Serious Moonlight

"Serious Moonlight" deserves to be seen for a number of reasons.

First, it is written by the late Adrienne Shelly (best known for "Waitress" (2007)). After her death, her husband set up the Adrienne Shelly Foundation to help women pursue their film-making dreams. Money earned from her films goes towards this foundation.

Second, there are a lot of elements in this film that are pretty original which seems to be a hard feat to accomplish for most films today.

Third, the interesting casting choices, which give us the pleasure of seeing Meg Ryan and Timothy Hutton in mature, grown up roles but acting childishly-stupid with glimmers of maturity and wisdom. After seeing this movie, I believe they are the only actors who could pull it off so beautifully. Add to this, Justin Long in a funny and very surprising role, and then the adorable Kristin Bell who for once is actually playing a character less-accomplished than the average woman her age.

"Serious Moonlight" is a romantic comedy of sorts where we have a husband divorcing his wife so he can be with his younger mistress. Include a couple criminal activities and all plans get thrown out the window. Every turn in this movie is funny, original, thoughtful, and romantic - in its own weird way.

I recommend spending your money on "Serious Moonlight". Rest in Peace, Adrienne.

This film is about a woman coming back home to find her husband writing a note asking for divorce. She holds her husband captive to try to win him back.

"Serious Moonlight" has only two actors most of the time, and the whole film is set in a house. Yet, it manages to maintain viewers' attention by the spectrum of emotions the two go through as the day progresses. The plot is engaging, but I find the husband's change of heart a little too abrupt. The final few seconds of the film is simple and yet effectively suggests something sinister has happened, thereby opening up viewers' imagination as to why things happened this way. "Serious Moonlight" is an interesting portrayal of a troubled couple who searches their soul for answers.

Louise: Because, my love, you are going to stay there until we work things out.

And so begins this drama between a married couple with no children, he a corporate office employee, she a successful lawyer.

I agree with most all previous posters mentioned. To pull off a story that will keep you interested until the very end with just 3 major players is quite a feat. The strength lies, of course, in the powerful dialogue between them. But more than that, this story is not just a flick on failed relationships, but on WHY they fail. Luoise (Meg Ryan) cannot and will not accept the fact that Ian (Timothy Hutton), her husband, wishes to leave her. She cannot accept he has fallen in love with a lovely, younger woman. But the truth is not so simple. If you listen carefully past the hurt locker, you will hear reasons, good ones, as to why these things happen. The fault is not entirely the wife's, but it is not entirely the husband's either. What happens is that in most cases, problems never get talked about and discussed. In this story, events unfolded in such a way they were forced to.

But then again, we have the usual guilt/blame game. It took both of them quite some time to accept where they had failed, Louise much longer than Ian. In the middle, you have Sara (Kristen Bell), who obviously loved Ian and went to lengths to fight for him. In the end, as they say, may the best man (or woman) win, but if you notice carefully, there was something lacking in Ian when these scenes were being played out, something which makes you think , "Ok, now, seriously, are you gonna be a man about this or what?" I couldn't help feeling sorry for the girl - she was obviously sincere and showed it without compunction.

However, just when you think you've got it all figured out and you see the pieces falling into place, well here comes the final scene, where you say, "What? what just happened...hello? what was that? run that by me again?" and you feel like I did, like the wind had just been knocked out of me and I sat staring at the screen wondering what I saw. Ingenious! I'm sitting here writing this and still turning this scene over and over in my mind, contemplating the different possible meanings.

I don't agree the movie is a waste of time or disappointing. Don't think this is another exercise at flogging the dead horse of marital what-have-you problems. No, this is an ingenious and well-written story, a bit off the regular path, yes, and bizarre in some ways, but well done. I don't think anyone's acting was poor either. The humorous parts made me laugh, and the sad ones made me shake my head in sorrow.

Watch it and enjoy yourself! Well worth it!!

I feel that 'Serious Moonlight' is a misunderstood movie. People seem to be under the impression that it's just another 'French Kiss' (mostly because of the misleading trailer). The similarities are minimal. The references (perhaps unintentional) are quite amusing but it must be said that 'Serious Moonlight' is no romantic comedy. It's more of a black comedy about a couple going through a stale marriage that is on the brink of breaking point. When the husband announces that he's leaving his wife for a twinkie, in a final desperate attempt the wife tries to win him back. However, she doesn't follow him all the way to Paris (which is what happened in 'French Kiss'). She ties him up, with duct tape, in their farm house.

Unlike the kind of humour that's often used in a romantic comedies 'Serious Moonlight' is a lot more tongue in cheek and even dark at times. Cheryl Hines, who's already known for her comedic talents, proves to be a competent director and with the late Adrienne Shelly's funny and yet thought-provoking screenplay, she has made something entertaining. I found most of the dialogues laugh-out-loud funny.

Timothy Hutton finally gets a part that's just right for him as he does full justice to Ian. Meg Ryan looks great and she's superb as the almost insane Louise. Justin Long and Kristen Bell provide hilarious support.

The twist in the end was cleverly done and works as a good conclusion with a funny touch.

It's been a full two decades since Meg Ryan emerged from a series of background girlfriend roles to become America's Sweetheart in 1989's "When Harry Met Sally…", but in this strangely conceived 2009 comedy, she still has that undeniable twinkle in spite of all the age-defying cosmetic alterations to her face. The screenplay is the last work of the late actress Adrienne Shelly, who wrote, directed, and co-starred in 2007's agreeably idiosyncratic "Waitress", and what they have in common is her supple dexterity in balancing the off-kilter elements of her stories into something deeper. This time, she takes a darker, less whimsical path in exposing the insidious nature of a marriage that has dissipated from a lack of communication. Her "Waitress" co-star Cheryl Hines ("Curb Your Enthusiasm") takes the helm in her directorial debut, and her lack of experience may attribute to the fact that it feels more like a filmed stage play despite Nancy Schreiber's expert cinematography.

The brief story focuses on married couple, Louise and Ian, on a day when they unexpectedly cross paths at their bucolic vacation home. A high-powered fortyish attorney, she comes home to find her house showered romantically with rose petals and Ian writing a Dear Jane letter to her. He has decided after thirteen years of marriage that he wants a divorce, so he can rendezvous with his 24-year-old girlfriend Sarah in Paris. Unwilling to accept that her marriage has gone kaput, Louise inadvertently knocks him out with a flower pot and takes advantage of his unconsciousness in order to duct tape him to a chair until he relents. This is the beginning of a roundelay in which they spar about the merits of their marriage. Ian spends most of the 84-minute running time stuck on the toilet as he faces one humiliation after another. Even though Louise exhibits vaguely sociopathic behavior, she does not represent the only threat to Ian.

There is a nasty twist to the story in the form of an interloper that turns their vituperative cat-and-mouse game into a game of survival. The open ending doesn't quite satisfy, although the implications that it raises lends texture to what has gone on before. Ryan acquits herself well as Louise, and although it's not remarkable work, it shows that the actress could thrive into middle-age with her fizzy spirit intact. She manages to give heart to the tenacious hold her character has on her flailing marriage. In a welcome big-screen return as Ian, Timothy Hutton does what he can under a lot of duct tape in a mostly passive role with moments of vented exasperation, while Kristin Bell ("Forgetting Sarah Marshall") shows surprising grit as Sarah, especially toward the end when the women grapple on the bathroom floor. Justin Long provides a menacing edge to the smallish role of the lawn-mowing low-life. More than Hines' workmanlike direction, Shelly's somewhat uneven screenplay offers enough dark elements to make the contrived set-up worth accepting for the sake of the unfolding story she wanted to tell.