The son of a computer programmer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was... Read allThe son of a computer programmer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.The son of a computer programmer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
- Nominated for 1 Oscar
- 10 wins & 52 nominations total
Lizzy Mathis
- Siren #4
- (as Elizabeth Mathis)
Summary
Reviewers say 'Tron: Legacy' is celebrated for its breathtaking visuals, innovative special effects, and immersive 3D experience. The Daft Punk soundtrack enhances the film's atmosphere, receiving widespread acclaim. However, the plot is criticized for being predictable, shallow, and clichéd. Characters are often seen as underdeveloped, and the narrative fails to match the visual grandeur. Disappointments arise from the original Tron character's portrayal and the father-son dynamic. Despite these issues, the film is appreciated for its nostalgic elements and universe expansion.
Featured reviews
It's not highly likely to win many new converts, but for those who already like the original and want to see more of that world, it more than satisfies. The visuals are a wonderful evolution from Tron and the story of a father and son who have to make up for lost time is very touching. The CGI face they developed for Jeff Bridges is not perfect, but it works very well with just a few exceptions and I feel, for my own tastes, that they have actually bridged the uncanny valley with this one. Still a bit of work to get it perfect, but this one works as it is. Oh, and the score by Daft Punk is beautiful. The first thing my brother and I did after leaving the theater was buy the sound track on the way home. It's very suggestive of the original but with plenty of today's newer sensibilities mixed in.
While the performance delivered by the son in this movie might not be Oscar-worthy, the allure of this film does not rely heavily on its acting prowess. It lies in the striking and ground-breaking visuals, accompanied by the captivating music score that is truly an auditory treat. The avant-garde aesthetic elements are profoundly impressive, pushing the boundaries and setting the film ahead of its time.
This cinematic production is a feast for the eyes and ears, immersing you in an experience that is sure to leave you in awe. The bold and imaginative visuals coupled with the profoundly moving soundtrack create a mesmerizing amalgamation of sight and sound. This movie transcends beyond the realm of conventional storytelling, offering an immersive and captivating spectacle that tantalizes the senses.
What sets this movie apart is its simplicity in terms of plot. It does not delve into a complex narrative or convoluted character development; rather, it revolves around the concept of visual and auditory satisfaction. It's an experience that encourages audiences to sit back, relax, and simply absorb the breathtaking visuals and mesmerizing music. It's a unique approach that breaks away from the typical expectations of what constitutes a movie, redefining it as a symphony of artistry that takes place on the silver screen. This movie is not just a film-it's a spectacle that stimulates and soothes, a true pleasure to watch.
This cinematic production is a feast for the eyes and ears, immersing you in an experience that is sure to leave you in awe. The bold and imaginative visuals coupled with the profoundly moving soundtrack create a mesmerizing amalgamation of sight and sound. This movie transcends beyond the realm of conventional storytelling, offering an immersive and captivating spectacle that tantalizes the senses.
What sets this movie apart is its simplicity in terms of plot. It does not delve into a complex narrative or convoluted character development; rather, it revolves around the concept of visual and auditory satisfaction. It's an experience that encourages audiences to sit back, relax, and simply absorb the breathtaking visuals and mesmerizing music. It's a unique approach that breaks away from the typical expectations of what constitutes a movie, redefining it as a symphony of artistry that takes place on the silver screen. This movie is not just a film-it's a spectacle that stimulates and soothes, a true pleasure to watch.
I'm not going to explain much about this movie story/premise, because I assume most viewers were fans of the original Tron.
When I first heard about this movie, I couldn't be more excited: an old movie with brand new technology? Even if the story turned out bad, it was a new Tron, and that alone made it perfect.
I watched the movie last night, in 3D, and it was a very pleasant experience for the most part, but don't think this is a great movie, because it's not.
Flynn (Jeff Bridges) is back, and in two shapes. An older Flynn, and a computer generated younger Flynn. The computer model looks good (for the most part), and it was necessary, otherwise we would have ended up with an old man with a ton of make-up on it's face, just to shave off a couple of years.
The movie starts with Flynn disappearing, and his son entering the Grid world in search of him. It's textbook script, but then again, what could we expect from Tron? It was never about the story, and this movie proves it. The plot is weak, and weakened by poor/unnecessary dialog and very shallow characters.
Luckily, none of that matters once the Grid world is shown to us. Visually it's great, and the action scenes are fun and fast-paced. I even dare saying it's the best 3D movie I saw so far, which also poses a problem: this movie looks great and feels great only in 3D, and in the theaters. I can't imagine myself in a few months buying the movie to watch in my sofa.
Another problem with the movie is that half-way through, it becomes repetitive. Maybe if they kept the action flowing, with little dialog, this movie would have been better, but trying to add depth to such a poor script ends up boring the audience.
The bottom-line is: Tron Legacy if fan-service. It a re-rendered universe with very little story, but very good looking.
7/10 if you watch it in the theaters, in 3D 4/10 anywhere else
When I first heard about this movie, I couldn't be more excited: an old movie with brand new technology? Even if the story turned out bad, it was a new Tron, and that alone made it perfect.
I watched the movie last night, in 3D, and it was a very pleasant experience for the most part, but don't think this is a great movie, because it's not.
Flynn (Jeff Bridges) is back, and in two shapes. An older Flynn, and a computer generated younger Flynn. The computer model looks good (for the most part), and it was necessary, otherwise we would have ended up with an old man with a ton of make-up on it's face, just to shave off a couple of years.
The movie starts with Flynn disappearing, and his son entering the Grid world in search of him. It's textbook script, but then again, what could we expect from Tron? It was never about the story, and this movie proves it. The plot is weak, and weakened by poor/unnecessary dialog and very shallow characters.
Luckily, none of that matters once the Grid world is shown to us. Visually it's great, and the action scenes are fun and fast-paced. I even dare saying it's the best 3D movie I saw so far, which also poses a problem: this movie looks great and feels great only in 3D, and in the theaters. I can't imagine myself in a few months buying the movie to watch in my sofa.
Another problem with the movie is that half-way through, it becomes repetitive. Maybe if they kept the action flowing, with little dialog, this movie would have been better, but trying to add depth to such a poor script ends up boring the audience.
The bottom-line is: Tron Legacy if fan-service. It a re-rendered universe with very little story, but very good looking.
7/10 if you watch it in the theaters, in 3D 4/10 anywhere else
Great great movie always get chills from the music and when he first uses the bike. Love the atmosphere of Sam Flynn's life and how much love he has for his father at the end of the movie. Fantastic message in the movie where we as people think things are important in our life such as work or possessions but nothing is more important then family 👍.
This film is the best example of "style over substance", but wow, what substance. It has some of the best production design and soundtrack I have ever witnessed. Visually and aurally speaking, I would even call it a masterpiece. It is like no other techno-futuristic cyberspace I have ever seen depicted. However, it is let down by a dull main actor and an unpolished story that didn't fully convince me.
Did you know
- TriviaThe crowd voices during the disk battle in the beginning of the movie are actually the voices of the audience during the panel for the film at the 2010 San Diego Comic-Con. The audience was instructed to stomp and chant to prompts shown on the large video screen, and the sound was recorded by techs from Skywalker Sound.
- GoofsFlynn's Arcade was supposedly locked up when Kevin Flynn disappeared in 1989. However when Sam is walking through the arcade, one of the machines is Mortal Kombat (1992) which was not released until 1992.
- Quotes
Kevin Flynn: Bio-digital jazz, man.
- Crazy creditsAt the beginning of the movie, the title only says "TRON". Not until during the ending credits does the name "Legacy" get included in the title when it reappears.
- ConnectionsEdited from The Phoenix Portal (2005)
- SoundtracksSeparate Ways
Written by Steve Perry and Jonathan Cain
Performed by Journey
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Tron: El legado
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $170,000,000 (estimated)
- Gross US & Canada
- $172,062,763
- Opening weekend US & Canada
- $44,026,211
- Dec 19, 2010
- Gross worldwide
- $400,070,675
- Runtime
- 2h 5m(125 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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