A broke, jobless actor and a broke, jobless screenwriter set out to make a movie and then find that life starts imitating art.A broke, jobless actor and a broke, jobless screenwriter set out to make a movie and then find that life starts imitating art.A broke, jobless actor and a broke, jobless screenwriter set out to make a movie and then find that life starts imitating art.
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Ratings: 5 - Amazing 4 - Great 3 - Very good 2 - Good 1 - Fair 0 - Poor
For more information about the ratings, please visit: http://critical-eruditass.blogspot.com/p/about-blog.html
Characters: 2 Screenplay: 2 Cinematography: 2 Emotional: 1
Overall: 2.0
The film does a good job of walking the line between tasteful and tasteless of dark comedy. Nothing in this film makes sense or is logical, but it isn't supposed to; each ridiculous twist and turn can be amusing. To me, it was amusing and I had a few laughs, but they can be a little sparse. And in the end, it leaves you feeling a bit empty. While that may be the point of the film, it also feels a bit like a television episode that was dragged on. Overall, I found it a good experience.
The characters are stupid and illogical. Entertainment depends on whether or not one can get over this fact. At times I could laugh, but at times I was just dumbstruck. The actors also did a pretty good job of appearing similarly dumbstruck. Huberman, particularly, did quite well. Moran is his usual self.
Not only is it hard to develop any kind of connection with the characters, but they can induce hate. At times, I just can't turn off shoe-switching. "WHY, YOU FOOL!" I scream in my head, but they never seem to hear me. Sometimes inducing this kind of emotion is good, but they overdid it and it can definitely begin to shift to annoyance, ruining the suspension of disbelief.
The screenplay was absurd, in a good way, but could have flown better. The characters are introduced haphazardly and the buildup is very slow. Eventually I began wondering where the dead bodies were. The clear foreshadowing does create an interesting little "whose gonna get it" atmosphere, but they needed to anchor more of the script around it. If it was worked and teased a bit more, it would've been great. It got better as the bodies began piling up and the absurdities amounted.
The tone of the film started off teetering between funny and serious, so some parts left the viewer uncertain as to how to feel. The ending expunged on the humor created and is a hate it or love it thing.
The cinematography, on the other hand, was surprisingly aesthetic. With no flair, the angles and composition is well done for a low budget film.
While I was never really drawn into the film, I enjoyed the brief nonsensical departure from sane people.
For more information about the ratings, please visit: http://critical-eruditass.blogspot.com/p/about-blog.html
Characters: 2 Screenplay: 2 Cinematography: 2 Emotional: 1
Overall: 2.0
The film does a good job of walking the line between tasteful and tasteless of dark comedy. Nothing in this film makes sense or is logical, but it isn't supposed to; each ridiculous twist and turn can be amusing. To me, it was amusing and I had a few laughs, but they can be a little sparse. And in the end, it leaves you feeling a bit empty. While that may be the point of the film, it also feels a bit like a television episode that was dragged on. Overall, I found it a good experience.
The characters are stupid and illogical. Entertainment depends on whether or not one can get over this fact. At times I could laugh, but at times I was just dumbstruck. The actors also did a pretty good job of appearing similarly dumbstruck. Huberman, particularly, did quite well. Moran is his usual self.
Not only is it hard to develop any kind of connection with the characters, but they can induce hate. At times, I just can't turn off shoe-switching. "WHY, YOU FOOL!" I scream in my head, but they never seem to hear me. Sometimes inducing this kind of emotion is good, but they overdid it and it can definitely begin to shift to annoyance, ruining the suspension of disbelief.
The screenplay was absurd, in a good way, but could have flown better. The characters are introduced haphazardly and the buildup is very slow. Eventually I began wondering where the dead bodies were. The clear foreshadowing does create an interesting little "whose gonna get it" atmosphere, but they needed to anchor more of the script around it. If it was worked and teased a bit more, it would've been great. It got better as the bodies began piling up and the absurdities amounted.
The tone of the film started off teetering between funny and serious, so some parts left the viewer uncertain as to how to feel. The ending expunged on the humor created and is a hate it or love it thing.
The cinematography, on the other hand, was surprisingly aesthetic. With no flair, the angles and composition is well done for a low budget film.
While I was never really drawn into the film, I enjoyed the brief nonsensical departure from sane people.
This black comedy is a story of Pierce (Dylan Moran) and Mark (Mark Doherty), two jobless Irish friends sharing a run down apartment with Mark's girlfriend Sally (Amy Huberman), and Mark's disabled brother David (David O'Doherty). The apartment is owned by a disgruntled Jack (Keith Allen). The movie suddenly takes a turn for the worse one day in their uneventful and eroding lives.
The movie really takes the very definitive yet subtle elements of black comedy and ties it together with very interesting plot twists. Although no comparison can be made, for the sake of a relative scale- A Film with Me in It is abreast with some of the blackest comedy works of the Coen Brothers (such as Burn After Reading, Barton Fink and The Man Who Wasn't There).
The movie tends to drag a little here and there, but makes up for it in the fine character development and cinematography. As the plot progresses, the viewer is often subtly taunted to question their understanding of the story so far.
I'm a fan of Dylan Moran's stand-up work, and he has lived up to my expectations of him on the screen as well. All in all, it's definitely a good watch.
The movie really takes the very definitive yet subtle elements of black comedy and ties it together with very interesting plot twists. Although no comparison can be made, for the sake of a relative scale- A Film with Me in It is abreast with some of the blackest comedy works of the Coen Brothers (such as Burn After Reading, Barton Fink and The Man Who Wasn't There).
The movie tends to drag a little here and there, but makes up for it in the fine character development and cinematography. As the plot progresses, the viewer is often subtly taunted to question their understanding of the story so far.
I'm a fan of Dylan Moran's stand-up work, and he has lived up to my expectations of him on the screen as well. All in all, it's definitely a good watch.
Actually with a title like that and after the first few minutes you will catch the drift. The question if you will like were this is going or not, will depend on how much you like "dark humor". If you have seen quite a few of those movies, than you might anticipate quite a few things that will happen.
Still it is done very good, many jokes are really exciting and the movie ends very well. One of the things that stuck out though, was the fact that this movie is Irish. Which means the guys playing this have a very unusual accent (for me and I'm sure for quite a few other guys), which also means, that I had some trouble getting every little thing that was said.
The (inevitable) American Remake will come surely, but before that, make sure to watch this original!
Still it is done very good, many jokes are really exciting and the movie ends very well. One of the things that stuck out though, was the fact that this movie is Irish. Which means the guys playing this have a very unusual accent (for me and I'm sure for quite a few other guys), which also means, that I had some trouble getting every little thing that was said.
The (inevitable) American Remake will come surely, but before that, make sure to watch this original!
I didn't think I will like it that much , although it didn't looked that good but I totally recommend to watch it , it has this Witt and quick sense of humor with very new clever idea .. although the acting was not that god ' and I didn't understand the ending but all on all a very unique movie
10adv2011
This film is very funny, the cast are all excellent. The story, maybe its a bit mad, so what? Its a film, its not meant to be real. I would single out Amy Huberman as being excellent in this, I also saw her in another Irish film that played in Montreal in August, Satellites and Meteorites, where she was flawless. Dylan Moran, while perhaps reprising many of the other characters he has played previously, was very enjoyable to watch, as was Keith Allen though his part was predictably small. A few cameos at the end really were well placed, especially Johnny Rhys, though the context of his cameo was a little close to reality so I'm not sure what way he will come across to auds in Ireland. Throughly enjoyable film, the industry in Toronto reacted extremely positively to it and it along with Kisses really showed us all that Ireland can, when it wants, produce good product. Well done to all involved and I hope it goes well on its release.
Did you know
- GoofsWhen the garda (policewoman) calls to the door, some of her walkie talkie chatter can be heard. This is in an American accent which would not be the case in Ireland. The piece heard is in fact a standard foley effect of an American police officer speaking on the radio and is often heard in TV and film.
- ConnectionsReferences The Conversation (1974)
- How long is A Film with Me in It?Powered by Alexa
Details
Box office
- Gross worldwide
- $241,216
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
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