The Line

La Linea is a great film, but it is also a bit of a trick, which may hurt the film eventually. No doubt that the distributors and the Hollywood machine will try to market this film as a topical action film snatched right out of the headlines. In actuality, La Linea is a classic character study of several complex people who converge and/or collide in the very dangerous city of Tijuana, Mexico.

Ray Liotta plays a hired assassin (whose paymaster we don't know until the end), who heads down in the underbelly of Tijuana to track down a the newly installed head of the Cartel (Esai Morales). The problem is that Esai Morales' character is trying to move the Cartels business from Cocaine (which, in this story, is approved by the US government), to Afghani Heroin. This decision sets into motion an internal struggle for control of the crime syndicate, as well as triggers the US government to send in assassins to get rid of the problem.

Sounds like an action movie for Dolph Lundgren, right? No. Interestingly enough, La Linea is really a multiple character study: An assassin haunted by guilt. An uber-violent Cartel leader that has to go to confession everyday. The assassins sidekick who is more interested in local hookers than getting the hit done. A local prostitute and single mother who takes a stranger in and cares for him. These are all story lines that thread through this very dark tail. I did enjoy the film, and I would definitely recommend it. My only hope is that the powers that be market the film for what it is, so that people who are looking to see a Dolph Lundgren film, don't pick it up and are disappointed. This is a very well done film, with beautiful cinematography and from what I understand, completely independently financed. We need more like it.

A little bit of a weird movie, because it feels like it was made in the 90s, even though its from 2009. It has some cool shots, but a lot of moments that u can only accept if u dont think logically about them. I would not recommend to anyone but someone who really likes crime/gang movies and want to watch something that tries to be serious but a little unintentional goofy at the same time.

The concept of the story is very interesting though, but poorly executed. There is a renegade kind of anti-hero as protagonist, a classical internal stride between gang members succession and a crazy plot twist at the end. At face value they are kind of interesting, but again, when you think about it logically, a lot of things dont make sense or are not really explained at all.

An assassin and his partner (Ray Liotta and Kevin Gage) are commissioned to take down the new head of a drug cartel (Esai Morales) that has taken over for the dying drug lord (Andy Garcia). Jordi Vilasuso plays a cartel rival, Armand Assante a padre, Valerie Cruz a woman that befriends the assassin and Bruce Davison a US agent.

"The Line" (2009), aka "La Linea," is a gritty crime thriller taking place in Tijuana that's more moody psychological drama than action flick. It's similar in style, locations and content to "Borderland" (2007), albeit less of a horror flick (yet still containing loads of horror). Like that movie, there are glimmerings of greatness amidst the grey mayhem in the mold of "Apocalypse Now."

Unfortunately, the story's sometimes confusing which would be helped if you use the subtitles since some of the dialogue is difficult to discern (I viewed it on DVD and didn't have that option). But there's a lot to appreciate here, including the quality cast, the style, the melancholy vibe, the music, the poignant drama, the gritty action and several beautiful Mexican women. The movie's obscure, but it shouldn't be.

The film runs 1 hour, 32 minutes, and was shot in Tijuana, the border area, and Los Angeles.

GRADE: B-

(2009) The Line CRIME DRAMA

Written and produced by R. Ellis Frazier "The Line" as the movie is called is another slang for the 'borderline' between the US and Mexico, with Afghan diplomats volunteering to bring illegal drugs across the border without questioned. Centers mostly on 2 people of hired shooter, Mark Shields (Ray Liotta also credited as executive producer) who has a substance abuse problem along as he suffers from insomnia because of a previous assignment, and a drug cartel, René Pelon (Esai Morales) appointed by a cartel relative who is said to be dying, Javier Salazar (Andy Garcia). With more twists and revelations.

Wow, it's getting to where I really can't trust IMDb ratings to decide what to watch anymore. This movie is underrated. I suspect many people who rated it low, wanted more explosions and car chases. This is not an action film. It is a subtle yet intense look at how a person can be extremely tough yet so very vulnerable at the same time. There are no feel good characters. No role model action heroes. No clear cut lines between good and bad.

Other reviewers have noted that it was confusing. Admittedly the script was confusing at first. It wasn't clear who was motivated by what, and what flashbacks meant what to whom. But about halfway through the film it starts to come together beautifully and continues to do so to the interesting and somewhat moving end. If you stop waiting for the gratuitous action scenes which never happen, and just watch the story, it works well. Yes, some plot points seem a little unrealistic, but that's why I put the story at only a 7.

While the story is good, the acting is all around superb. I have never been the biggest Liotta fan. He's good, but like a lot of tough guy character actors, sometimes his tough guy persona crosses the line into bluffery in my opinion. Not here. He was near perfect. Almost everyone was, including minor characters played by people I have never heard of. No fake looking bluffery, nothing overdone. I would give this a 7 for story and direction, but the acting puts it up to 8.

Also, the music was as wonderfully chosen as the actors. There was a point in the middle of the movie where one character began to cry. We aren't shown explicitly why, no details, but we are shown enough to understand and fill in her story for ourselves. I found that one scene, with the song from Melody Gardot, particularly beautiful.

In a nutshell, I would describe this as a smoulderingly intense drama. If you are looking for an action thriller you will be disappointed.