It's 1987 and Danielle, the high-school 'Dirty Girl', is running away. With her is chubby, gay Clarke, a bag of flour called Joa and a Walkman full of glorious '80s tunes.It's 1987 and Danielle, the high-school 'Dirty Girl', is running away. With her is chubby, gay Clarke, a bag of flour called Joa and a Walkman full of glorious '80s tunes.It's 1987 and Danielle, the high-school 'Dirty Girl', is running away. With her is chubby, gay Clarke, a bag of flour called Joa and a Walkman full of glorious '80s tunes.
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This movie was rated 37% on Metacritic and 27% on Rotten tomatoes and honestly I think this is wrong, wrong, wrong. I expect this is because the title is misleading...the movie is not about a "dirty girl" at all, it's about a journey of discovery and maturation and the transformative power of friendship. The writing is not particularly sophisticated so in lesser hands the movie could easily have sucked. However the two lead actors were so engaging (and the supporting cast were also excellent) that what could have felt like a flat, unconvincing story was, in my opinion, extremely touching. I confess toward the end I was crying in sympathy for the loss experienced by the main characters. Thankfully, the final scenes in the movie turned this into a positive (and even mildly cathartic) experience. I had become invested in the characters (so you see, I cannot possibly trash this movie the way so many others have).
The title hurt the acceptance of this film. It earned $143k world wide. Juno has done 12 nude scenes in movie and TV in the past decade, that being said, nudity would detract from this movie. Itis really a pretty emotional ending.
It's 1987 Oklahoma. Danielle Edmondston (Juno Temple) is a dirty girl. She has sex with the boys. She gets dropped into the special class filled with misfits. She befriends outcast Clarke Walters (Jeremy Dozier) who is coming to terms with his homosexuality. Her home life with her mother Sue-Ann (Milla Jovovich) is chaotic as she is about to marry Ray (William H. Macy). Danielle and Clarke go on a road trip to search for her birth father as Clarke's parents (Dwight Yoakam, Mary Steenburgen) chase after him.
I want to root for Danielle and Clarke. The movie needs more comedy. It's not that funny. With better comedy, the buddy chemistry would take care of itself. The movie would be much improved. It also relies too much on musical interludes. The story is a bit too messy. I wish the movie and the dialog is better written.
I want to root for Danielle and Clarke. The movie needs more comedy. It's not that funny. With better comedy, the buddy chemistry would take care of itself. The movie would be much improved. It also relies too much on musical interludes. The story is a bit too messy. I wish the movie and the dialog is better written.
Dirty Girl (2010)
The movie starts with such stupidity and what seems like terrible acting and movie-making you're going to want to quit. Unless you're a high school kid looking for cheap thrills (and there ain't anything wrong with that--it's just a style thing). But hang in there. This movie gets better and better and better. By the end all the hilarity crashes down to a weepy finale--more convincing than it has any right to be after all the zany stuff prior.
It's mostly about two high school kids who don't fit in. They seem like opposites and we all know how fun opposite are in movie comedies. One is slutty girl Danielle who has a dysfunctional home life and who is wild partly because she's bored by school and is (it turns out) smarter than the cliché would have it. The other is an overweight kid Clarke who knows he's gay and who is afraid of coming out but everyone knows already anyway. He also has a dysfunctional family, and the movie eventually also clashes the two sets of parents (and accessory kin).
The plot moves fast and turns into a crisis and then a road trip. All good stuff. And it's filmed with an openminded low-budget freedom that makes it fun and doesn't always worry about verisimilitude. (The two leads are in a family planning class, for example, and are given a bag of flour they have to treat as their new baby. The bag has a face drawn on it in magic marker, and the face changes depending on what's going on around it. Her--it's a girl.)
But mostly it's the acting of Danielle (Juno Temple), and Clarke (Jeremy Dozier), that makes it all stick. Temple in particular is just oozing and exploding with energy and dramatic screen presence, whether being saucy or sassy, fun or sad. She takes over every scene and you want her to. Danielle drives a red 1965 Mustang convertible (of course--what else?). She knows what matters and who's a jerk and doesn't put up with crap. She's troubled, but all along you know she's basically right, and you end up totally on her side. And on Clarke's side, too, as he tries to make sense of his world now that someone accepts him without even blinking.
Eventually there is a deliberate Hollywood ending, complete with tears and spotlights on the stars. It's a farce, I suppose, or a silly over the top romp, and there are going to be people who never let it click. Humor is fickle. But once I was a good half hour in (and it took that long, unfortunately), but once I was, there was no going back. It's worth sticking it out. Very worth it.
The movie starts with such stupidity and what seems like terrible acting and movie-making you're going to want to quit. Unless you're a high school kid looking for cheap thrills (and there ain't anything wrong with that--it's just a style thing). But hang in there. This movie gets better and better and better. By the end all the hilarity crashes down to a weepy finale--more convincing than it has any right to be after all the zany stuff prior.
It's mostly about two high school kids who don't fit in. They seem like opposites and we all know how fun opposite are in movie comedies. One is slutty girl Danielle who has a dysfunctional home life and who is wild partly because she's bored by school and is (it turns out) smarter than the cliché would have it. The other is an overweight kid Clarke who knows he's gay and who is afraid of coming out but everyone knows already anyway. He also has a dysfunctional family, and the movie eventually also clashes the two sets of parents (and accessory kin).
The plot moves fast and turns into a crisis and then a road trip. All good stuff. And it's filmed with an openminded low-budget freedom that makes it fun and doesn't always worry about verisimilitude. (The two leads are in a family planning class, for example, and are given a bag of flour they have to treat as their new baby. The bag has a face drawn on it in magic marker, and the face changes depending on what's going on around it. Her--it's a girl.)
But mostly it's the acting of Danielle (Juno Temple), and Clarke (Jeremy Dozier), that makes it all stick. Temple in particular is just oozing and exploding with energy and dramatic screen presence, whether being saucy or sassy, fun or sad. She takes over every scene and you want her to. Danielle drives a red 1965 Mustang convertible (of course--what else?). She knows what matters and who's a jerk and doesn't put up with crap. She's troubled, but all along you know she's basically right, and you end up totally on her side. And on Clarke's side, too, as he tries to make sense of his world now that someone accepts him without even blinking.
Eventually there is a deliberate Hollywood ending, complete with tears and spotlights on the stars. It's a farce, I suppose, or a silly over the top romp, and there are going to be people who never let it click. Humor is fickle. But once I was a good half hour in (and it took that long, unfortunately), but once I was, there was no going back. It's worth sticking it out. Very worth it.
"If it's a man's world God wouldn't have made me." Danielle (Temple) lives life on her own terms. When her mouth gets her in trouble at school she is sent to the "special" classroom. After an assignment pairs her up with a school loser her life is forever changed. The saying goes don't judge a book by it's cover, that could not be more true for this movie. The first ten minutes is what you would expect but from then on it becomes an emotional movie that deals with some pretty heavy subjects. The acting is great in this and there is an all-star cast along with some surprising cameos. If I keep talking I am afraid I will give something away and that would do the movie an injustice. Much like the movie "Good Old Fashioned Orgy" I think that the movie would get a better audience if the title was different. Do yourself a favor and watch this movie. Overall, a very surprising movie that was much much better then I expected. I give it an A-.
Did you know
- TriviaThe film heavily features the music of Melissa Manchester, as Clarke (Jeremy Dozier) is a big fan. The song "Rainbird" was actually co-written by Manchester and Mary Steenburgen, who plays Clarke's mother.
- GoofsThe movie is supposedly set in 1987, but the cash the lead character is shown stealing in the trailer ($10 and $5 bills) is clearly modern U.S. currency featuring enhanced security features like large numbers and different colored inks - not bills from the 1980s.
- SoundtracksShadows Of The Night
Written by D.L. Byron
Performed by Pat Benatar
Courtesy of Capitol Records
Under license from EMI Film and Television Music
- How long is Dirty Girl?Powered by Alexa
Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $55,125
- Opening weekend US & Canada
- $17,859
- Oct 9, 2011
- Gross worldwide
- $143,485
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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