Two friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Moth... Read allTwo friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Mother Medusa".Two friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Mother Medusa".
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The romance element is played out quickly. Because, as I said, the film is about guys being guys. It's also about girls being psychotic. It's hard to stay in love with that explosive mix going on. Seeing as they will throw gasoline on any fire that's burning, the flames just leap up higher and engulf everyone and everything.
Not being a guy myself, I didn't connect with Aiden and Woodrow in the beginning, although I certainly have met guys like them. The girls, Milly and Courtney, are way more destructive than any girls will admit to being. The characters, the acting, and the dialogue are the weaker elements to the film, but the story that they insist they are telling is just so intriguing you won't want to turn this off.
As the poster suggests, and their past-times, "Bellflower" gets very violent. But the interesting thing is that it's not just mindless violence. The characters are just so calamitous, that they have their reasons for everything that burns, explodes, crashes or dies. It is dark and devastating, and unfortunately, a little more empty than it should have been.
It's amazing how the bad reviews are incredibly long and detailed. And if i put that in parallel with some pretty popular movies for that same generation, the conclusion i come to is that you aren't capable of watching a movie in his "fullness", you just watch a succession of "scenes".
I know, i know, I'm not really talking about the movie, just go read other good reviews if you want to know why it's a f*ck*ng pretty good movie.
I wrote this review only to give you an advice if you decide to watch it: JUST DO IT, it's a real journey. Don't judge it, appreciate it, and do that until the very last moment. At the end, maybe that you will have liked it, maybe not, but at least you won't have lost 2 hours of your life, because it's unique and mesmerizing. Something you won't be able to appreciate if you analyze every seconds of it.
The first hour takes a relatively standard approach to following these guys, but despite some pretty awful amateur performances and awkwardly obvious pieces of dialogue, it had a certain charm for me. Writer/director/star Evan Glodell gives an aesthetic feeling that was off-putting at first -- the focus falls off every so often, flecks off dirt come up into the lens -- once I settled into it I really began to embrace the tone he was going for. However once the film started to really get a rhythm going it decided to awkwardly jump forward a period of time (you can tell because the main character has a beard now!) it really caves in on itself.
It was going along smoothly but then decided to move the plot forward into more serious territory and then none of it worked anymore. Those bad performances became worse as the scenes progressed further and further into laughably horrendous melodrama with some of the most obvious and artificial character progressions and dialogue stretches I've seen. The film spirals down and down until it gets to it's last two chunks where I was just hoping they would clip the wings off and stop tarnishing the promise it once showed. There's a disastrous fifteen-minute sequence that felt absolutely worthless even before we find out that it actually is worthless, followed by the final act which just nonsensically rambles on for what seems like an eternity.
Ultimately, it felt like this was a premise that would have worked great as a short feature, but in stretching it out to something full-length Glodell really destroyed everything he had going for him. Still, despite ultimately being a failure, I think Glodell shows some promise here as a filmmaker and I'll be curious to see what he does next.
It's hard to describe my hate for this movie. It's like listening to a relatively good band that has an extremely pretentious and untalented singer. It's not so bad that it's laughable, it's just bad.
Did you know
- TriviaNo functionality of the Medusa car was faked during filming. The real-life car is equipped with two flamethrowers, smoke screen, a bleach drift-kit, adjustable rear suspension, and 3 surveillance cameras; all controlled from the dashboard. It also has a roll cage and stow-able, fold-down back seat.
- GoofsAt the bar, Woodrow and Milly enter a cricket-eating contest and live crickets are shown. Yet later, characters keep talking about eating grasshoppers. This could be a slip of the tongue by the characters who do regard crickets and grasshoppers as the same type of bug.
- Quotes
Aiden: Dude you are fucking Lord Humongous. The master of fire, the king of the wasteland. Lord Humongous doesn't get cheated on by some stupid bitch. Lord Humongous doesn't say was it good for you, he doesn't say who called or where were you last night. He doesn't leave the fucking gang when he falls in love. Nobody fucking tells Lord Humongous what to do. Lord Humongous fights when he wants to fights and fucks when he wants to fuck and when all else fails he drives straight into the fucking tanker. The thing is though, Lord Humongous dominates his women and they fucking love him for it.
- Crazy creditsIn the credit for "MEDUSA CAR RESSURECTION AND SUPERCHARGING," "resurrection" is misspelled.
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #2.13 (2011)
- How long is Bellflower?Powered by Alexa
Details
Box office
- Budget
- $17,000 (estimated)
- Gross US & Canada
- $168,226
- Opening weekend US & Canada
- $22,279
- Aug 7, 2011
- Gross worldwide
- $172,935
- Runtime
- 1h 46m(106 min)
- Color
- Aspect ratio
- 2.35 : 1