Pathfinders: In the Company of Strangers

The master plan for the invasion of Nazi-occupied France calls for a small group of pathfinders to set up radio beacons in order to guide the airborne assault. For reasons unknown, the Allied command decides that this mission is to be entrusted to a sorry bunch of third-rate soldiers gathered haphazardly from various units, hence the title "in the company of strangers". Fortunately, the German opposition is made up of utterly incompetent reservists with no combat experience whatsoever.

This movie might have been better as a comedy. A major and a captain discuss the details of the upcoming invasion in a pub! A member of the super-secret pathfinder force visits his girlfriend the day before D-Day! Paratrooper tells funny story involving explosive vomiting!

Not to mention -- weird colors, giving a subtle air of authenticity (or that's what the cinematographer thought, anyway) -- flat dialog -- flat delivery -- and flat combat scenes. Plus, for the true connoisseur, we show an English house in the 1940s with thermopane windows! and an American post-and-rail fence in Normandy!

Don't bother.

I suspect due to a slight nostalgia mixed with patriotism - we find the vast glut of WW2 dramas and films receiving high ratings on places like IMDb. Some deserve it - like Band of Brothers, other don't.

This films diminished budget seems to have been an excuse to get bad actors who can't deliver lines (but have been told to leave 'poignant'.... gaps.... for dramatic effect). In addition the camera work is bizarre - weird close-ups at strange moments, bad editing and sound that needs normalising to avoid you constantly having to locate the volume control.

Apart from that there's the odd bit of decent dialogue - but not much. The enemy Germans are portrayed in the usual manner all lazy war films do... nothing to challenge the distortions of history here. Oh - and I'm sure I saw a British house looking very up-to-date with PVC window frames - maybe they were back-engineering from alien window tech in the 1940s??

*Lousy acting (lots of unnecessary emoting) *Awful sound (muddled in parts, unnaturally sparse in others) *Questionable historical sets/settings (is that even France?) *No directing (everything is in close up!) *Laughable dialog ("Why, you're as ugly as soup!!") *Even the soundtrack is the wrong era (retro big band music??!).

This is just a bad community college play captured on film.

If this movie cost $50, someone spent $40 of it on hookers for the crew.

I understand that this is an Indy film and all, but come on, they made decent war movies in the 50s and 60s with small budgets on the back lot. Why can't these folks (in 2011) come up with at least a watchable film about such an important story?

This is awful. Having read the other reviews I decided to summarise my opinion to that simple statement. OK watched a bit more now and am completely frustrated by continuity errors such as the wrong grenades on the German soldiers, the Americans shouting after the Germans have walked passed, all the wounded getting executed by the Germans because obviously they don't want to know why they are there or who they are, intel obviously isn't important to the German army. Why do the Germans have cow bells on? they rattle like a Spanish goat heard as they move and many many more issues. My 12 year old son has made better films with his hand held camera.

From the first note of the opening song, this film blunders from anachronism to anachronism with the gay abandon of a film club of 10 year olds. Carefully chosen music that wouldn't be heard for 40 years; vehicles chosen perhaps for comfort rather than any likeness to anything that may have been seen in the US Military; a fascinating variety of guns, most of which bear more resemblance to plastic toys than actual weapons; military huts ordered direct from today's DIY catalogues; trees and casual wild life purportedly in England that never grew outside North America. In the end it's more a game of spot the idiocy than watch the film. Lighting and cameras compete with the director to find the most artistic shots, that of course don't work as art or film, and simply mystify as to their part in a plot which is harder to find than the Pathfinders' actual landing point. Tension is created more by having actors squabble than from real tension points. Characters you don't care about, in places that never existed, doing things that don't make sense ... badly. War films are just too well-researched and lovingly and accurately put together these days for this rubbish to shine in anything except ... well ... a rubbish dump! This is an insult to the real people who really suffered doing real heroic deeds.