The Carter

Adam Bhala Lough is a director who's all flash with no substance. I thought "Bomb The System" was empty chop chop chop unoriginal stuff. Now here he is with The Carter and once again the movie is all style, no center. Hip-hop is a culture and music that needs originality, or it will die. Lil' Wayne has brought a little bit of originality to the game in the last couple years. But Bhala Lough can't match him, so what we get is MTV style visuals, making the film feel dated and tired. There's no risk taking and in the end the movie feels deflated, as opposed to energized. I kept waiting for the movie to take a breath and do some thing original, but it never did. I think Bhala Lough would be great in Hollywood making movies like Brett Ratner. He's the next Brett Ratner.

This may be one of the most compelling and interesting documentary ever made of such a unique person and artist. It hides nothing showing everything about Wayne and his world. Wayne is such a character that no one has ever seen before in cinema history. Who at times is really crazy and outrageously weird. This shows how original and different Wayne is making the documentary more entertaining because the kind of character being presented. He does and says what he wants when he wants. With originality and talent which does make him the greatest rapper alive right now. If you are not Wayne fan this documentary may be a waste of your time but Wayne fans will really enjoy this beginning to end.

First and foremost let me clarify all the bias and ignorant, yet frequent, comments that are swirling around "The Carter": this film does not glorify Lil Wayne. Period. What it DOES glorify, however, is his addictive and downright inhuman work ethic. The man does not stop...ever. Recording over 1000 songs in the year 2008 alone is a perfect example of his constantly-creating lifestyle, in which he somehow manages to raise an adorable (and loving) daughter, all while forever-high off his choice of drugs: Promethazine syrup and lots and lots of marijuana. It is inarguable that Wayne is far from a normal, functioning human being...and if that isn't an engaging film premise, I don't know what is.

The film begins with montages of Wayne recording songs in his tour bus and hotel room, places that only HE manages to make music in. It's safe to say that, along with Wayne himself, his manager Cortez Bryant is the "narrator" of the film, sharing his opinions and love for the artist through interviews and footage of his constant phone-calling and dollar sign negotiations.

The film is very "Tyson"-esque in the sense that you are brought into the mind of this bizarre individual by the individual himself. When asked the question "What would you do if you were President?", he answers "I would put cocaine back into Coca-Cola, I would legalize marijuana first AND second. Then I would eliminate all drug-use laws in sports: if you wanna take steroids, that's cool with me...as long as you playin' good." You can't help but laugh at the sheer foolishness of the man's comments, however Wayne has no shame in being downright immature; this is HIS world that he's explaining. We just all live in it.

As "The Carter" dives into his self-destruction drug addictions, we see a darker side of the artist, a side that his manager barely even comments on for he is "too heartbroken to see him like that." Once again, no one in Wayne's extensive clique of assistants and errand-runners support or enjoy his addiction...and he doesn't expect them too. "Who gives a f--k what I'm drinking or what I do or what's in my cup? It's in MY cup!" This is practically common sense to Lil Wayne, confused as to why everyone cares what he does. He's going to do it either way, whether we like it or not. We might as well all just accept it now.

The film doesn't shove anything in your face or add unnecessary melodrama. It doesn't portray the addicted martian-like rapper as an icon or role model whatsoever. It simply takes you for a ride into the world and mentality of Lil Wayne, such a bizarre, conceited, and uncomfortable place that it is ultimately somewhat of a wonder. This film exposes us to the real Lil Wayne, one of the most interesting characters ever put on video.

Again so great waht an example for our youth. Wow, after seeing this im so into blm!! I totally get it now. Wow, what a level. This is not a monster at all.

When going into a documentary about Lil' Wayne, one of America's most popular rappers today, it wasn't at all surprising to see that most of the people at the premiere, even though it was at Sundance, were mostly in the age range of about 15-25. And it was probably a good thing too, because if you're not a fan of rap or hip-hop, and you're not really sure who Lil' Wayne is, then this movie is definitely not for you. If you don't like Lil' Wayne then this movie certainly won't change your mind. In fact, it will probably only make you hate him more. But if you do like him, then this is definitely a movie worth seeing.

The film basically follows the life of Wayne for several months, capturing concert footage, interviews, recordings, and everything in between. And the everything in between usually includes smoking large quantities of pot and constantly drinking cough syrup mixed with A&W. While I certainly enjoyed the footage of watching him spit, the concerts, and all the good music that goes along with it, it was hard for me to really care about Wayne. Not that this was the fault of the filmmakers, but rather Wayne himself constantly says and does things that are incredibly arrogant, self-centered, and naive. From blaming George Bush for Hurricane Katrina (he suggests that it should be called Hurricane George), to sporting his ridiculous amounts of diamond studded bling, to saying that he doesn't care at all what anyone thinks, to wearing his robe which says "The Greatest Rapper," it's hard to care about someone who seems so wrapped up in himself.

But it's hard to deny a lot of the creativity that has earned Wayne his fame. Last year, he recorded over 250 songs. For Wayne, it's a necessity to take his mic with him everywhere, just in case he gets an idea or needs to let a song flow out, he has it with him, as he never writes down his lyrics. He just turns the mic on and starts rapping. The footage of this is great, and the director managed to get a lot of personal insight into Wayne's life. Wayne's daughter also made several appearances in the film, and she was very cute, but it felt like the director was trying to inspire sympathy by adding her in. And none of the footage even showed the two of them together, so we never really get to see if he's actually a good father or not. Wayne is also very contradictory at times, saying that alcohol is bad for you and that he never drinks it, but then openly supports cocaine and ecstasy. The film also tended to get a bit repetitive, but for the most part it was fun to watch. So overall, if you enjoy Lil' Waynes music, then i would recommend seeing this to get some insight into his life, but otherwise the movie might seem like a more in-depth version of MTV Cribs, in which you can either envy or be disgusted by the excesses of Lil' Wayne.