doesn't face oncoming traffic when running - even more implausible with headphones.
- Quotes
Wendy Miller: Great! I don't have any brothers or sisters because Dad's lazy, and now he's scared her off, too!
- Crazy creditsAt the end of the credits, there is an additional scene that actually begins as a scene taken from Malevolence, tying the two movies together. The scene is updated with Courtney's introduction to Martin after running for help.
- ConnectionsFollowed by Malevolence 3: Killer (2018)
- How long is Bereavement?Powered by Alexa
Details
Box office
- Budget
- $3,600,000 (estimated)
- Gross US & Canada
- $43,712
- Opening weekend US & Canada
- $20,744
- Mar 6, 2011
- Gross worldwide
- $43,712
- Runtime
- 1h 43m(103 min)
- Color
- Aspect ratio
- 2.35 : 1
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