Icarus

Well this wasn't a great movie by any means, very low budget and from what I understand straight to DVD which makes sense. Dolph gives a decent performance though in his role as a former KGB agent and sleeper spy, trying to break from his dark past and go straight. He's forced back into the killing game when his cover and career as a hit man is blown and he and his family (and girlfriend) targeted.

It is what it is, a low budget, B action flick. There are some OK fight scenes and shootouts, zero special effects though which limits things. And while I appreciated that this was in filmed in Vancouver and actually took place in Vancouver it was also fairly obvious that when Icarus/Eddie was supposed to be in Russia or China he was still in Vancouver.

Dolph does do a decent job with his role -he's better than anyone else in the movie which unfortunately isn't saying much and he's (still) very nice to look at. 1/13/16

This straight-to-DVD enterprise is quite a mindless parade of macho, bullets and blood in this same-old, same-old get-up that sees a professional KGB-trained assassin finding himself with a contract on his head. You can he trust, that's what it comes down to as his family find out he's living a lie. Being much more than just a businessman. Everything about this venture is heavily contrived, but outside some sluggish moments and the monotonous narrative filled with deep in- thought dialogues, but let's not also forget those stares. Dolph Lundgren who stars (in a methodical performance), but also directs keeps things rather repetitive, where it seems to be becoming a comfortable formula. He pumps up the screen with numerous slow-motion shots and frantic shot-on camera frames trying to give a personal touch. Talk about personal, Lundgren really gets up and personal when in conversation. What starts of immensely slow, gets better as it goes along where it eventually opens with blistering set-pieces of shootouts and brutal hand-to-hand combat with an ending that throws an ironic twist of fate. The plot tries to balance out its human dramas, but the pandering script is too heavy-handed and feels like a smokescreen as our man becomes a pawn in a much bigger game. Also making an appearance is Bo Svenson. While for me it might not have been as fun as some of Dolph's other recent outings. However while predictable and at times slow, "The Killing Machine" is a bold b-grade action joint.

"I guess today is your lucky day."

It is entertaining, it is exactly what you should have expected with it when you ordered it, and it is not a classic. Lots of shootouts & killing, lots of testosterone, lots of close quarter combat fighting (with lots of fighting 'grunting' noises, though a bit too much shaky camera action), car chases & crashes, and lots of action go along with Dolph and his pictures. Synopsis: Dolph is an assassin, a former KGB operative with a new identity himself, it involves the KGB's old operatives, the Russian mafia, some nebulous oriental mafia group, the American 'crime syndicate', the CIA, and subgroups, with their own special interests, of the above. Dolph still loves his ex-wife & daughter but has a gorgeous hottie to help him make it from dusk to dawn. Suddenly Dolph finds himself a target from all the above groups without anyone to trust. In the end he is in conflict with a former KBG agent, who was a friend, and whose life he once saved. You have to love the infinite ammo cheat whenever it is called on, and that Dolph can be unarmed & can still kill multiple well trained & heavily armed advisories. Lots of dots were not connected and there were unanswered questions. hollywood follows its receipt for moneymaking: Guns, guns, & more guns (You have to question hollywood's integrity when they preach anti-2nd amendment but don't let their statements interfere with the box office gross), pinball speed action, a little skin, a dollop of 'love' to try to make it movie with some 'redeeming quaintly' (which this move does not have). Enjoy it for what it is worth.

Dolph Lundgren is one of those actors that either makes a hit or miss type of action film. Now I do like him, although growing up I didn't seek out his movies, I was more interested in Chuck Norris, Jackie Chan and Jean Claude Van Damme, but Dolph is one of those actors that have a likable quality at least I feel is appealing and charming, even if he's in films that are sometimes over the top.

This was the best film he made in awhile and surprisingly he directed it himself. The film is your typical hit-man with a family, that gets caught up in his dangerous life type. But Dolph made it fun and at least a little fresh.

The body count is satisfying as well as the action scenes, and decently paced. The story is what you've seen before but I feel Dolph made it fun with some OK twists here and there. There are one liners Dolph says but kept to a minimum, because it's more of a serious movie than a tongue-in-cheek one. I originally seen this back in 2013 and I loved it, I was like finally a good Dolph Lundgren movie, because before I had only seen him in some crappy films that were forgettable and they really sucked, you know, really disappointing.

Overall a good film from start to finish and very re-watchable as well. I give it a 5/10. If your an action fan or a Dolph Lundgren fan, honestly check it out. Highly recommended.

Businessman Edward Genn (Dolph Lundgren) is actually a former KGB agent who defected to the US just before the Soviet Union collapsed and has been making his real living as a hit-man-for-hire. Naturally, he didn't tell his ex-wife (Stefanie von Pfetten), who he has a daughter with. But she finds out soon enough when her family is in the crossfire of a mob war led by Eddie's old comrade Vadim (Bo Svenson). This is Lundgren's sixth effort as a director and, surprisingly, it is his worst effort behind the camera so far thanks mostly to a lame script and that pesky jittery camera work. The prospect of Dolph teaming with fellow Swede Svenson is enticing, but they really only have 5 minutes on screen. There are lots of fights/shootings but Dolph films them all terribly, which is strange given his penchant for well-shot action displayed previous to this. The worst is he has fallen into the Hollywood cliché of shaky-cam/crash zooms, even during quiet dialog scenes. Not as bad as Stallone did with THE EXPENDABLES, but still annoying.